MichaelMRamey I thank god everyday they stopped at three because I can only imagine the fourth instalment would continue to fall in quality. If you like action, you may enjoy this, but that's all there really is in this film. The script must have been twenty pages long because it's basically one long final battle, stretched into an entire film. By the time it reached the final thirty minutes, I didn't care who won. I just wanted it to be over.

Delciovieira It is an inglorious destiny for a film that closes with academic competence the saga of Neo, Trinity and Morpheus. Note that the competence cited here has two meanings. The first is good, as the adventure ties loose ends, guarantees two hours of entertainment and still leaves ample room for discussion (there is a new character that should make fans crazy want to understand it better, the little girl Sati). The other, bad, is the lack of innovation, as in a hasty work of beginners in which any kind of experimentation is left aside to favor conventional solutions already seen and reviewed in the cinema.However, if the conclusion is based on the truism, it is in isolated scenes that Revolutions sustains itself and imbalances the balance. The final fight between Neo (Keanu Reeves) and Smith (Hugo Weaving, perfect) - a street fight between Supermen - is great, the machines attack on Zion is exciting and the visit to the city of 01, the capital of machines , quite satisfactory for who conferred "The second reborn", episode of the series Animatrix. Also noteworthy is the treatment given by writers to women in the film. Trinity has never been so determined and tough, Niobe (Jada Pinkett Smith) even eclipses Morpheus and even Zee (Nona Gaye) appears to save the day. The Matrix women do not drive home and never lose their femininity.The story of Revolutions begins exactly from the point where they stopped Reloaded and Enter the Matrix, the video game of the saga. Neo is in a coma after destroying sentinels in the real world with his mind. Zion's defenses are preparing to face the biggest battle of its history, while hundreds of thousands of robots advance towards the city. Trinity (Carrie-Anne Moss) and Morpheus (Laurence Fishburne) decide to enter the Matrix for the last time to find the Oracle (Mary Alice) and try to save the predestined. Helped by Seraph, they discover that the Merovingian (Lambert Wilson) may be behind the Neo state. The battle is imminent on both fronts, the real world and simulated reality, and even the winner can lose everything, as the Smith virus has reached alarming proportions and has only one wish in mind: the end of all forms of existence.Coming to expectations or not, one can not help but admire the fact that a hugely successful Hollywood blockbuster for the third time will make fans think and discuss the story for years, seeking philosophical, theological, and literary references. The debate is positive and the result is overwhelming. And that, no one pulls the Matrix. Be it the original, Reloaded or Revolutions.

TheLittleSongbird 'The Matrix' is a genre and film milestone, while it is not one of my all-time favourite films it is still a great, impeccably made and awe-inspiring film and ground-breaking in its visuals and sound that broke boundaries in a way rarely if ever done before.In 2003, 'The Matrix' boasted two sequels, 'The Matrix Reloaded' and 'The Matrix Revolutions', generally considered critically and to audience not a patch in quality (though more mixed reviews than negatively received). To me, both are vastly inferior and have major problems. At the same time, neither are travesties, there are notable good points.Hard to say which is the better of the two sequels, they both have similar strengths but also similar flaws with a couple of things done better or worse in the other. Generally it is a shame that after such a great first instalment that 'The Matrix Revolutions' feels largely unsatisfying.Starting with 'The Matrix Revolutions' good things, the film while not as imaginative as the previous film or as ground-breaking as the original still looks great. The production design is still audacious, the special effects dazzling and uber-cool, very slick editing and cinematography that's both clever and imaginative. There is an epic eeriness to the music score.While not as astonishing as previously and there is a slight overload of them (with a couple overlong), the action scenes are still very impressive and the awe factor is still there. They benefit from looking great, breathless stunts, a great sense of paranoia, energy and tension. The final battle between Neo and Smith have garnered a mixed reaction, to me it was thrilling stuff and spectacular in mood even if ending on an anti-climactic note.Lead performances are fine. Keanu Reeves and Carrie Anne Moss are cool, Hugo Weaving is deliciously wicked and Laurence Fishburne is imposing and charismatic and doesn't take it too seriously this time even with less to do.On the other hand, 'The Matrix Revolutions' is particularly crippled by its pacing and dialogue. The pacing is even more problematic here than in 'Reloaded' with the first half especially being so inert the slower and talkier parts feel stillborn.Dialogue was not a strong suit in 'Reloaded' but it's amplified here, its endlessly and annoyingly cryptic conversations, over-wordiness, over-complicated long sentences and wallowing self-importance add to its increasingly cheesy and stilted feel.'The Matrix Revolutions' story often doesn't draw one in enough, with a very dull first half that makes one tempted to bail. Although the second half fares better, the sense of wonder is nowhere near as strong and it's masked by too many characters, situations and scenes that are overlong and extraneous so, along with an over-seriousness, it feels too bloated and heavy.While the leads are good enough, the rest of the acting suffers from sketchy characterisation and poor writing. The ending is abrupt and confused, leaving one with too many unanswered questions which a final film in a trilogy should not do.Overall, not a travesty but less than great. 5/10 Bethany Cox

Python Hyena The Matrix: Revolutions (2003): Dir: Andy Wachowski, Larry Wachowski / Cast: Keanu Reeves, Carrie-Anne Moss, Laurence Fishburne, Hugo Weaving, Jada Pinkett: Weakest of the Matrix trilogy about man's battle against machines. This was better established in The Terminator. Picking up where Reloaded left off, Neo awakens in a subway station where he is trapped outside the matrix and the train refuses his entry. Meanwhile Trinity, Morpheus and others set to rescue him while continuing the war against the machine army. Once Neo is rescued the screenplays descends into constant action, blazing violence and special effects that seem to go on and on. Directed by Andy and Larry Wachowski who provide us with superb visual spectacle that is rushed to release too soon. Worse than the previous sequel with a disappointing ending just to add to insult. Keanu Reeves returns again as Neo with Carrie-Anne Moss as Trinity. Their introduction is well established until it becomes constant bang bang and the low blow ending. Laurence Fishburne as Morpheus is reduced to a cardboard performance. Hugo Weaving as agent Smith throws out lines fit for a Saturday Night Live comedian. Jada Pinkett is also underused to the point of just showing up because she wasn't lucky enough to be in the original. Any spiritual parallels take a backseat to production values. Score: 3 / 10