Hitchcoc I'm not a critical viewer of these animated things, but this one was just plain dull. What they did was create a basic image of their dwarf and then made carbon copies. They then lined them up and created dance sequences where they appeared to dance side by side. The problem was that dancing was all they did. The dances were surprisingly alike. There was no plot other than they were sort of having some sort of beer binge. There were a couple variations, but they, too, were not interesting.

Robert Reynolds This is an early Silly Symphony done by Disney. There will be spoilers ahead:There isn't much to this one. While the music is good and some of the animation is nice, it's essentially dwarfs dancing, drinking and pulling on beards. The first minute or so shows the dwarfs in various forms of work and then they start rolling out large kegs marked "BEER".After that, it's basically some drunk dwarfs dancing, with the focus narrowing to two dwarfs dancing around. One of them winds up wearing a leaf like a tutu and prancing about like a ballerina.The two eventually fall into a keg, emerging as even more tipsy than before. The last part of the short becomes rather odd and a bit surreal as everything becomes wavy and unsettled. That's all there really is to this one, I'm afraid. They can't all be gems.This short is available on the Disney Treasures More Silly Symphonies DVD release and the set is well worth tracking down.

TheLittleSongbird As I have said many times before, it is not as if I don't like Disney. I am a great fan, and I love most of the Disney cartoons, especially Babes in the Woods, Skeleton Dance, The Tortoise and the Hare, The Goddess of Spring, Father Noah's Ark, The Old Mill, The Whale Who Wanted to Sing at the Met, Symphony Hour, The Band Concert and especially Flowers and Trees. The Merry Dwarfs just didn't do much for me. Granted it is not the worst Disney cartoon, that's El Terrible Toreador, but apart from some good animation, some nicely choreographed dancing some great music and a few good moments with one of the dwarfs impersonating a female, the blacksmith putting shoes on a grasshopper and an experimental-style ending it is a rather dull cartoon. Sadly what makes The Merry Dwarfs dull from my perspective was a story that never comes to life even in its storybook-like form, characters that are cute but rather bland and while well choreographed the dancing just goes on and on and on making The Merry Dwarfs rather tedious. Overall, not a bad cartoon but I can't really recommend it other than for historical value. 5/10 Bethany Cox

ackstasis Out of the ten or so "Silly Symphonies" I've seen to date, 'The Merry Dwarfs (1929)' seems to be the weakest of all of them. Though 'The Skeleton Dance (1929)' and 'Springtime (1929)' were enjoyable, despite just portraying characters dancing in time with classical music, this particular cartoon seems to be lacking something. Surprisingly, there's very little charm in watching those little bearded fellows tap-dance across the grass, and, unlike the more nature-orientated Symphonies, we're stuck with the same performers throughout the six minutes. The most notable element of this cartoon is the unmistakable blueprint for Disney's first feature-length film 'Snow White and the Seven Dwarfs (1937),' though, in the intervening eight years, you can certainly recognise how efficiently the studio managed to evolve its craft.This particular short was directed by Walt Disney himself, and contains no dialogue, only dancing set to pleasant classical music. At the end, Disney does have some fun with the dwarfs' inherent drunkenness, and the entire screen warps as they consume more alcohol than is healthy for them. They dance inside barrels, they dance inside hats, they dance on their hands, they dance of their beards; these dwarfs are enjoying such an agreeable morning that they're quite willing to dance any old way. It's just a shame that watching them dance isn't quite so exciting. 'The Merry Dwarfs' is ultimately a worthwhile early cartoon for fans of the Silly Symphonies, but there are many that can be considered a major improvement upon this effort. Just for the record, my favourite to date is Wilfred Jackson's 'The Old Mill (1937).'