The Long Duel

1967 "The blazing passions of a land…its proud warriors…its exotic women…bursting aflame in revolt!"
The Long Duel
5.9| 1h55m| en| More Info
Released: 27 July 1967 Released
Producted By: Paramount Pictures
Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

An idealistic colonial police officer is sent to capture a rebel leader who threatens the stability of the Raj's north-west frontier. Despite his official colonial capacity, the policeman is impressed by the ingenuity and integrity of his enemy and is determined to arrest him alive rather than bring him in dead as his superiors might wish.

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clanciai This has simply been unfairly misunderstood. It's a great romantic adventure story exposing conflicting mentalities in the last days of the Indian Raj, when some British already started to doubt their presence there. Harry Andrews is the hopeless imperialist who knows only one way to govern and that by force, while Trevor Howard tries the other way: dialogue and understanding. Yul Brynner is the freedom fighter with a just cause who knows he is right and struggles against opposition in his own camp to achieve it with tragic results, due to the hardcore inflexibility of the British military authorities (Harry Andrews). Charlotte Rampling plays an unusual part as a female diplomatic intermediary, and her character is the only one who is not quite convincing, which unfavourable impression is worsened by her horrible hair style - utterly impossible in India.Additional merits of the film is the overwhelming sweeping landscape scenes catching the wilderness of the Himalayas, and the music, which underlines and augments the romantic character of the film. Yul Brynner is always interesting and makes memorable characters, and also Trevor Howard and Harry Andrews are well up to their ordinary excellent standard, while the story and its lesson of experience, wisdom and humanity is the main importance of this very underrated film.
Spikeopath Run of the mill historical adventure yarn set on India's North-West Frontier during the British Raj. Yul Brynner plays rebel tribesman Sultan who is pursued by Brit copper Freddy Young (Trevor Howard), who while chasing down the enigmatic rebel comes to respect him and is unwilling to execute the justice requested by his superiors.The intent to make an historical epic of some worth, that is based on facts, is honourable. It looks nice with an authentic feel to the surroundings of the story, if only it wasn't so laboured, so full of inane posturing and poorly scripted characters, then it might just about crawl its way to being just above average.It rarely excites, director Ken Annakin unable to inject life into the more perkier aspects of plotting, and a cast that also features Harry Andrews, Charlotte Rampling, Virginia North and Andrew Keir, aren't tasked with much more than reading their lines efficiently. All in all, not very convincing away form the location photography and costuming. 4/10
jastdi2 There is a real give-away in an early scene in this movie. Happy mountain villagers are baiting the local dancing bear. The evil Brits, when they take the village, kill the bear (probably putting it out of its tortured existence, but I digress). Given the star quality of the leads (and even some of the minor actors)in this film, I expected much more. Almost any Raj movie is better than this one. Howard looked embarrassed to be there. Rampling to find him a love interest? I don't think so!(Spoiler: I think even she looked relieved when he said no.) I will give marks for efforts in verisimilitude in making the Indian Police look like they were of the era, even though most were played by white men in brown-face. The fort set was terrific. As always, Harry Andrews was excellent playing Harry Andrews. Buy "The Drum".
Jim Given the talent of the star players in this film, I was disappointed. Trevor Howard tries to work with what he's given, but Yul Brynner's performance was wooden and predictable. Despite what some of the other reviewers have said,I thought this film was not nearly as good as it COULD have been, and the biggest problem was the script. Boring, hackneyed, clichéd lines choked any life out of this story which, as noted, has a basis in real life. The battle scenes were poorly done, and I found myself fast-forwarding through them to get back to the dialog, as bad as it was. I can't fault the actors so much as the script and direction. Howard and Brynner deserved better. As an action movie, when compared to some of the other mid-1960s efforts, it falls far short.