The Living Wake

2010
6| 1h31m| en| More Info
Released: 14 May 2010 Released
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Synopsis

A dark comedy set in a timeless storybook universe. Self-proclaimed artist and genius, K. Roth Binew, has one day to live. He has enlisted his best and only friend, Mills Joquin, to take him around on a bicycle powered rickshaw. In a final attempt to probe life’s deepest mysteries, Binew endures one ridiculous trial after the next. He concludes his day with a final performance, his living wake. On a makeshift stage in an open field, Binew’s friends and enemies gather to witness his madness one final time.

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Josh Kalvelage There are good movies and there are bad movies. There are movies that are so much worse than bad movies that they're entertaining to watch than something that's just plain bad. Then, there's "The Living Wake", which is so much worse than movies that are so bad that they're entertaining that it reaches an undiscovered depth of awfulness so unspeakably deplorable that I wouldn't wish it on my worst enemy. I didn't even want to give this movie one star. I wanted to give it negative stars to offset any stars it did receive, because I can only imagine people who ranked this highly assumed that the stars they gave to this movie were the number of ninja stars they wanted to throw at their screens while viewing this movie.The movie centers around the flawed notion held by everyone involved in the creation and making of The Living Wake that weirdness and quirkiness are inseparably bound to genius. K. Roth Binew, diagnosed with some punctual terminal illness, uses his last day to search for, I don't know, meaning or whatever, while Jesse Eisenberg pedals him around in a rickshaw. There was nothing funny about this movie. I have never scowled so hard while watching a movie or doing anything. The urge to stop watching this movie was overwhelming as I spent the longest 90 minutes of my life wishing that dude would just die already. Then, after those 90 minutes of needlessly endless quirk, he did die, and it brought me no joy.If you're thinking of watching this movie, I implore you to stare at a wall or a blank screen for 90 minutes. It'll be a much better use of your time. Whoever put money into this disaster should never be allowed to have money again. When I think of how many starving children could've been fed for the money that went into this movie, it would make me sad, but due to the complete artlessness of this movie and my iron-minded ability to watch it in its entirety, I'm wholly convinced that I have no feelings and that I know no such thing as empathy anymore. My balls are huge. A lesser, smarter man would've stopped watching this movie.I could pick apart the acting or the writing or the "pee"-poor emulation of certain elements of Wes Anderson films, but why bother? Why bother doing anything? The movie was dedicated "in loving memory" to someone with the same last name of the director. I can only imagine this was a revenge plot. Maybe the director's brother slept with the director's wife or something. I don't know. It's like when a horrible tragedy happens and you look somewhere, anywhere, for answers, but there aren't any.Please do not see this movie. It was worse than the Holocaust.
Frank0051 If Leon Redbone made movies instead of music, this would be it! This movie is kooky, funny, and just plain out there. It has the feelings of 1920s slap-stick with a dark humor that comes off being incredibly enjoyable (think of those piano playing guys from Family Guy). The script is incredibly witty and outrageous situations are portrayed as regular mundanely regular occurrences for our main character. The movie is really a slice of Americana and experiments with artistic expression in a multitude of ways.At its heart, The Living Wake is a story about a man trying to find his way in the world as he comes to terms with death. We see K. Roth Binew go through his final day on Earth as he tries to figure out the "short, powerful monologue" - his way of trying to reconcile with the memory of his father walking out on him as a child. Really, though, it is about exploring who we are and how we see ourselves versus how we want people and the world to remember us after we pass.
vintagemary I stumbled upon this movie quite by accident, and am I ever glad I did. I can not heap enough praise upon it. Everything about it appeals to me. Mike O'Connell is absolutely hilarious in his portrayal of the hapless K.Roth Binew, who's last day of life the film chronicles. We journey with K. Roth and his biographer/chauffeur/poet Mills Joaquin (played my Jesse Eisenberg) as he attempts to invite all who have touched his life to his 'Living Wake', to be held later that evening. Aside from a plot that is well rounded and fulfilling, the dialogue is both at times snappy and ridiculously over dramatic. O'Connell's facial expressions and mannerisms alone warrant a viewing. However, what I enjoyed most about this movie was everything going on in the background. While Binew's world is populated by people and places that at first seem familiar to us, upon closer inspection we see that his world has taken on a somewhat unreal, otherworldly twist. The costumes, the props, the lighting - even the hand painted signs all lend to a magical feeling that permeates the film. Even the humble score is beautiful, particularly the piece playing in the final scene. As of this writing, the film is available for free on Hulu, and I highly recommend a viewing. I, for one, having now seen it, will attempt to find a DVD copy for purchase. It's really that good.7.5/10
kubrick4277-2 I saw The Living Wake when it screened at the Austin Film Festival in October of 2007. It was a rather amusing story of a man preparing for what he believes to be his final day of life. He wants everyone he's ever come to know throughout his life to be there to witness his wake where he will perform and then die on the spot. To say this film is offbeat would be a pretty fair way to judge it. The humor had a lot of people howling in the audience (my friend, a fellow aspiring screenwriter, was one of the many howling). I thought it reminded me in a sense of some of the work of Wes Anderson, but my friend (who is not a fan of Anderson) disagreed. After all was said and done, the film was quite enjoyable even though there were moments that were a little awkward to say the least. I hope it finds a distributor (whether it be on DVD or in the theater). It deserves it.