classicsoncall This John Wayne film from Four Star Westerns has a decidedly Spanish flavor, even more so than the picture that came before, "Somewhere in Sonora", and that one actually took place south of the border. The story has to do with large scale Spanish Grant landholders who are required to register their land with the U.S. government, but in typical fashion, there are holdouts who must be persuaded to comply.John Wayne is Captain John Holmes, who's mission is to get the land owners to fall in line by persuading one of the biggest operators to register. However Don Jose Castanares (Lafe McKee) is reluctant to do so, and his friend Don Pablo Gonzalez (Francis Ford) urges him not to. Some friend, Don Pablo intends to move in on the property by registering it himself if it should fall into public domain by a certain date.This time out, the romantic interest for John Wayne's character is pretty senorita Dolores Castanares (Ruth Hall), daughter of Don Jose. There will be some complications, since the Don intends for his daughter to marry Don Luis (Donald Reed), son of Don Pablo, thereby further guaranteeing an interest in the Castaneras property for the Gonzalez family. For his part, Captain Holmes avails himself of a Mexican sidekick by teaming up with Felipe Guadalupe Constacio Delgado Santa Cruz de la Verranca (Luis Alberni). I included all those names for Felipe because despite all of them, Holmes wound up calling him 'Leo' a couple of times and I couldn't figure out where that came from.Well for an early oater like this there's a lot of goofy stuff going on, whether intentional or not. When Captain Holmes is locked up in a home made dungeon at one point, the bars on the cell are made of wood! A cantina gal named Anita (Nina Quartero), who claims to be engaged to Don Luis, somehow manages to pull a switcheroo during the wedding ceremony and marries Don Luis herself. And in a sword-fight against Don Luis's henchmen, John Wayne proves he's no Errol Flynn by waving his sword back and forth in a manner best designed not to hurt himself.Well look, virtually all of these early oaters were pretty sub-standard by most accounts, even John Wayne's. But the good news for Wayne was that he had only about forty of these types of flicks to go before hitting it big with "Stagecoach" in 1939. Right after completing this stint with Warners' Four Star Westerns unit, he signed up with Paul Malvern's Lone Star Productions where he plied his craft in sixteen more, mostly forgettable Westerns.

CitizenCaine John Wayne made a series of six films for Vitagraph from 1932-1933. The Man From Monterey was the last of the bunch and no better or worse than the others. Wayne stars as a cavalry officer in old California and tries to help a Spanish landowner from land-grabbers. The chief villain is played by Francis Ford, brother of the great western film giant: John Ford, who would later play a role in establishing Wayne as a mythic western hero as well as a legitimate actor. The film moves quickly but contains amateurish acting from the supporting cast, missing Spanish accents, non-Spanish-looking actresses, and laughable swordplay. Wayne's sidekick does offer up a few laughs though, especially when in drag. *1/2 of 4 stars.

Michael_Elliott Man from Monterey, The (1933) ** (out of 4) "B" Western has Captain John Holmes (John Wayne) being sent by the government to try and explain to some Spanish folks that they must register their land grants or they will end up losing them by them falling into the public domain. Holmes must battle some greedy land stealers who want the most valuable land to fall into the public domain so that they can get it at a better price. This was one of six early films Wayne made for Warner and it's not one of the best. I think it goes without saying that many of the "B" Westerns from this era were very short on plot and many of them didn't differentiate themselves from countless others that were being released. This one here features Wayne with Duke and that's pretty much it. Usually I find myself entertained during these films but that wasn't the case here as I found the story to be interesting but that's about it. The movie didn't contain any good action scenes, the fights were rather boring and the entire subplot with the love story was deadly boring. The most energy comes from some unintentionally funny moments including one sequence where Wayne saves his love interest (Ruth Hall) only to have her jealous, wannabe boyfriend (Donald Reed) stick him up. How Wayne keeps flirting with the woman even though he has a gun on him had me laughing out loud. Even funnier is that the so-called boyfriend keeps getting more and more steamed yet Wayne never seems to notice. Other funny moments come from a troubadour (Luis Alberni) who actually keeps the film moving with his performance. Wayne isn't too bad, although he really doesn't have much to do except stand tall and act tough. Hall isn't too bad as the love interest but the screenplay doesn't do her any favors. Reed is pretty bland as the bad guy, although the unintentional laughs are actually needed here. The story of the land falling into the public domain could have made for an entertaining story but director Wright brings no life or energy to the film and in the end it's just too boring even at only 57-minutes.

Arthur Hausner The only way I can watch any one of the early B-westerns is by deciding in advance to treat it as high camp, although occasionally a good one pops up. This film is not one of those, but I still had a few chuckles at the goings on, looking for outrageous items. John Wayne is an army captain sent from a fort in Monterey to convince Spanish land owner Lafe McKee to register his claim, else it will become public domain. Land grabbers Francis Ford and his son Donald Reed try to keep McKee from doing so in order to get the land for themselves. The only comic relief in the film came from Luis Alberni, who reads palms, continuously introduces himself as "Felipe Guadelupe Constanche Delgado Santa Cruz" in a flourish, and dresses in drag. Almost everyone else, including Wayne, is so serious it was somewhat funny. I had fun with the good bad guy (Slim Whitaker), the all-too-easy escapes, the stilted dialog, the obligatory love-interest (with Ruth Hall), the peculiar sword fighting, and best of all, Wayne's mind-reading horse, Duke. When Wayne was captured, he tells Alberni (who is outside the locked room where there are no guards) to send Duke to get Whitaker's men. All Alberni does is pat the horse on his rear end and say "go on, Duke."This was set right after California entered the Union when the Spanish land owners distrusted the "gringos," and filmmakers used the theme of land grabbing quite often.