utgard14 I watched this not knowing anything about it. TCM showed it as part of their Joan Crawford marathon so I went into it blind, hoping to see a Joan movie I hadn't seen before. Well, I did. Sort of. This is apparently a "movie" that is spliced together from episodes of The Man From UNCLE TV show. While I have heard of the show before, I have never watched it. After viewing this, I doubt I ever will. I know the show has its fans and I'm sure the show has its merits that this film does nothing to showcase. But this left such a bitter taste in my mouth I can't imagine I will watch anything related to that show anytime soon...if ever. The thing that's most surprising to me is that this has a fairly big-name cast. Curd Jurgens, Herbert Lom, Kim Darby, Telly Savalas, Terry-Thomas, Leo G. Carroll, Jill Ireland -- not chump change. As for Joan, her part in this is minuscule and an easy contender for the most embarrassing performance of her career. If this is the kind of work she was being offered, no wonder she did Trog. I can't recommend this to anybody. It was not funny or thrilling or anything else that the supposed genre(s) of it would suggest. It was just bad.

JasparLamarCrabb Harmless nonsense consisting of MAN FROM U.N.C.L.E. TV episodes released theatrically. Robert Vaughn and David McCallum are the spies trying to stop THRUSH loony Herbert Lom from getting too much of a secret formula that extracts gold from sea water. They're helped by daffy Kim Darby and encounter a slew of stars in cameos along the way: Telly Savalas; Curd Jürgens; Terry-Thomas; Jill Ireland. Diane McBain is pretty funny as a destitute Italian contessa. The movie takes place all over the world (London, Rome, New York) without ever seeming to leave the MGM studios. Joan Crawford plays a scientist's widow and Leo G. Carroll is U.N.C.L.E. boss Mr. Waverley. Every Mother's Son play their hit "Come on Down to my Boat."

gridoon2018 Larger in scale and more ambitious in scope than the previous "Man From U.N.C.L.E" theatrical features, "The Karate Killers" is a colorful production, with a great cast (though many of the guest stars have little more than cameos), and packed with action that is constant, varied, and, in some cases (like the opening sequence or the one with the skis), can almost equal the James Bond films of the era. However, the globe-trotting, though ambitious, is not very convincing - least of all in the Japanese section. And the film contains a few too many scenes of women getting slapped for my taste; these do not sit too well with the general tone of the picture, and threaten to spoil the mood. **1/2 out of 4.

jamesraeburn2003 THE KARATE KILLERS was the sixth big-screen enlargement of the hugely popular Man From UNCLE series. It was compiled from a two-part episode called THE FIVE DAUGHTERS AFFAIR (part one: 31 March 1967) and (part two: 7 April 1967). However, in common with it's predecessors, the TV version wasn't aired in the countries where the theatrical version was released for example Great Britain where the films were steady earners at the box office.Napoleon Solo and Illya Kuriyakin are assigned to prevent evil THRUSH agent Randolph (HERBERT LOM) and his seemingly unstoppable karate chopping henchmen from stealing a secret formula for extracting gold from seawater. The formula has been divided up into four parts and hidden amongst the possessions of four of the five murdered inventor's daughters. Solo and Kuriyakin find themselves traveling around various parts of the globe in a race to stop THRUSH from gaining control of the world.THE KARATE KILLERS is probably one of the weakest of the Man From UNCLE pictures because despite the caliber of the guest stars such as Terry Thomas, Curt Jurgens and Telly Savalas (who would be far more effective as Blofeld in the Bond movie ON HER MAJESTY'S SECRET SERVICE two years later) are not given enough to do in order to make the film live up to their talents. Having said that, Herbert Lom is good as the villain and there is an amusing send up of the MGM melodramas of the forties between him and Joan Crawford (who plays the inventor's wife) early on where Crawford throws a tantrum in front of him because she has just discovered that he has murdered her husband for his formula and Lom replies "There's no need to be melodramatic is there my dear." Another disappointing aspect of the film is that our heroes Solo and Kuriyakin get knocked out by the enemy far to many times in this one. All this doesn't mean that the movie is unwatchable, far from it, because it moves at a fast pace and there are some amusing moments here and there and don't forget - this is the sixties man so it's all good clean fun!Followed by THE HELICOPTER SPIES (also 1967).