westley34
This movies starts put okay, gets bad about a quarter of the way through, and just keeps getting worse and worse as it goes on. Unless you are into really bad '80s horror I definitely suggest skipping this really horrible movie. The only upside is Oliver Reed gives a pretty good (though disturbing) performance. Pleasence really hams it up though. This is a complete butchering of Poe's story.
udar55
Ryan Usher (Rufus Swart) and his girlfriend Molly (Romy Windsor) head to his uncle's isolated estate after receiving a letter from him. Before arriving they crash their car when they see two ghost children on the road. Molly makes it to the home and is told Ryan has already been picked up and is being cared for. She then meets uncle Roderick (Oliver Reed), who assures her all is fine despite his reluctance to let her visit Ryan and the fact he won't let her leave. Yup, ol' Roderick is a perv and, after burying the still-alive Ryan, forces himself onto Molly to carry on the family line. Also, in a nod to THE OLD DARK HOUSE, a crazy brother named Walter (Donald Pleasence) lives up in the attic. As you can see, this barely has any connection to the Poe short story outside of a few events and character names. Filmed in South Africa, producer Towers at least got his monies worth with some nice looking sets. And leads Reed and Pleasence are total pros, although I suspect Reed enjoyed his moments feeling up the attractive Windsor (who was already accustomed to primordial beasts as she just survived HOWLING IV). Director Alan Birkinshaw can't be bothered with things like suspense or terror though. He does throw in a few gore scenes for good measure. Towers' two other Poe "adaptations" were MASQUE OF THE RED DEATH (1989; with Frank Stallone and Herbert Lom!) and BURIED ALIVE (1990).
Michael
Comment title paraphrases French & Saunders' skit on the 'The House of Elliot'. But here, it's application is unquestionably adroit.A rare directorial effort from the man responsible for 1978's video-nasty-that-never-was, 'Killer's Moon', produced by soft-porn Eurotrash (ie TRASH, as in rubbish, junk) magnate Harry Alan Towers.A slightly modernised version of Poe's Gothic saga; due to the complete technical incompetence of the above pair all this has to offer, in the way of thrills, is shaking furniture and fires. Pleasance jobs as the 'sinister' butler, which is at least a plot twist that affords him the opportunity to do something interestingly nasty (an off-screen incident involving an in-subservient maid's hand, and a meat mincer).An experience akin to scraping the bottom of the proverbial barrel - only, from beneath.
horrorbargainbin
A couple of obvious continuity problems caught my eye, but I won't get into it. I did not care for the ghosts and they were never explained. All viewers will feel extremely cheated by the ending.It's set in a visual interesting House of Usher decorated mainly with flowing drapes and robed statues. That held my attention, but then I got angry about the last scene.