Steve Pulaski
Steve James' documentary The Interrupters opens with audio taken from several different Chicago news sources, reporting "x" number of people murdered in the city, and how an outbreak of gun violence has ripped apart the area as a whole. We then cut to a volunteer organization that takes the courageous act of stepping in at the sight of conflict amongst gang-members, and works to try and prevent yet another death in a city so consumed by heinous crimes. This group is called "the Interrupters," and for the next two hours we witness their invaluable actions.The Interrupters work for an organization called "CeaseFire," and its members are comprised of former gang-members; a positive, being that since they are still young, they can speak the language of the gangs and recall the motives of an underprivileged teenager. While they work entirely for the area of Chicago, much of their time is devoted to bettering Englewood, one of the most broken cities in the entire nation. 98% of Englewood residents are black, with the main age demographic being people under the thirty. With a 25.8% unemployment rate (which has now risen to 44%, roughly two years after the release of this film), the townspeople look towards a life of gangs as a way to earn respect, money, territory, and get a quick-fix for violence and danger. This makes the area especially dangerous, not just for the gang-members of opposing territories, but the residents who want no part in the crime world. Whether you're a gang-member on the front lines of violence, a passive resident, a bystander, or even a young child you're a potential victim to a senseless problem.One of the leading violence interrupters is a bright, young woman named Ameena Mathews. Once an active gang-member, she has since married, converted to being a Muslim, and works to travel around the community promoting a truce and a compromise between opposing forces. When she bravely lectures in the middle of thirty or so gang-members about how there's no reason at all to be dealing or discussing potential crimes when children are arriving home from school, the petite woman herself is open to almost anything. Steve James and his camera crew are as well. Yet Mathews boldly preaches her gospel before traveling on to continue doing more work.Frequently, CeaseFire will hold fiery roundtable meetings, where group members will discuss what fight/argument they've broken up since the last meeting and what leads do they have on any further gang activity. During these meetings, despite several dozens of Interrupters being on the job and prepared for just about anything, it's when we see how grossly outnumbered they are. Keep in mind, Chicago isn't just Englewood, and with a population of over 3,000,000 citizens, the per-capita rate of the CeaseFire members is and will always remain outnumbered. This doesn't make their efforts any less commendable, but with over 500 homicides taken place in a city so torn in 2012, there needs to be more recruiting and soon. How much longer can a city be referred to as names like "Chiraq," and boast a statistic that states it is more violent than Iraq and Afghanistan? Aesthetically, The Interrupters is extraordinary, with several long-shots of the crisp, yet crumbling Chicagoland area. Scarcely has a documentary about going into a real issue been so engrossing visually. Yet what truly makes The Interrupters the captivating, multi-layered documentary that it is is the way it conducts its subjects. Too often do I see documentaries take the path of a scare-tactic gift-wrapped as a formal piece of information. Here, we are presented with nothing but the true homelives of these troubled teenagers and adults, who are not only bearing hard circumstances on their shoulders, but misguided direction, societal neglect, negative perceptions, and shallow stereotypes. Think about the way white people are often associated with being wealthy, pure, and successful, while black people often associated with being deviant, rude, and obnoxious. Are these stereotypes shaping us or are we shaping our stereotypes? This is a bolder question from a documentary, asked naturally, that for once doesn't come from a glaring, empty statistic.One of the smaller, yet more relevant details the film goes into is the significance of rival-gangs and how integrating them in hopes of a "melting pot"-like effect is purely hopeless on all accounts. This is shown when Carver High School, a populated urban school, was rebranded as a military academy, it forced many kids to move to a nearby neighborhood and attend Fenger High School. Carver and Fenger have a notorious gang rivalry occurring, and not long after the schools were integrated, a teenager named Derrion Albert was brutally beaten to death and the beating was captured on a cell phone to be viewed on Youtube.James, who made Hoop Dreams, which is often hailed as one of the best pieces of documentary filmmaking ever, lived a full year in Chicago, and witnessed unforeseeable acts of not just despair and ugliness, but also true bravery. Being in the line of gunfire and danger numerous times, and filming highly-graphic footage with true documentarian impunity shows not only devotion but true commitment to a job. The Interrupters was also co-produced by sociologist Alex Kotlowitz, who wrote the popular novel "There Are No Children Here: The Story of Two Boys Growing Up in the Other America," a profoundly eye-opening book on the lives of inner-city children who live in public housing projects.This is a powerhouse documentary in every sense of the word, emotional, exhilarating, heart-wrenching, and often, very melancholic. It shows that while there's a silver lining of hope reaching the Chicagoland area in terms of a method to eliminate seemingly endless gun violence, it may be too facile to call it a formal "solution" just yet.NOTE: This review was read before my English class, Junior year in high school, in March 2013.
evanston_dad
Only 9 reviews?!! This movie needs to be seen! I live in Chicago, and every morning the Chicago Tribune has a headline tallying the overnight wounded and dead. It's not at all unlike the beginning days of the Gulf War, where every news hour would begin with the number of soldiers killed that day. The difference being that those stories gradually subsided as the numbers dwindled, and they were based on deaths in an actual military conflict. There are neighborhoods in Chicago that are as much like war zones as any area of Afghanistan, but no one is paying attention."The Interrupters" doesn't really try to address why no one is paying attention. It doesn't need to, because everyone pretty much knows the answer even if they're not willing to admit it to themselves. These aren't rural white kids getting killed for their country; these are poor, disenfranchised black kids who most people don't care about. Instead, this documentary follows a few members of CeaseFire, a nonprofit group comprised of past gang members, street criminals, etc. who are now using a tactic of intervention to stop chains of violence before they spiral out of control. These people are deeply admirable. They're not trying to break up gangs, they're not police informers. They're simply trying to make one person understand how pointless it is to shoot another person, no matter what grievances are at play.This film is by Steve James, the same director who did the tremendous "Hoop Dreams," and if it doesn't have that film's epic scope, it has a more immediate sense of urgency.After watching "The Interrupters" my wife and I were instantly online looking into ways to support CeaseFire. I hope others do the same.Grade: A+
jadepietro
This film is recommended.Flowers and candles, hand-printed messages written on notebook paper tacked to makeshift shrines, all decorated with photographs of young victims. This touching memorials litter the blood-spattered streets of Chicago and are the remains of the day in The Interrupters, a powerful and disturbing documentary by the talented Steve James ( Hoop Dreams ).His film takes the moviegoer directly into the crime-ridden neighborhoods as we meet a group of peacemakers trying to restore sanity and preaching their anti-violence message to the choir. The group is called CeaseFire and it is made up of ex-gang leaders and former convicts whose motto is Stop the Violence - Save a Life.James directed and photographed his documentary and focuses on three interrupter and their "scared straight" strategies of tough love and reality checks. We met Cobe Williams, a former gang member and family man now whose father was killed during a street fight, Eddie Bocanegra, a young man easily impressed by the gang's image of fast cars, money, and girls who served 14 years for murder and now uses art as a method of expression and conflict mediation, and the primary spokesperson, Ameena Matthews, the daughter of a gang leader who was physically, emotionally, and sexually abused at an early age and has since let faith and family lead her away from that life-style and keep her grounded.We also met some of those troubled teens: Caprysha, a defeated Precious type, living in a halfway house, dreaming of a better life while constantly lying and breaking her parole; Lil Mikey, released from prison and wanting to be a better role model for his siblings; and Flamo, a young man enraged with his mother and brother's arrest and wanting his own form of justice. It is impossible not to care about their people and their lives.The film consists of interviews with gang members, families of their victims, and scenes of escalating violence. At times, The Interrupters becomes slightly repetitive in its interventions and lock-step mindset of anger and frustration. More judicious editing could have made the film even more forceful. But the passion for its compelling subject and James' craft as a filmmaker make up for those minor complaints.The documentary gives us no easy answers as drugs, unemployment, alcohol, poverty,and guns still are a major reason for the neighborhood's ills. Politicians come and go with each election, giving lip service and promises. Yet these people and their difficult lives become the on-going problem in search of a solution, and groups like CeaseFire seem to be their only course of positive action. The Interrupters allows us to see a world that we can never fathom and acknowledge the spirit of a group of strong-willed survivors, trying to make a difference and save a life or two throughout a normal day. GRADE: BNOTE: Visit my movie blog for more reviews: www.dearmoviegoer.com
proterozoic
Chicago, Baltimore, Oakland, Detroit – synonyms for American crime, places where young men kill one another in the streets. Bleak background noise in the national news, with dim flares of outrage at especially gruesome killings.On the subject of solutions, our imaginations are dismally poor and usually limited to applying money or violence in some form. More police, more arrests, longer sentences, talk of the National Guard on the streets.The Interrupters seem to have a better gimmick. The violence prevention group CeaseFire recruited a group of tattooed ex-gang-members in Chicago, most of whom turned away from crime after cooling off in hospitals or prisons. They know the locals, and they have credibility where cops, teachers and politicians don't.The film follows several of them: a tough gang heiress turned devout Muslim, an imposing man with several prison terms for drugs and violence, and a soft-spoken Latino out after serving 14 years for murder. Interrupters are, in effect, roaming street counselors; unlike the armchair type, they usually find themselves between two or more people who are about to begin stabbing one another. They are to ordinary counselors what BASE jumpers are to people who feel proud of taking stairs.The rare and valuable insight of the film is how, over the course of a year, the counselors manage to talk down people who're about to do horrible things, and how these people arrive at such a place to begin with. None of them are remorseless sociopaths, and none of them appear to want or relish violence. They want the best for themselves, they value their families, and yet some have come to the verge of actual fratricide. Why? Hopelessness, poor impulse control, lack of role models, a gang tribalism that feeds on vacuum and anarchy.It's amazing how many fights and murders aren't motivated by gain. They're essentially the result of undereducated boys applying the Cheney Doctrine every day on street level – "get them before they get you." On these streets, nobody trusts each other, everybody is armed and nobody is willing to back down from a fight. Tempers can flare instantly, and the killers are often as baffled by their own crimes as anybody else.Somehow, the Interrupters pull young people out of this mindset. It takes a heroic amount of trust and patience. It doesn't work all the time. But it works way more often than one imagines it should.There is a large and influential contingent in our country which holds that the only solution to inner-city violence is to tighten the screws even further. To their Klingon eyes, the CeaseFire approach probably looks like so much liberal mollycoddling of people who just ought to have their heads busted on the pavement more often. One of the thicker ironies of "The Interrupters" is that this Old Testament law enforcement mentality comes from precisely the same place as the bloody retaliations and preemptive violence by South Side gang-bangers.I listened to the young ruffians, and heard the words of steely-eyed Giulianis: not backing down, not showing weakness, getting tough, getting serious, showing them who's boss. Once you realize that "tough on crime" politicians count on the same tactics to intimidate gangs that gangs use to intimidate one another, you may recognize the same lustful rage in yourself as well, and subside to embarrassed head-scratching.The Interrupters talk about the legal trickery of being involved in potential crimes, and sometimes the organization has no choice but to get law enforcement on the case. However, their strength is not in meting out punishment, but understanding – and it's astonishing to see violent young toughs respond and open up. Even with all the money, cops and technology that America can scratch together, maybe the best way to solve social problems is still through one person talking to another.