Wuchak Released in 1974 and directed by Terence Young, "The Klansman" is a melodrama with thrills starring Lee Marvin as a sheriff in a small town in northern Alabama trying to keep the lid on racial tensions after a black man rapes a white woman (Linda Evans). Richard Burton co-stars as Breck, an alcoholic who sympathizes with the black community while opposing the local Klan, which is made up of whites in prominent positions, like the unprofessional deputy (Cameron Mitchell) and the rotund mayor (David Huddleston). Lola Falana plays Breck's black spiritual daughter while OJ Simpson (in his first role) plays a vengeful man turning to radical measures to fight the racism. Italian beauty Luciana Paluzzi (from 1965's "Thunderball") is on hand as the Sheriff's assistant at the station, although her lines are dubbed by Joanna Moore.With such a noteworthy cast and a tried-and-true director (who impressively shot the first three Bond films) "The Klansman" should be superlative, but it's not. The plot is great (based on William Bradford Huie's novel), but the screenplay is horribly melodramatic, sometimes to the point of being laughable, like the dreadful (and thoroughly unbelievable) church sequence. The movie comes across as a late-night TV soap opera with edge. I'm assuming that most of the $5 million budget went toward cast & crew wages because the script needed a LOT of kinks worked out, which isn't helped by amateur editing that's often abrupt and awkward. Take, for instance, the fight at the bus station; it has to be seen to be believed. "The Klansman" is an obvious exploitation piece, as these type of films were the ones getting revenue during this low point in Hollywood after bloated-budget films sank a lot of the major studios.Lee Marvin is solid as the protagonist, easily carrying the movie, and Burton still has his charisma, but both were plagued by personal troubles at the time and allegedly drinking heavily. Richard was constantly fighting with Elizabeth Taylor during the shooting, reportedly over Burton's flirtations or affair with a young waitress or an older married woman. There were shouting matches and items flew through the air at their rented house, leading to the destruction of the interior. The crew stayed in a local motel where one full room was filled with cases of alcohol from floor to ceiling. While Marvin and Burton were professionals and always showed up on time the latter clearly slurred lines at times and had to be filmed in a reclining or sitting position to pull off his scenes. Burton was 48 during filming but easily looked a dozen years older.Despite all these negatives, "The Klansman" IS entertaining as a what-were-they-thinking period piece. Speaking of which, look for Evans' camel toe sequence at the bus station (I don't mean to be crude, but – like I said – what were they thinking). If you choose to watch this movie, whatever you do, DON'T expect "Mississippi Burning." The film runs 112 minutes (104 minutes cut) and was shot in Oroville, California, 75 miles north of Sacramento.GRADE: Borderline C-/D+ (3.5/10 Stars)

dbborroughs Infamous film starring Richard Burton and Lee Marvin about the rape of a white woman in small southern town. Its decided that the person responsible is a black man played by OJ Simpson. They go after him with an unbridled zeal while Richard Burton (with a bum leg that comes and goes depending upon the shot) and Lee Marvin try to keep the peace. This film came to my attention in one of the Medved's worst film anthologies. I don't know if I would consider it a worst film of all time, however I will say that its one of the most wrong headed. Its the sort of message movie that Hollywood did in the 1960's and which deteriorated quickly into movie of the week on TV. This is a movie of the week with an "A" movie cast. I think this might have worked but the cast doesn't work on any level. Its often as simply as the wrong casting of Welshman Richard Burton as a Southerner. At other times its incredibly silly as it tries to sell us on the evils of racism with David Huddleston as the Mayor of the town and lead Klansman a role that he played for laughs as Olson Johnson in Blazing Saddles the same year (and elsewhere any other times). I admire the film trying to take on an evil straight on but its just all wrong. Its a turkey, yes but not one of the worst films of all time.

bkoganbing There is a lot of opinion out there that The Klansman belongs on the list of fifty worst films of all time. It's pretty bad, but I've seen far worse.Putting it in its proper context, The Klansman is set in the years right after the Voting Rights Act has been in force for a while. It's not lost on any of the people of this unnamed Alabama county that there is a black majority out there who if they start voting now, a lot of the power structure will be radically changed. It's the underpinning of the reason the Ku Klux Klan exists. That David Huddleston is also mayor of the town and Grand Exalted Cyclops of the local KKK chapter is a very typical Alabama story for generations.Lee Marvin is the local sheriff and as he conceives his duty it's also to protect the good name of the town and keep the peace. Bringing criminals to justice is second place in his thinking as you'll see by his actions. Richard Burton is a local landowner whose family has long been opposed to the ways of the area, his great grandfather in fact was a judge who was hung for opposing secession before the Civil War. He has a bunch of elderly blacks he keeps on as rent free tenants which has a certain element of the town worked up.Anyway both their efforts come to naught as there is one bloody showdown in the end.The Klansman falls back on a lot of stereotypes, racial and otherwise, in the film. It also has a very muddled message in the end, you'll wind up scratching your head as to what all of it really means.It also in my knowledge has the only rape scene in the history of film that you might wind up laughing at. Cameron Mitchell is Marvin's deputy and a loyal Klansman. At one point under cover of his badge he arrests Lola Falana and takes her to a warehouse where he rapes her with the rest of the white sheet boys standing around gawking. It's staged so stupidly you might actually wind up laughing. That and the fact that who could take Mitchell's character so seriously with a name like Butt Cutt Bates.Life did imitate art however. O.J. Simpson is in this and he's a black avenger after Klansmen capture and kill a friend of his. He goes around executing the hooded swine. But we well know what happened with O.J. in real life.Samuel Fuller pulled out of directing after changes in his script were made and Lee Marvin wanted to pull out, but couldn't because he'd signed a contract. Richard Burton was doing just about anything at this point, he just sort of saunters through the film with a very cheesy southern accent.Pass this one by folks, pass it by.

mlrobinson Mr. Mike's Couch Time Movie Review: I just watched a budget DVD version of this picture. All the curse words but not the "N" words were all edited out. This is easily the worst piece of film that Lee Marvin has ever been associated with. In fact, it's the worst piece of film HOKE HOWELL has ever been associated with! At least Howell can tell his grand-kids that Linda Evans played his wife in a movie....(Hello, get me casting....) The entire plot of the film is edited out of this version. Did they make a TV cut to capitalize on the mini-series Roots? Maybe that explains this. I can't believe that an airline movie print exists either of this monstrosity.Lots of familiar faces for stereotyped celluloid of the Old South: Cameron Mitchell, David Huddleston (if you guessed the corrupt Mayor give yourself 5 points!), Howell. But some of the oddest casting ever: Richard Burton co-stars with Marvin, as a left-leaning liberal, peace-loving friend to all races (at least all the women of all the races.) Early on, he's in the sack with Luciana, the local policewoman. There's an implied relationship (this is 1974) with Lola Falana. And after (unbelievably) trying to persuade a hippie clergyman to seduce the recently raped Linda Evans (?), Burton has to dirty his hands with this one too. I mention Falana. She's very good in this movie. As is (drumroll) OJ Simpson, Simpson plays (in this version) just a guy whose fed up with the Klan. Maybe in the complete version, it's Simpson who turns out to be the undercover FBI agent, since Marvin, the Sheriff, repeatedly catches Simpson only to let him go. Who knows? Who cares. The soundtrack is not to be missed either (insert sarcasm here) Memorable scenes: the Klan funeral interrupted by sniper fire, a high-speed herse chase, and 2 car explosions. Then there's the comedic (?) fight scene between Mitchell and Richard Burton and Richard Burton's stand-in.I just love bad film making. And this didn't disappoint. The Klansman gets 3 potatoes one for Richard Burton's stand-in, one for Richard Burton's on-again, off-again southern (?) accent, one for Richard Burton's on-again, off-again limp