mangotoast This is the closest thing I've seen to a pound-for-pound masterpiece of American independent cinema in quite some time. The Mend is both bold AF and air tight (formally) on every level. Camera, performance, writing (oh, god, the writing), music, editing (holy moly, the editing)...just to name the main few. It reads as a bold personal project from an agitated, veteran filmmaker returning to his roots after a line of successful studio films made in other cultures. Assured, meticulous, worldly, and through and through- American.This movie is a living, breathing paradox. So frantic, manic, and harried, it feels as though it shouldn't congeal and add up in the end. No way it could. But it does. Its characters are simultaneously insane and wild, yet very much people we all know. Theatrical at turns (to great effect), yet deeply rooted in realism. The story is exciting and kinetic, yet simple, minimalist, and human.If it weren't for the authenticity of emotion in every fiber of this film, the joy ride could be just that- a ride that drops you off without more than ephemeral excitement. But this movie finds its way into your pours. It haunts you in a way only truly great cinema does. It imparts knowledge without attempting to teach.As one review mentioned- this movie breaks all the rules (something every first time director wants to have the balls to do, but who's intellect and slight of hand rarely seems to match). Oh boy, it matches. Were it studied, I can see how it has the power to discourage or befuddle many a new filmmaker, simply with it's rare, inadvisable brilliance. I can imagine you might be reading this review, labeling it knee-jerk hyperbole. 'Exit Door Excitement'. I am here to tell you this film has gestated in my levels of consciousness for over 1 year. Three viewings (the most recent being last night). The Mend has continued to impress/scare/bewilder/seduce me. I suspect it always will.Someone please tell me how this film was not heralded by all those fans of bold new cinema? This is a travesty and I can only hope the filmmakers keep making exactly the films they need to make in order to satisfy their instincts. Those instincts will someday align with a larger audience. If there is any kind of justice in this universe.

dt_one This film is up for an Independent Spirit Award, but I would be hard pressed to tell you why. This would be story is about a bunch of low rent characters rejected by Woody Allen who, while in their mid-thirties, feel like they are still on the grade school playground. The whole first act is a house party where nothing really happens. Just a bunch of background music that is too loud over the mumble core 101 dialog that goes flat. At some point we finally realize that the plot is about two brothers arguing about their father with no real back story, as well as a predictably romance gone wrong. You would get better conversation talking to your unemployed neighbor! Austin Pendleton provides the lone, almost passable personality to this two hour waste of time. Actually, ten minutes might have been too much.

Moviegoer19 This is the kind of film which you don't know if it's just bad or if what feels bad about it is it succeeding. This question arises for me because I think it did succeed at what it aimed to do which was to portray two brothers, how they were different as well as alike and how they fed off of each other. Though the brother played by Josh Lucas was quite despicable, I wound up not feeling sorry for the other brother because they enabled each other. The thing is, this often happens in families. Each brother had his own problems, i.e., with relationships, with work, art, and the world in general, but they both came from the same family and in the end, shared some common traits.As the other review indicates, it is a slow moving film. The things that happen are "small" and more time is spent on events than usually happens in films, but that too may be calculated for its effect.I'd recommend seeing it if you're a fan of any of the actors, and/or if you like watching psychological relationship movies which may make you feel uncomfortable, tense or frustrated. I probably would have liked it more if I felt I gained some kind of insight from it.

Yellow Power I hate leaving bad reviews, because I feel like you can take a little something from every movie. So I will just honestly describe this movie as "a slow movie." It's the type of movie that you would watch while lazing around at home on a Sunday afternoon, or the type of movie that you would play in the background of a get-together for white noise. I'm sure it will win plenty of awards because it does have some substance and it requires some thought in order to receive the message conveyed. But in a nut-shell, a free-spirited man-child lives without regrets or constraints. His polar-opposite brother seeks guidance and happiness all while babysitting an adult male. I recommend giving it a chance on a sick-day from work.