edwagreen Funny Doris Day vehicle made memorable with Rod Taylor as her co-star and a terrific ensemble of supporting players-Dick Martin, Dom De Luise, Eric Fleiming, Ed Andrews and Miss Alice Pearce along with Ellen Corby.This is essentially a spy caper and Doris is the prime suspect. The only one who believes her innocence is her boss and new lover, Rod Taylor.My only objection to the movie was the casting of Arthur Godfrey as her father. Godfrey belonged in the same league as Mel Gibson, and they certainly could have gotten a person to play the father role.Day is really original here as she assumes the role of a "klutzy" woman caught up in mayhem. The scenes in the kitchen of the future, on board a motorboat and others are uproarious in laughter.Sadly, the film marked the end of cancer stricken Alice Pearce, who died shortly after making the film, as well as the tragic passing of villain Eric Fleming in a drowning accident off Peru shortly after the film. This film showed the technological advances that were to come years later. They certainly used these advances to their benefit to poke fun of the society that would make them.

arturus This picture wasn't thought to be much when it was released. Most people thought it was a silly sitcom style comedy not up to Day's earlier romantic comedies. Arthur Godfrey gave it some air play on his daytime radio show, with Day and Taylor as guests, but there wasn't much else as I remember. By this point in his career Godfrey had lost his star lustre of just ten years before and his network radio show on CBS was just about all that was left, so his appearance in a major Hollywood movie was a big deal for him.The picture did get a Music Hall premiere run in New York, but as I say, most people just yawned.Seen forty years later it has a lot going for it, especially compared to today's cinema "comedies": good writing, expert direction, good pacing and editing, colorful location shots of Catalina and vicinity, good playing by the leads, who look to be having fun, and really good support from that amazing cast of 60s character actors.There is a surprising amount of frank sexuality in this picture for the time, without nudity or profanity (Doris' character is a widow so she plays her as sexually mature and sophisticated), Godfrey's character has a wife/girlfriend about whom he's absolutely crazy and shows it, often (!), and there's even a surprising gay subplot that's played for laughs of course, but not offensively so. There's even Paul Lynde in drag...priceless! Forty years later, it still makes me laugh. You will too.

bkoganbing Just think that if Doris Day had not for some reason named her dog, Vladimir there might have been no plot at all for this Frank Tashlin comedy.That might have been bad because this was the best of Doris Day's films in the late sixties as she was beginning a downward drop in her box office appeal. The Glass Bottom Boat was the second film she did with Rod Taylor as co-star and the first of two she did with Frank Tashlin as director. And this one was the best product in both associations.Doris works in public relations at a space lab in California where scientist Rod Taylor is developing new stuff for the Defense Department and NASA. She also doubles and helps her dad Arthur Godfrey on his glass bottom boat tourist vehicle. One of the things I like best about The Glass Bottom Boat is Doris sings again on screen, once in a nice duet with Arthur Godfrey on his ever present ukulele. She also sings her most famous song, Que Sera Sera once again for a new generations of film fans.One thing about Doris's later films, she always had excellent supporting casts and this one is loaded with some very funny people like, Edward Andrews, John McGiver, Paul Lynde, Dom DeLuise, Dick Martin, George Tobias, and Alice Pearce. They all fill roles that you would expect from them.The Glass Bottom Boat has Rod Taylor concerned with plant security in regard to his top secret work. An overzealous security guard played by Paul Lynde overhears Doris call her dog on the phone. What she does is that in order to give the pooch some exercise during the day she calls her own number, counts the rings and then says something to the unanswered phone. It's for the dog to get exercise because he runs around like a maniac when the phone rings.From that we deduce that Doris is a Soviet spy and the real CIA in the person of Eric Fleming is called in. This was Fleming's last big screen appearance before he was drowned on location in Peru. A very sad end to a career that might have been the equal of his Rawhide co-star, Clint Eastwood.Seeing Paul Lynde in drag, questioning an inept spy played by Dom DeLuise is worth seeing this film alone.

Michael DeZubiria I say eventually because it takes about three quarters of the film before it appears to have a thought in its head, and even then it's not by much and only briefly. My problem with the movie is that for the vast majority of it, Doris Day's character Jenny is the typical stupid blonde, cheerfully grinning like a moron and twirling her hair, clueless to what is going on around her. I have a hard time getting over this kind of thing when I see it in the movies because I dated one or two girls that acted like that because they thought it was cute and it drives me out of my mind.It's incredible to me that the romance between Jenny and Mr. Templeton was ever considered romantic, it's so contrived and pretentious. The slapstick situations are shallowly manufactured, badly acted and thus not funny, but the heavy hand of the sixties is all over the movie, so at least it is a slightly interesting look at a different time as well as the kind of thing that was considered entertaining and romantic forty years ago. The movie takes a turn for the better when Jenny figures out what's going on by listening in on a phone call between Templeton and his military buddies and then decides to turn the tables on them, although it should be noted that during that phone call he insists that Jenny simply can't be a spy, she hasn't got the brains. She's offended and so are we, until we remember that he's right. Afterwards, she begins to display an intellect which had been largely absent thus far, but unfortunately, everyone else in the movie turns stupid in order to lead to a lot more goofy slapstick. It is telling that one of the first things that brings suspicion onto Jenny is a series of misunderstandings stemming from the fact that her dog's name is Vladimir. Strangely enough, the reason I watched the movie is because I took my girlfriend to Catalina Island recently for her birthday, and we took a tour in the exact same glass bottom boat which was used in this movie, and I thought it would be interesting to see the film shot in the boat I was sitting in, as well as to see what the astonishingly beautiful Avalon (the tiny town on Catalina Island) looked like in the mid 1960s. Needless to say, I was surprised to see that Avalon looks almost exactly the same, and that the glass bottom boat appears in the first five minutes or so of the movie and is never seen again. Odd that they would name the film after such an irrelevant plot device. Also don't miss the extra features on the DVD, one of which is a short video in which MGM claims that every girl's dream is to visit the MGM Studios in Culver City.