The Magnetic Monster

1953 "Terror swoops through the heart of a city in the dead of night!"
5.8| 1h16m| NR| en| More Info
Released: 18 February 1953 Released
Producted By: Ivan Tors Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

The Office of Scientific Investigations tracks down the source of increased magnetism and radioactivity in Los Angeles, and discovers that a man-made isotope is consuming available energy from nearby mass every few hours, doubling its size in the process. Although microscopic, it will soon become big enough to destroy Earth; and how to stop it is yet to be determined. The film's Deltatron special effects footage is taken from the 1934 German sci-fi film GOLD.

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JimS The script of this low budget (no one could afford a scientific adviser) film consists of an incoherent jumble of misused terminology with a side story that the main character's wife is going to have a baby (no mystery here - we know how that happens). The plot says that Denker created this thing (it's called an element in the script) by bombarding serranium (a fictitious element name) with alpha particles for 200 hours. Note that this was done in his clandestine laboratory above the local appliance store. Now we find that magnetism and radioactivity, two unrelated phenomena, are the result of this creation. It magnetizes stuff around it but the magnetized stuff behaves in odd ways. The source is found to be above the ceiling but the metal objects move horizontally across the floor or counter. So they catch up with Denker with the stuff in a briefcase and store it in the cyclotron for safe keeping - wrong. That's not what one does with a cyclotron. Supposedly, this thing has the ability to absorb energy and convert it to mass (a great misapplication of the Einstein equation E = mc(squared) and so the cyclotron gets destroyed when it goes through one of its energy absorbing episodes. Whether it is one atom getting bigger or one atom making other atoms we are not told, only if no one can stop it the Earth will be ejected from its orbit. This is so bad. Never mind the ending. Along with the misapplication of scientific terminology the makers of the film want us to believe that the plane carrying the thing to Canada changes from a T-33 Trainer on the ground to a F-86 Saber jet after takeoff in the air. It shouldn't take much to realize that error and to correct it but no. In conclusion, don't pay money to see it or the time for that matter unless you get your kicks out of watching things that Mystery Science Theater 2000 would pan. I can't believe that so many reviewers actually thought it was good.
Scott LeBrun Our heroes in this yarn work for the O.S.I. That's the Office of Scientific Investigation. And their latest case is pretty staggering: looking into the incident of magnetized items in a hardware store, they discover something unexpected upstairs. It's a laboratory, in which a mad scientist, Dr. Denker (Leonard Mudie), had developed a radioactive element. Of course, now this element is unstable and could cause problems for many Americans if guys like Jeffrey Stewart (Richard Carlson) and his associate Dan Forbes (King Donovan) don't do something about it."The Magnetic Monster" won't be to everyones' taste. This is due to depending more on talk than action for its impact, and relatively little spectacle. (Even a key explosion is only mentioned rather than shown.) It IS pretty intelligent, offering a scenario (concocted by producer Ivan Tors and director Curt Siodmak) with an unusual and interesting "monster". The screenplay does offer convincing dialogue centered around science fact more than fantastical science fiction. Siodmak directs in a matter of fact, no nonsense style that helps to sell the realism of the story. There are some scenes of domestic bliss with Stewart and his pregnant wife Connie (Jean Byron) that do interrupt the flow of things, but there aren't an excessive amount of them. The big action climax actually consists of stock footage lifted from a 1930s German sci-fi feature titled "Gold".There's a fair amount of recognizable actors in this earnest and rock solid cast. Good work by Carlson and Donovan is supplemented by fine performances by people like Harry Ellerbe, Leo Britt, Byron Foulger, Roy Engel, Frank Gerstle, William 'Billy' Benedict, Kathleen Freeman, and Strother Martin.Fairly enjoyable overall. Tors' O.S.I. trilogy also consists of "Riders to the Star" and "Gog".Six out of 10.
ebeckstr-1 MM is a lesser movie, and not nearly on par with the best the 50s had to offer by way of American scifi flicks. It pales in comparison to movies like Them, Invasion of the Body Snatchers, The Thing from Another World, The Monolith Monsters, 20 Million Miles to Earth, Forbidden Planet, It Came from Outer Space, Tarantula, The Mole People, and others. Not all of these are superb movies, but all of them are far more entertaining than The Magnetic Monster.MM suffers from the same problems as a good many scifi films from that era. Unlike any of the above listed examples, MM is filmed in a documentary style, which also characterized some of the lesser film noir of the same time period. Exposition is handled mainly through very boring voice-over narration. In this way, instead of conveying information and through interesting character interactions or suspenseful plot reveals (watch The Thing for a perfect example of how it should be done), we have to listen to the protagonist drone on and on in sci-babble through his voice-overs. In addition, the movie makes liberal use of Air Force stock footage leading up to the climax. The climax itself consists largely of re-used footage from what I believe is the 1935 scifi movie, Trans-Atlantic Tunnel (worth a look, BTW). All of the above alludes to the main problem with MM: a bland, uninteresting script which never draws the viewer in after the fashion of the better scifi movies from that era. Most of the movies I listed above make a sincere attempt to present entertaining dialogue, and those with less complex scripts still create suspense through competent pacing and editing. Some of them, such as Them and The Thing, inject some humor into the script, thus investing the movie with another level of entertainment, while also fleshing out the characters a bit more. MM possesses none of these attributes, which is somewhat surprising, given Curt Siodmak's involvement with the film. He was both a competent writer and a reasonably talented director (perhaps not coincidentally, he conceived the story for Trans-Atlantic Tunnel).Anyway, Magnetic Monster is worth a look, I guess, if you are a connoisseur of 50s American scifi; but I suggest you go in with low expectations.
kalibeans It's April, 2013, an age of scientific advance Mr. Carlson surely would have loved to have seen, and TCM just had a Richard Carlson tribute evening. All his best. These movies have lost nothing of their fascination from the time I first watched them as a young child through now as I'm just a tinch shy of my "golden years". Those of us who fall into this age category have the wonderful advantage of having seen science fiction be translated into science fact. We were the dreamers who saw the beginnings of the space age through these incredible films of the 50's of which Richard Carlson's were among the best. This movie, along with Riders to the Stars, were his first attempts to try to provide more science "fact" than "fiction" and they still to this day provide excellent film watching. They also are from a period where films still relied mainly on actually telling a story, as opposed to whip fast computer generated graphics to provide all the entertainment. The Magnetic Monster delves into the relatively unknown to the average person, but terrifying world of nuclear material, and a batch of it that seems to actually be alive and with a voracious appetite. I found it more like watching a documentary than a film and this one stuck with me, even after all these years. It's well worth a watch and if you have young children, especially age 8-11, try to get them to take a watch with you. I'm sure many a scientist today got their initial thirst for science from some of Carlson's wonderful films. ENJOY!!