Woodyanders The 1770s. Jason Caldwell (a perfectly dashing portrayal by the handsome Keith Michell) returns to his ancestral estate in the wake of a lengthy absence to reclaim his lordship. However, Jason discovers that his evil and decadent cousin Thomas (ably played with lip-smacking wicked relish by Peter Arne) has turned the manor into a disreputable den of sin and inequity.Directors Monty Berman and Robert S. Baker, working from a compact and eventful script by Jimmy Sangster and Leon Griffiths, offers a vivid and flavorsome evocation of the 18th century period setting, keeps the enjoyable story moving along at a brisk pace, stages the rousing action set pieces with rip-roaring gusto, and tosses in a few saucy moments of near female nudity for extra tantalizing measure. Moreover, it's acted with considerable zest by a tip-top cast: Adrienne Corri provides plenty of spark, sass, and sexiness as the feisty Lady Isobel, Peter Cushing contributes a lively turn as cagey lawyer Mr. Merryweather, Kai Fischer makes a favorable impression as the bubbly and enticing Yvonne, and David Lodge does well as the loyal Timothy. Clifton Parker's spirited score hits the stirring spot. The crisp widescreen cinematography supplies a vibrant and sumptuous look. An extremely fun romp.

kevin olzak 1961's "The Hellfire Club" is really nothing more than a typical swashbuckler that promises more than it delivers. Co-scripted by Hammer's Jimmy Sangster, Keith Michell stars as Jason Caldwell, rightful heir to the Earl of Netherden, which has been claimed by wicked cousin Thomas (Peter Arne) as his own in Jason's absence. The actual Hellfire Club barely figures in the plot, merely a device carefully avoided by the filmmakers, making Jason's father and cousin Thomas members to justify its inclusion (and the title). In deference to its subject matter, both leading ladies are seen in compromising bathing situations, with Adrienne Corri and Kai Fischer supplying equal parts pulchritude and love interest. It's certainly quite watchable, action aplenty, and bolstered by a good cast, Keith Michell acquitting himself well in his athleticism. Best of all, Peter Cushing guest stars as wily attorney Mr. Merryweather, who agrees to take on Jason's case yet behaves in a rather untrustworthy manner, allowing his client to be convicted of murder and sentenced to hang (he's introduced watching the execution of one of his 'less fortunate clients'). A hint of necessary corruption indeed manifests itself in that first scene, as a dismissive Merryweather suggests a way to obtain the document that would prove Jason's inheritance: "if one was dishonest, which of course one is not, one could steal the letter!" His masterful use of props involve spectacles, snuff, and handy handkerchief, a memorable five minute cameo worth the price of admission.

Leofwine_draca This cheap 'n' cheesy British swashbuckler is very much like the costume adventure films that Hammer were making during the same period, albeit on a much lower budget. There's a wobbly, fake look to the whole production; the costumes are anything but authentic, and nothing looks very believable when it comes down to it. It has the same authenticity as an episode of DOCTOR WHO around the time of Jon Pertwee, but that's not to say it isn't fun.The plot is completely predictable, involving a guy who comes home to claim his inheritance, only to discover that a bad guy (his cousin) has taken his place. It's rather amusing to see Keith Michell (THE SIX WIVES OF HENRY VIII) as the straight-laced lead, but the prevalence of familiar faces in the supporting cast helps to even things out a bit. Watch out for a small, fussy turn from Peter Cushing, Peter Arne and Francis Matthews as the suave villains, Adrienne Corri (VAMPIRE CIRCUS) as a potential love interest, Miles Malleson as a judge and Bill Owen (LAST OF THE SUMMER WINE's Compo!) as a circus performer (!).The production is quite poorly staged and the fight choreography is all over the place, with punches thrown so badly that you can clearly see they never connect. There's a half-rousing sword fight at the climax but it still pales in comparison to other fare from the era. There's lots of titillation though, thrown in as if to make up for the other deficiencies. Nevertheless I love period films from this era, so I still enjoyed THE HELLFIRE CLUB despite the obvious shortcomings.

MartinHafer The idea behind this film is pretty good. In the 18th century, there was an organization called the "Hellfire Club" and it really is much the way it was portrayed in the film--a group of noblemen who were libertines who were involved in all sorts of immorality behind closed doors. Membership was secret and most of the club's activities are conjecture--but they undoubtedly involved a lot of sex. This film is about this club that thrived behind closed doors in Britain and how they club conspires to keep a young man from his rightful inheritance. Interesting.Unfortunately, while the idea is very good, the writing is at times very lame. For example, when the heir wants to ingratiate himself with the current Lord of the manor, it just so happens that a member of the household is being set upon by thieves and he comes to the rescue--earning the family's gratitude. When he looks for a letter proving his legitimacy as heir, he almost immediately finds it in the manor home--though no one else had found it before this time. And, when a lady recognizes the signs that he is the heir, naturally she's also the woman who would keep this secret! When he's captured, he spits out "I'll kill you" to his cousin, yet the cousin doesn't just have him killed there and then! Too convenient, too often--a sign of a less than stellar script.Aside from all the "fortunate coincidences", the film is a pretty decent adventure film, with lots of sword fights, busty ladies and near-death experiences. It certainly is never dull! However, it's rather sad that the film ended on a rather dull note--with the expected fight scene and showdown. Also, if you are watching the film for Peter Cushing, he's barely in the film at all.By the way, one of the many great history lessons I learned from this film was that women in the 18th century wore silver sparkly pasties. Who says history is dull?!