didi-5 This adaptation of an Ellery Queen mystery concerns the theft of a rare Chinese stamp (the Mandarin of the title), which takes place in a hotel with several shifty characters and an hysterical manager (the priceless Franklin Pangborn). The mystery, such as it is, concerns both the stamp theft and two murders, and shows Ellery and his father the Inspector as a team rubbing together just enough to solve the case.As Ellery Queen, Eddie Quillan is all wrong - he was more at home in light comedy and musicals, and this is the way he plays the character. As the heroine/chief suspect, Charlotte Henry (only remembered nowadays as 'Alice in Wonderland') isn't too bad, while others who have some impact in the cast include Rita Le Roy and Kay Hughes as sisters, and Wade Boteler as Queen senior.

Charles Reichenthal If one can simply forget the literary Ellery Queen, this is an OK murder mystery (locked room murder, etc. etc. ). the problem, for Ellery Queen fans is that the whole thing, on that basis, is WAY off the mark. Queen is an analytical detective, and his father and the Police are not dolts. The books are written with more twists and turns and excellence that most others on the mystery shelf (with the possible exceptions of S.S. Van Dyne (Philo Vance) and, of course, Agatha Christie.)Dropping the comparison, one must note the ridiculousness of some of the plot e.g. the whole world knows the value of the stamp - it even appears on the Times Square news bulletin - yet the girl carries the stamp in an envelope in her open pocketbook. Despite all of this, Quillan is a fun actor, definitely not Ellery but giving the film the spunk it desperately needs. Charlotte Henry does not have a 'clue' and thus cannot handle the idiocy of what her character says and does. Still, on a chilly night, with the rain on the window, and curled up on a comfortable chair, this passes the time quickly.

Hitchcoc Using the Ellery Queen characters, this little yarn spins a tale of a stolen stamp of great value. A murder is committed and the victim doesn't seem to fit the situation. It has that thirties silliness where all the police are a bunch of snarly knuckleheads. They couldn't find their way out of a shoebox. Anyway the young Queen, who is irreverent and extremely amorous, condescends to enter the case because he has designs on the leading lady, a feisty thing who doesn't seem to be affected by much of anything, including a corpse. There is a little crime solving of the CSI variety built in. There's lots of comedy, including a fainting hotel manager (who actually detracts from the affairs at hand. Still the plot is entertaining and fast moving and isn't as stilted and sappy than many of its genre. Queen is a bit too much for my tastes, but, then, this was another time and another place. It shows why the Thin Man series worked so well. It was the charm of their characters and they way they played off one another. Give this one a look if you can.

cutterccbaxter Eddie Quillan struck me more as a second-banana comic-relief type actor than one who can carry a film. But such is the casting in many a B film. The script and Eddie's acting sets up Ellery Queen as some kind of goof ball crime solver. Eddie pretty much grins his way through the movie. I kept expecting another actor to show up with more gravitas, push Eddie aside, and say, "Thanks for filling in Eddie, I'll take over now." As the fussy hotel manager, Franklin Pangborn was his usual reliable self as he provided the best comedic moments in a film that otherwise really struggled to be funny. The mystery aspect of the story wasn't too bad. The killer certainly made good use of a dead body.