estella2 The Go-Getter is a modern-day 'Easy Rider' with a 'Huckleberry Finn' edge. Our protagonist is an unlikely criminal. Mercer (Lou Taylor Pucci) is a shy 19 year old boy from the local Eugene, OR High School. He is a dreamer and a lost soul, with a brother whose shady past seems to have ruined his own reputation more than his. It starts out with Mercer committing grand theft auto. Little does he realize that fate has brought him to this car. Like an Alice and Wonderland picture book, this story comes across some colorful characters along the way: stoner pottery hippies, a narcissistic slut (Jena Malone), a porno director, pet shop owners doing community service in a Sgt. Pepperesque band, gay hillbillies, a black cowboy, a perverted Spanish-speaking hotel night auditor, the criminal brother, and last but not least a philosophical, hopeless romantic, heroine (played by Zooey Deschanel). This story is about finding that long-lost road companion. The soundtrack alone makes this movie worth watching (includes M.Ward, the Black Keys, Animal Collective, The Replacements, Elliott Smith) . And if that doesn't do it for you, you can think of it as a warning not to leave your keys in the car if you step out while someone fills your tank of gas!

TxMike Lou Taylor Pucci is Mercer, 19, but still in high school because he had to drop out for a year. His mother had recently died, leaving him alone with no father, and his only brother, 18 years older than him, had not been heard from in a while. One day he finally arrives at a plan for his mother's ashes. He would go to Reno and get his brother, then both of them would drive to southern Louisiana where their mother grew up and scatter her ashes. A simple plan that was far from simple to execute. The movie is about Mercer's quest to finalize his mother's death.Zooey Deschanel is Kate, 24, and in a rare good mood for someone whose car was just stolen. Hers just happens to be to one Mercer picked at the car wash to make his journey. He isn't a thief, he will give the car back, but he didn't know what else to do.Jena Malone is Joely, the "hot" girl that Mercer knew a few years back when they were much younger. She lives near where Mercer thinks his brother is and hooking up with her provides a few laughs.But the movie is not a comedy. It is a sincere study of a young man dedicated to preserving something positive from his mother's memory. Certain inventive techniques are used. In one scene, where Mercer was talking to Kate back home via her cell phone which had been left in the car, "Kate" appears as if she is in the back seat, wearing the type of head lamp that miners use to see in dark mine shafts. When she speaks the lamp lights, when Mercer speaks the lamp is off.As plot would have it Mercer's brother was not in Reno where he thought he was. He was not at the next place either. When he finally found him in Mexico, his brother was not very happy to see him. Still Mercer managed to produce a happy ending to this saga. And even picked up a new girlfriend, Kate, in the process.

David Ferguson Greetings again from the darkness. Saw this one at the AFI Film Fest and fully expect it to be on my top ten list at year end. This is everything I love about going to the movies ... great script, stunning photography and realistic performances all wrapped up in a straight-from-the-soul package delivered by a passionate writer-director who refused to compromise on his vision.Lou Taylor Pucci (so terrific in "Thumbsucker") stars as a 19 year old who schemes to "borrow" a car so he can track down his long-lost half brother to inform him that their mother has passed away. The road trip that follows is very funny, a little frightening and full of self-realization and oddball characters ... not the least of which is the owner of the car: a 24 year old Zooey Deschanel. The two create quite the bond during an ongoing cell phone conversation as Pucci drives her car from city to city in his brotherly search. Anyone still not fully aware of Ms. Deschanel's talents are truly deprived. She is ultra-talented and so very soulful and interesting.On the trip, Pucci tracks down his old junior high school crush played by the always-willing-to-take-a-risk Jena Malone. Writer/Director Martin Hynes admitted the role was written with Ms. Malone in mind and she was quick to commit after reading the script. Her offbeat appeal makes it easy to see how Pucci would become enamored and fall blindly for this babe that anyone's mom would prohibit her son from seeing! Another great character whom Pucci stumbles across is played wonderfully by Maura Tierney. Regrettably this story line is fairly brief, but suffice to say, you have NEVER seen a band like the one Ms. Tierney invites Pucci to join. Speaking of music, the soundtrack is excellent and compliments every scene. Much of the music is that of M Ward, who is actually the guitar player who gives Pucci the shirt off his back in the film.Supposedly the film will have wide release in August, and I will do whatever I can to ensure word-of-mouth gets this one seen by everyone I know who loves a great story and thought-provoking, funny film. On a side note, the producer of the film, Lucy Barzun, is someone I am definitely pulling for. She also produced an amazing "little" film called "Pieces of April" and has an obvious eye and love for these marvelous visions of up and coming filmmakers. We need more people like Lucy Barzun.

larry-411 I attended the world premiere of "The Go-Getter" at the 2007 Sundance Film Festival. I'm not quite sure why, but this year's lineup seems to be heavy on heavy. I like a dark, moody melodrama as much as anybody, but whatever happened to the good old-fashioned road movie? I found the answer with "The Go-Getter." This film is all that and more. One part sweet love story, one part romantic comedy, and one part coming-of-age tale, "The Go-Getter" takes it all on the road and drives home a winning combination that will leave you smiling.Lou Taylor Pucci (Mercer) is a good kid, but one day he decides to chuck his bike and steal a car. I don't like to post spoilers, so I won't divulge more details other than to say that the trip on which he embarks will take him on a journey that would make "Priscilla, Queen of the Desert" blush.Like any good road movie, he encounters one motley crew after another, a cast of characters all of whom get him just one step closer to the goal he seeks. But like a treasure hunt whose map takes him to places enticing enough to have him abandon his quest, he needs to keep his wandering eye on the prize. And oh, the temptresses who cause that eye to wander.Jena Malone is Joely, a sultry vixen (quite the change for Ms. Malone) who is determined to pop Mercer's cherry. What a breath of fresh air to see this versatile young actress take on such an empowering role. Women's Lib ain't over yet. Zooey Deschanel is Kate. It's her car he stole. And she is determined to get it back -- or is she? The "indie darling" gets her chance to shine here, and the tension that builds towards a possible reunion of car and owner holds this story together like a rope ties down a trunk when the lock is broken. We're never quite sure if it'll hold.And Lou Taylor Pucci has never been better in his role as the determined yet naive youth whose trusting nature and sense of wonder left me wanting to roll back the years to a time when everything was fresh and new. Pucci's sense of comedic timing and natural delivery is second to none, and while some of his dialog was indeed improvised, I was shocked to learn that the scenes which felt the most unscripted were, in fact, from the pen of writer/director Martin Hynes.In the Q&A after the screening here, I was fascinated to hear that a deliberate attempt was made to cast against type. As each of the three leads has a rabid following, Hynes' script was meant to give each actor's fan base something they had never seen before: Malone as Woman, Deschanel as glamour girl, and Pucci as, well, he got his hair cut, anyway. Hope and Crosby must be smiling at this winning team.M. Ward wrote the score, with original songs that left me wanting more. Licensing source material is pricey for an indie, but who needs hit singles when you have someone as talented as this brilliant composer? What a coup to bring him into this project. Byron Shah shot two films here at Sundance, "An American Crime" (which I saw as well) and "The Go-Getter." That alone says a lot about his eye for capturing this kind of character-driven story so well. Between Shah's photography, David Birdsell's editing, and Hynes' talent for allowing his actors to tell the story, "The Go-Getter" never wanders into pretentious indie territory. It stays accessible, which is why audiences will embrace this film wholeheartedly."The Go-Getter" gets it right. It's warm and funny and sweet, and at this festival of doom and gloom, what a joy it was to travel down this road.