Filipe Neto Before I look at this film I must clarify a thing: I'm an unconditional opera fan, I think its the most complete art form that exists, since it harmonizes several forms of art, namely music, theater, singing and often dancing. When its well made, opera is a feast for the senses which is only harmed by a huge and unjust elitism, blamed for the exorbitant ticket prices. So I know very well "The Magic Flute", with Mozart's music on a Schikaneder text. Having made this clarification, let's talk about the film.Kenneth Branagh is a brave guy, it takes some courage to adapt Shakespeare to the movies and he did it more than once. So it doesn't surprise me that he had the guts to turn one of the most famous comic operas ever into a movie. Its almost iconoclastic, especially for the purists, but he did it! The film is very beautiful and the transition to the cinema didn't harm music at all. Mozart's melodies are almost all there, only omitting elements most related to the Masonic apology that Mozart and Schikaneder wanted to do. Most singers aren't famous and Rene Pape, in the role of Sarastro, is the most easily recognizable name. Personally, I think there would be no problem in betting on experienced and well-known singers, as long as they were prepared for the demands of film work. The work of the Chamber Orchestra of Europe also deserves a note of congratulations.Anyone who knows the original libretto immediately realizes that the context and environment of the story has been totally changed: action no longer happens in a world of fairy tales, but during a war, clearly inspired by First World War, but this raises a problem: some characters never properly fit into this environment, as the Queen of the Night. There was also an effort to make the story more politically correct, as the original opera is, sometimes, racist and misogynist. Don't blame Mozart for that, it was the mentality of people back then. Even so, these changes have made some characters meaningless. This is what happened to Monostatos who, in the original opera, is a Muslim from North Africa, portrayed according to the prejudices of that time.In the midst of some flaws arising from the changes made to the environment in which the story takes place, the film is very enjoyable. Of course, Mozart's music will always be the element that will draw people to watch it, but personally I think its also an interesting way to awaken for the opera some people who, otherwise, would never have the curiosity to give a chance to this beautiful art form.

GusF Based on the 1791 opera "Die Zauberflöte" by Wolfgang Amadeus Mozart, this is certainly a well made film but I can't say that I particularly enjoyed it. As far as opera is concerned, I am a complete philistine and this film did not nothing to change that, I'm afraid. I had never seen a full one on stage or on screen before this film and I am not inclined to watch another one after this. It felt far, far longer than two hours. As with Richard Attenborough's worst film "A Chorus Line", I would never have watched the film if it had been made by one of my favourite directors, in this case Kenneth Branagh. His skill as a director is in evidence throughout the film, most notably the uninterrupted and extremely complex six minute take, and the decision to set it against the backdrop of the First World War was an interesting one but there was little else than I enjoyed about it. The singing was excellent but it was rather overwhelming since it accounted for almost the entire running time. Having just finished the film, I am pretty exhausted, to be frank.Overall, it is not a bad film by any means but it was just not to my personal tastes at all. Hey, at least I can say that I gave opera a try! That box is ticked now. This is without a doubt my least favourite film directed by Branagh.

sclvr I stumbled on this today. It's on Netflix now, which apparently is the first time audiences in the US have had an easy way to see this. I was blown away. I have loved this opera for most of my life, and the interesting setting in WW I was compelling to me. Kudos to Kenneth. But the grandeur of Mozart's music really overshadows everything. Pure genius. Why isn't this easily available in the US? No, it won't make a lot of money at the box office, but there are a lot of people who would end up getting a copy of this on DVD/Blu Ray.....Mozart is very popular and a nice version of one of his best operas in English will do well over the long term. It might even lure some people in who haven't listened to Mozart before. Lets get it out there, guys!

Mojochi If The Lord Of The Rings trilogy has showed us anything, it showed that myth and fantasy have a place in modern cinema. I have long & will still firmly believe that my favorite Mozart piece, Die Zauberflöte, can & should receive a properly reverent modern cinematic treatment, while respecting the original Mozart vision, & adding fantasy aspects that could appeal to the modern masses.This presentation however, is not that treatment I still hope for, primarily due to what I consider to be an unnecessary & unfitting portrayal, in an awkwardly placed period. Plus, The direction tends to be as misplaced as the screen adaptation itself, though still a thoroughly picturesque visage.In & of itself, it's a very enjoyable film to watch. The English adaptation by Fry is suitable, the performances from the cast are wonderful, the casting itself was splendid, & of course, the music is beyond beautiful.I can only criticize the film for being something I'd rather it not be, as I don't believe The Magic Flute belongs set in this way. Why wouldn't you just present this piece in a more reverent way, as an entity belonging purely to the fantasy realm, the way one would expect from A Midsummer Night's Dream or the like? I would expect that someone with such respectable Shakespearean credits to his name would be thoroughly capable of rising to that challenge. The intrusion of a WWI theme only steals from the wonder of a would be mythical experience, in my opinionYou get an A+ for effort, an A for execution, & a B- for intention, which would have been lower had you not tried so very well to make the style & period work. Nonetheless, an enjoyable view, that leaves me to still want for the version I desire, & believe we all deserve