SnoopyStyle Elroy Jackson Junior (Jeff Bridges) drives fast along the back roads of North Carolina delivering moonshine whiskey for his father (Art Lund). Their still explodes and father is sent to jail. Junior starts racing dirt tracks and demolition derby for small time operator Hackel (Ned Beatty) to raise money for his father's legal defense. He builds his own cars. His brother Wayne (Gary Busey) tries to get him a garage mechanic job and his mother is worried about safety. He meets sweet Georgia peach Marge (Valerie Perrine) working one of the races. The races get bigger and bigger.This has a great sense of the backwoods world of racing. Bridges is terrific as a man waiting to explode. It's got good car sequences. It also has the great Jim Croce song "I Got a Name". The story needs a bit more drama. Junior needs to overcome something insurmountable. It all feels rather predetermined but it's compelling nevertheless.

edwagreen We all know what a hero is. What makes the Jeff Bridges character a hero here?Forced to go into car racing to help his jailed father, Bridges emerges as a race car winner. This tale could have been told in about half the time. The racing scenes are what you would expect in a typical Paul Newman film on this subject.What was Geraldine Fitzgerald thinking of when she made this film? Her British accent comes through her southern drawl and besides, she is given so little to do here. Ditto here for Gary Busey. He smiles here and that's about it for him.The one poignant scene where the father tells the sons that he wants something better for them other than prison is wasted. We never really know why the father was jailed for selling the whiskey. Was it moonshine?

moonspinner55 Lamont Johnson directed this critically-lauded, though under-appreciated stockcar drama (often referred to as "Hard Driver") concerning a young hellion (Jeff Bridges) in North Carolina who's into racing cars and "hot doggin' the law!" It isn't Shakespeare, though the William Roberts script (adapted from Tom Wolfe's short stories) is literate and bracing, and the film has built up a cult-following in the last thirty years. Performances by Bridges, Valerie Perrine and Gary Busey are all solid, with Bridges' powerful scene in a recording booth the emotional centerpiece of the film. The soundtrack prominently features Jim Croce's song "I Got a Name". Interesting, well-made lower-budget item marketed as a quickie B-flick but actually offering something more substantial. **1/2 from ****

toquestyle Jeff Bridges did a great job as Jr. Jackson(Johnson). It was after reading an old interview with Jr. Johnson and him referencing the movie that I sought it out to see. And I was not disappointed. Gary Busey also did a great job. From the moonshine runs, to the demolition derbies there was a lot of truth. To those who've never experienced the deep south and some of it's uniqueness, especially for the era, this was dead on. Here it is more than 30 years later and Nascar hasn't changed all that much. The grooming of drivers has, so movies like "The Last American Hero", help with the preservation of a simpler time and people. Yet the altruism in the seeking to gain another dollar still reigns today, some thirty years later. There aren't many movies you can say that about.