SnoopyStyle It's 1964 in Lexington, Kentucky. Dr. David Henry (Dermot Mulroney) drive his pregnant wife Norah (Gretchen Mol) to the hospital. He and nurse Caroline Gil (Emily Watson) deliver healthy son Paul. They are surprised by twin Phoebe who turns out to have Down Syndrome. He lies to Norah that she died and gives the baby to nurse Gil. He instructs Gil to put her in an institution expecting her to die but Gil decides to raise the baby herself due to witnessing the draconian conditions.It's a Lifetime TV movie. It tackles an interesting subject and a girl with Down Syndrome gets to act. These are solid actors but the story doesn't have enough tension. I don't find the Henrys that compelling. Their part of the story feels meandering. I like Gil's side better but that isn't the most dramatic either. I would rather have a bigger time skip like 12 years later. The story could easily pick up when the two sides reconnect. It's more compelling that way because the danger of discovery is heightened.

JohnLeeT Giving one of the most amazing performances of her incredible career, Emily Watson brings compassion, love, and beauty to this otherwise mediocre film. As is almost always the case, Watson rises above the material and essays a character that in unforgettable in its depth, realism, and passion. There is no debate as to Emily Watson being the finest actor of our time and this film serves as another showcase for her astounding talent and artistry. In even minor roles, Watson captures a film and makes it her own to the extent that other actors in a piece strive to give exceptional performances themselves. Anyone who truly appreciates cinema and recognizes genius when they see it will see Emily Watson's name in the credits and make a point of seeing the film. Watson is a divine gift to any director and an artist that touches the very souls of audiences whenever she graces the screen with yet another masterful moment of cinematic greatness.

loschavez It was understood this would be a sorely depressing film, considering the unpleasant subject. I never read this novel, but any screenplay it contained would have tended toward low expectations. Even in this era of cloned flops.--Spoilers coming: Here we see nothing uplifting, not even the growing children. I've known some wonderful kids with Down's Syndrome. A sweet Downs child is usually more than able to capture your heart by sheer innocence and good will.Here the daughter Phoebe has that responsibility thrust on her because all the other characters are dreadful. They only convey grief and/or ignorance of the subject matter. Ostensibly because this novel all occurs in unenlightened days when Downs babies were referred to as "Mongoloid idiots." But in this plot there can be no excuses. Because her father, this "Memory Keeper" is a practicing physician. Yet, from panic he condemns his baby girl to an institution that seems nothing more than a zoo. Emily Watson's role is supposed to show love and compassion. She's this plot's lynch-pin. But what she acts out is deadpan worry. Both the mother who was deceived, and her boy the twin brother, are played with less nuance than her Downs-afflicted daughter emotes.Indeed, she carries on cheerfully. The plot, however, sags in all the important places. Except for some tearful expressions by Mom and Dad in early development, hardly any acting of significance is filmed. IMHO, the director of this movie ought to bow out of the profession and let others take the blame for depressing, bad films.

gradyharp THE MEMORY KEEPER'S DAUGHTER in the form of a novel by Kim Edwards was a highly successful bestseller and probably was featured in more reading groups than any other novel during its circulation. So what happened when the novel became a made-for-television movie? Perhaps it is the below mediocre screenplay (oops!, teleplay!) by John Pielmeier that consistently galumphs along in an awkward pedestrian fashion removing all sense of credibility to the story. Perhaps it is the cut and paste direction by Mick Jackson that misses the pacing and character delineation. Perhaps it suffers from the cinematography of an uncredited source or the 'liquid tears' musical score by Daniel Licht. For whatever of these (or all of these) reasons, this novel-to-film survives because it does make a good case for educating the public about the capabilities of those born with Down Syndrome. And for that it is worthy of attention. Dr. David Henry (Dermot Mulroney), a successful orthopedic doctor, is married to the beautiful Norah (Gretchen Mol) and their lives are becoming changed by their pregnancy. On a stormy winter night in Kentucky Norah goes into labor and the Henry's rush to a nearby clinic where David delivers his wife (the doctor is caught in a snowstorm) with the assistance of his old friend, nurse Caroline Gill (Emily Watson). After the delivery of a perfect boy child (Paul) Norah continues to be in labor and (surprisingly...) delivers an unexpected (!) twin girl. David and Caroline immediately recognize that the little girl (Phoebe) is a 'mongoloid' (this is before the use of the term Down Syndrome) and David, having a history of losing a little sister because of a birth defect) decides to send Phoebe to an asylum for the mentally challenged: Caroline is to make the delivery and Norah is told the second twin died at birth. Caroline follows instructions, sees the conditions of the 'home' where Phoebe is to be deposited, shrinks in horror, and decides to keep the child. Aided by a friendly trucker, Caroline changes her solitary existence and mothers Phoebe, finding a new life in her trucker's Pittsburgh. Norah insists on a formal funeral for Phoebe - a fact that deeply disturbs David's psyche, and the Henry's life goes on with only the one child Paul, leaving submerged pains about the lack of Phoebe's presence. Norah gifts David with a camera ('peoples lives are like a camera, that's where they live - in a room captured by a moment') and David becomes obsessed with photography. Norah grieves, drinks, and loses David's attention, while David traces Phoebe's existence with Caroline - sending money and letters to Pittsburgh. Paul (Tyler Stentiford to Jamie Spilchuk) grows up, discovers his mother's infidelities and is angered about his father's lack of communication and understanding, and decides to fulfill his goal of becoming a musician, and off to Juilliard he goes. Meanwhile Phoebe (Krystal Hope Nausbaum) has matured into a very highly adapted young girl, and the manner in which the broken marriage of the Henrys happens and the healing atmosphere of Phoebe's and Paul's lives coupled with the courage that has supported Caroline Gill's struggle to gain acceptance in the world for those born with Down Syndrome forms the conclusion of the film. The cast of well-known actors tries hard, but only Emily Watson is able to resurrect a credible character from this squishy script. Jamie Spilchuk gives evidence of a young actor with much promise. Dermot Mulroney and Gretchen find it difficult to mold empathetic characters form the corny lines they are given to deliver. The film is a mess, but the message about acceptance of Down Syndrome children and adults is an important one. Grady Harp