Woodyanders Unhinged weapons expert Richard Jennings (ripely played with lip-smacking evil relish by writer/director Michael Findlay) continues his vicious misogynistic killing spree: He not only bumps off hookers and strippers, but also plans on killing his wife's swinging bisexual sister and her kinky boyfriend. The almighty sleaze cinema duo of Michael and Roberta Findlay crank up the deliriously twisted sadism and carnal depravity to the nice'n'nasty ninth degree: Jennings kills his victims with such novel things as an acid douche and his own poisoned season, plus we've got voyeurism, lesbianism, incest, oodles of yummy female nudity (full frontal this time, which was pretty racy stuff for the late 1960's), brutal torture with a lobster claw (!), bondage, and even a sex scene involving anal beads that's downright painful to watch. Voluptuous blonde Uta Erickson burns up the screen as the saucy Maria. Buxom brunette Rita Vance likewise provides a scrumptious eyeful as a horny hitchhiker. The rousing conclusion on the beach hits the stirring spot. Roberta Findlay's stark black and white cinematography gives this fetid flick a suitably seedy noir look. A scuzzy treat.

HumanoidOfFlesh Schlockmeisters Roberta and Michael Findlay top their other excursions into depravity with this rather unsettling horror flick.Again it features Michael Findlay murdering nude women in a variety of grisly ways."The Kiss of Her Flesh" is a surprisingly effective and fast-paced piece of sleaze.With its creative murder weapons-tire iron,lobster claw,electrical earring wiring,blowtorch and poisoned sperm-"The Kiss of Her Flesh" has more in common with such later slasher films as Tony Maylam's "The Burning" than with the usual 60's nudie-roughie."Flesh Trilogy" was also the first slasher series,featuring the eye-patch-wearing psycho returning to wreak more havoc on scantily-clad women."The Kiss of Her Flesh" is definitely the most depraved of the series.It is loaded with pretty explicit nudity,sometimes full-frontal and there is plenty of lesbian sex on display.The acting is stiff and the gore is amateurish,however the air of misogyny is simply overwhelming.A must-see for any self-respecting fan of sleaze!

JoeKarlosi This was the final of three sickie films from director Michael Findlay and his wife, Roberta Findlay. It has to be seen to be believed, and is easily the most gratuitous in every respect - the sex, the violence, you name it. I feel sort of guilty giving it three stars, but this is as good as these things get when that offbeat mood strikes for softcore sleaze and homegrown horror.Findlay portrays misogynistic madman Richard Dennings who still hates women two years after he caught his wife messing around with another guy. He continues his mayhem of torturing and killing every girl on the planet after getting them nude. Among his many devices include electrocution, lobster claws (!) and even some of his own tainted man juice (!!) This film is totally deranged.Also featured are two sisters who are - err, - more than a little glad to be reunited after so many years, and a little more of a plot this time, as leading lady Uta Erickson (who quite often can't seem to stop laughing) becomes a heroine determined to stop the murdering lunatic once and for all. Adding much to the sinful proceedings are a lot of outdoor shots of upstate New York on a snowy winter. *** out of ****

valis666 This is the third and final entry in the Findlay's "..of Her Flesh" trilogy ("The Curse of Her Flesh", "The Touch of Her Flesh") and is the most twisted one of the bunch. Just like the previous two, the action centers around the main character who thinks all women are evil whores and devises many a clever way to kill them.And that's where all the laughs (albeit uncomfortable laughs) come in. He kills women with lobster claws, poisonous semen, car cigarette lighters, acid douche treatments, and etc. The nudity and sex scenes are relatively graphic for 1968 and the bongo beatnik soundtrack is great. Of course the acting is awful and the directing is bare-boned, but that's to be expected.Not for everyone, for certain, but among the most depraved in exploitation cinema, this one is a classic in that regard.