The Irish in Us

1935 "Blarney..Sentiment..Songs of the Heart..All Depicted in the Smash Hit "The Irish In Us""
The Irish in Us
6.2| 1h24m| NR| en| More Info
Released: 31 July 1935 Released
Producted By: Warner Bros. Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A boxer and his policeman brother feud over a police captain's daughter.

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John T. Ryan WELL NOW AFTER an opening like that, we wish to play Devil's Advocate today. What we are doing and the dissertation that follows are not the opinions of anyone employed by our writing staff (namely me). WELL WARNER BROTHERS Studios really had nerve and expressed some inner dislike for those of us who are descended from our ancestors from the "Emerald Isle." What we are referring to is their depictions of the Irish in America. We're referring, of course, to the likes of their pictures such as THE FIGHTING 69th, MY WILD IRISH ROSE and YANKEE DOODLE DANDY. BUT MOST OF all, we mean this THE IRISH IN US. How dare they portray a family of 3 grown-up brothers, all still living at home with their heavily brogue accented, widowed Mother (Mary Gordon). Next they put them in a blue collar, working man's neighborhood and in a tenement building yet!ADDING INSULT TO the already extremely injured reputation of the "Narrow Backs"*, the 3 sons are portrayed as Pat a NYPD Cop (Pat O'Brien), Mike a NYC Fireman (Frank McHugh) and Danny aspiring Prizefighter Manager (James Cagney). Why there's not a Brain Surgeon, a Rocket Scientist or even a Real Estate Agent among them!OKAY, THAT'S QUITE enough of our lampooning a "Politically Correct" reviewer. We hope that our extensive number of readers enjoyed it and we thank you for extending the opportunity to us this opportunity to "let it all hang out!"NOW AS FOR this Warners Pot Boiler from 1935, we found it to be as good an enjoyable comedy that it was when we saw it while in Junior High, circa 1958. It was one of those many Warner Brothers productions &cartoons that were packaged for television through Associated Artist Productions. Collectively they taught the Baby Boomer generation just who were Cagney, Bogart, O'Brien, Raft & Flynn were and what they meant to the audiences of the 1930's and '40's.THE MOVIE IS an excellent blend of several elements; but it still qualifies as being classified as a 'Comedy'; especially in the Classic sense. Although there are some serious moments here and there, the overall effect and tone are light and very enjoyable.AN ELEMENT THAT one wouldn't expect in an otherwise comic story is that of what has long been called "the Eternal Triangle." And this yet is between two brothers over one Lucielle Jackson! This was a portrayal by Miss Olivia de Haviland that was unusual; for she most often was a character of high upbringing and wealth even. her character was daughter of the Police Captain Jackson (J. Farrell Mac Donald).ANOTHER FEATURE INCORPORATED into the film is that of the work turned in by Allen Jenkins as "Car-Barn" the Boxer. He provides so much of the genuine screen laughs even though his part was that of a second banana funny man. So much of the comic business was done by Frank McHugh. BUT IT CAN be said that Mr. Jenkins really did have the "Last Laugh"; that coming in the final fade-out Knowing how to end a comedy is a most important skill. If not handled properly it can greatly diminish a film's effectiveness. WHILE THIS FILM is certainly not any that the American Film Institute will be honoring with an inclusion on one of their Top 100 lists, it is still worth viewing; as it does a fine job of showcasing early Cagney, de Havilland & O'Brien work.NOTE: * The term "Narrow Back" is slang used by native born Irish to describe one of us born here in the USA> (Origin unknown).
st-shot Lifetime best friends James Cagney, Pat O'Brien, Frank Mchugh and other good buddy Allen Jenkins hook up in this rather far fetched punchless comedy about an Irish mother and her three unmarried boys still living at home. I can only imagine the fun the guys had making this picture together, it's a shame it doesn't transfer to the screen.Two of Ma O'Hara's (Mary Gordon) sons have secure jobs as a fireman (McHugh) and cop (O'Brien) while a third (Cagney) is trying to make it as a fight manager with a screw loose pug (Jenkins). When a woman (Olivia DeHaviland) comes between Cagney and O'Brien, the former moves out causing Ma, to fret.The boys all predictably do what's expected of them; Cagney is energized and fast talking, O'Brien brooding and introspective, McHugh elfin, Jenkins punchy. The plot moves from silly to absurd fast and the sentimental tug with strains of When Irish Eyes are Smiling always near by is blatant. DeHaviland as a confident, modern woman seems almost out of place with her cool rational compared to the entire O'Hara clan in a film so dedicated to a target audience the closing credit plays over a shamrock. The Irish in Us is one bowl of lukewarm blarney.
tim_smit1836 "The Irish in Us" is a fine Cagney venue. He is surrounded by a good supporting cast with Pat O'Brien (Patrick O'Hara), Frank McHugh (Mike O'Hara) and Allen Jenkins (Carbarn Hammerschlog). Olivia de Havilland (Lucille Jackson) gives a solid and steady performance in only her second movie of her career. Veteran actress Mary Gordon (Ma O'Hara) lends a strong presence as the tough but caring Irish mother. The chemistry between the two women is very believable. The boxing scene between Harvey Parry (Joe Delancy), the champ and Cagney is non-stop action packed and shows Cagney at his best. I highly recommend this movie for all.
Arthur Hausner The stars here never give a bad performance, so that I had fun watching this film despite a routine dissension-causing romantic rivalry between James Cagney and his brother, Pat O'Brien, for lovely Olivia de Havilland and an improbable ending. My only complaint was the character of Allen Jenkins, a fighter who starts swinging crazily every time he hears a bell. That got to be a bit tedious, although it was an important part of the plot. O'Brien plays a policeman while his younger brother, Frank McHugh, plays a fireman. They're sort of a microcosm of the Irish in New York City, with Cagney playing a would-be fight manager of Jenkins, and Mary Gordon trying to keep her family together. McHugh and Jenkins provide much of the comedy and the boxing match at the end was very well staged and quite exciting. You can't really go wrong with this film.Filmmakers sometimes forget: A newspaper reports that Harvey Perry is the welterweight champion, but he's introduced into the ring as the middleweight champion.