martin bolland The script of this movie never shows why or how a seemingly decent, almost boring small-town cop is transformed into a scheming bad-ass who plans not only murder, but to pin the blame for it on a fellow officer. Love is just not enough, especially when the object of it, Camelia Kath, is so woefully lacking in the femme fatale department. Then there is Keifer, who is excellent, except we don't get to see much of him. A lot could have been done with this character, but instead we get large dollops of the poisonous relationship between two quite unattractive people (Kath and her nasty, clichéd, property tycoon husband). Hitchcock could probably have pulled off a denouement in sand dunes on an overcast day but probably not many others could. However, I thoroughly enjoyed Joe Don Baker's performance as the old sheriff.

Bene Cumb Above all, I mean the opening and ending scenes, which could be different: the first killed a lot of thrill for subsequent events, the latter was too abrupt and short. The tensions are also not maintained high throughout the movie and events connected to the past remain vague and uncompleted. Dramatic scenes end as suddenly as they begin and do often not provide additional value to the movie; the plot does not run smoothly, the scenes are rather "minced".But performances are good (Bridges, Baker, Kath) or great (Sutherland, Rogers); Madsen could have played a bigger part. The Killing Time fits quite well into its title, especially if you like something happening in a quiet American town, without constant chases and bursts.

Claudio Carvalho Kiefer Sutherland is an unknown killer, who comes to a peaceful coastal town pretending to be the new deputy sheriff. He starts working with Sam Wayburn (the expressionless Beau Bridges) and Carl Cunningham (Joe Don Baker), who is going to retire. Sam is in love with his high school sweetheart Laura Winslow (Camelia Kath), who is married with a powerful and wealth man, Jake Winslow (Wayne Rogers). Sam and Laura decides to kill Jake and put the blame on the new comer, but things will not work as planned. This movie is not totally bad, although full of clichés and very predictable. The situations are easily resolved and the plot is neither moralist nor amoral: it is shallow. Maybe in the hands of the Cohen brothers or other good director, it could be a great movie. My vote is six.Title (Brazil): "Tempo de Vingança" ("Time of Revenge")

sulo This one could have been better. The scenario works, the good cop not being totally good and the bad guy not entirely bad. Beau Bridges does a reliable job and Kiefer Sutherland even works to do a role out of the ordinary kiefer. However, the director ruins everything. The result is boring beyond limits. All the suspense comes from the screenplay and the final is totally flat. As a matter of fact, I have never seen a movie where screenplay and direction differ in quality as clearly as in this one.