kapelusznik18 ***SPOLIERS**** Held back from released in favor of his 2nd talkie "Disraeli" George Arliss is the British educated Himalayan Raja of the land of Rukh who after have three British subjects fall into his hands, when they crash landed, held them hostage to get his three murderous brothers-Moe Larry & Curly-from being executed by the British in India. Not only that the hot blooded Raja got the hots for one of his British captives the homely looking Lucilla Crespin, Alice Joyce, who compared to the women of his kingdom is as sexy looking as Cleara Bow. It's when Lucilla's ex-husband and now new lover Major Crespin & Dr. Traheme, H.B Warner, Ralph Forbes,find out what the Raja's is up to they try to contact the outside world with the help of the Raja's communication chief British turncoat Watkins, Ivan F. Simpson. That by bribing him with 2,000 pound sterling where he in fact double crosses them warning the Raja in what their up to! And in return Watkins ends up getting tied up and thrown off, by the Major & Dr. Traheme, a 500 foot cliff to his death.With the Raja and his hoods coming on the scene he shoots and kills the Major before he can send out an SOS only to later have the cavalry or RAF show up and threaten to bomb the living hell out of him and his fanatical, who think that he's God, followers. Seeing the writing on the wall the Raja meekly gives in and lets his hostages, including his future bride to be Lucilla, go free without as much as firing a shot. And at the same time him not being charged by the British for the murder of British nationalist Major Crespin. As hard as he tried George Arliss was anything but convincing as a non-British Hamalayin or Indian Raja as well as most of his followers who seemed to be mostly made up of European Hispanic and African American actors. It also didn't make any sense in Arliss attraction for Lucilla, who hated the very sight of him, who's lust for her seemed to be more forced then genuine. As for Alice Joyce who played Lucilla she seemed to have been so traumatized in her role, in having to fight off a lustful and sex crazed Arliss, that she soon retired from making films and was never seen or heard from on the silver screen again.

marcslope George Arliss, pursing his lips and sneering and maintaining a dignity-through-deviltry poise, is the Brit-hating rajah in this high-flown adaptation of a silent in which he also starred. By today's standards, it's both melodramatic and hilariously racist, with the rajah and his subjects being both polite and murderous to three Brits who have crash-landed in the Himalayas and are about to be sacrificed for the concurrent deaths of three of Arliss's subjects. H.B. Warner and Ralph Forbes indulge in amusing early-talkie overacting, and Alice Joyce at least manages some minimal poignancy as the grieving, about-to-die mother of two kids she fears she'll never see again. It's typical of this early 20th century Western-centrism that Arliss's proposition to her--become my wife, and I'll spare your life--is a fate worse than death, and that she and Forbes, the pilot who crashed, belatedly confess their love for one another, for no discernible plot reason. The early-talkie recording and pacing are uncertain, and the ooga-booga natives are offensive. But is it fun? Oh, yes, mostly for the wrong reasons.

calvinnme This was one of Warner Brothers' early talking picture experiments, made in late 1929 and released in 1930. The main thrust behind Warner Brothers' being first in talking pictures with "The Jazz Singer" died with its premiere - Sam Warner died just before the Jazz Singer opened. Since the other brothers had been dragged kicking and screaming into the talking picture era, Warner Brothers fumbled around from that point until late 1930 when they truly began to find their stride. This film is from their "fumbling era" of 1928-1930.That doesn't mean that this picture or any of their other experiments are necessarily bad, it just means that they are truly experimenting at this point with somewhat kooky plots they would never try just a couple of years later. Warner Brothers was very fortunate during this time to continue a long running relationship they had with one star of the stage - John Barrymore - and begin a relationship with another - Mr. George Arliss. His acting is the main reason to watch this film.Here Arliss plays the wise and wizened Raja of the mythical kingdom of Rukh. The day before his three brothers are to be executed for an assassination of a British official in India, three British citizens crash land in his kingdom, having gotten lost in the fog over the Himilayas. The primitive people of his kingdom, who worship a green goddess, see this as a gift from the goddess - a British life each for the lives of the Raja's three brothers taken by the British. The three British prisoners had quite a bit of drama in their lives even before landing in this mess. Major Crespin (H.B. Warner) has been an unfaithful husband to his wife Lucilla (Alice Joyce), who has forgiven him but not forgotten. The pilot, Dr. Basil Traherne (Ralph Forbes) and Lucilla have been in love for years, but have done nothing about it because Lucilla is still technically married and wants to remain so because of her two children.The Raja is technically and politically astute. He actually wants to kill his British prisoners as a kind of thumb in the collective eye to the British for keeping the Indians in subjection. However, he is also smart enough to know his "goose would be cooked" if the British ever knew what he did. He also doesn't really want his brothers released, because their deaths eliminate any possible wranglings over his throne should he die before his own children reach adulthood. Learning his lesson from British and Russian history, surviving uncles are not always so kind to the surviving underage progeny of deceased kings. We learn all of this from Arliss' own lips as he gives a superb performance every bit as good as the one he gave in Disraeli, just in a more inane plot.The Raja does offer one concession, he will spare the life of Lucilla if she agrees to be his consort and bear him a son. He even agrees to smuggle her children out of India and bring them to her so she can raise them. As for the other two, they are pretty much condemned to die, but there is one hope for them all. There is a wireless device in the Raja's castle with which - if they can get access - they might be able to get a message to India. Also, the Raja has as his assistant a man of British birth named Watkins, a condemned criminal if he returns to his homeland, but inside Rukh he is the Raja's link to the culture and habits of the west and, more importantly, the Raja's wireless operator.The kookiest part of this film - Nigel De Brulier as a wild looking bearded man who is always looking through keyholes and - for some reason - is given to carrying around a trident. I highly recommend this film to the fans of early talkies. This one will hold your interest.

Ron Oliver A small plane is forced down somewhere near the Himalayas. On board are an English major, his young wife and their doctor friend. The plane lands in the tiny Princedom of Rukh, ostensibly under the British Viceroy, but actually ruled by a curiously deranged old Raja. The three visitors find themselves at the mercy of the Raja and are caught up in his lustful plots & plans.This very early talkie is an interesting little curio and still fun to watch. George Arliss is a fascinatingly sardonic Raja. His every word & gesture entertain the imagination. Mr. Arliss was a very important & distinguished English actor working in Hollywood in the 1930's, although now he's sadly neglected. This was his first talkie - (but was released after DISRAELI). All of his Warner Brothers movies are very entertaining, if you can find them.In the supporting cast are Ralph Forbes as the heroic doctor; H.B. Warner & Alice Joyce as the callous Major & his estranged wife; gaunt Nigel de Brulier as a suspicious temple priest; and Ivan Simpson as the Raja's wicked butler.