The Gamechangers

2015 "The tale of one of the most controversial video games of all time."
The Gamechangers
6.3| 1h30m| en| More Info
Released: 15 September 2015 Released
Producted By: BBC Film
Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

The struggle of Houser's legal feud against American lawyer Jack Thompson, over the morality of the "Grand Theft Auto" video game series.

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kailomonkey This film is overtly right-wing and portrays Jack Thomson as a crusader for good despite him in reality being disbarred for many good reasons. He is a person who lied and used people to further his reputation and career which ultimately collapsed on him, but the film shows him as the saint he tried claiming to be. I am clearly not of this view, so this film might perhaps appeal to those on the conservative side.However, I would expect most viewers to be those with an interest in GTA and Rockstar Games, to whom only dissatisfaction is bound. The script has Dan constantly coming up with ideas for the next game which nods to GTA San Andreas but in the most pointless way. Him and his team are portrayed as reckless perverts but maybe this all plays into how Rockstar like being portrayed, as the social deviant, which they do on purpose to help market Grand Theft Auto games. This isn't explored in this film however, which just shines light on the BBC's ignorance.It should also be noted that at the start of the film we are told straight off that the order of events has been changed. That's because Jack Thomson wasn't disbarred until way after these events and it certainly wasn't down to Rockstar Games, it was down to an entire expanse of his career being based on manipulating felons into blaming games for their crimes and bullying games companies and others with unfounded legal threats.So to conclude, this film was frustrating for its misrepresentation of its characters, dull in its delivery of a game being developed and misinformative with the historical facts making it overall unproductive to watch.
l_rawjalaurence The basic plot of THE GAMECHANGERS is straightforward, as crusading Florida lawyer Jack Thompson (Bill Paxton) takes on the video-game producers, notably Rockstar and its CEO Sam Houser (Daniel Radcliffe), in the belief that video-games have a destructive effect on child psychology. The inspiration for the case comes from the killing of three police officers in Alabama by teenager video-game player Devin Moore (Thabo Rametsi).Owen Harris's production is built round a series of oppositions. Thompson believes that video-games are destructive; Houser advocates free choice. Rockstar's lawyers believe that Houser is exploiting the case for his own ends, and mount a series of counter- accusations. There is a nationalistic subtext running throughout the film contrasting the more liberal Brits (led by Houser) with the more overtly moral Americans, whose censorship laws are apparently far more stringent than those practiced within the United Kingdom. On the other hand Thompson resent Houser and his fellow-Brits for making money out of the American market with little concern for family values.As the drama unfolds, however, we discover that its focus centers more and more on the consequences of extremism. Houser is so obsessed with novelty, with producing the ultimate video game, that he resists any possible criticism from his fellow-workers. Likewise Thompson's obsession with indicting Rockstar, in the belief that God is on his side (the side of 'right' in his view) that he does not realize the destructive effect his actions have on himself and his family. Although loyally supported by his wife (Fiona Ramsay), he might have been better advised to pause and consider the plight of son Johnny (Garion Dowds). Director Harris stresses the links between the two protagonists through repeated shots showing their faces in close-up superimposed on video-game action. Much of the action takes place in darkness, or semi-darkness illuminated by computer screens. We are in a nether-world, one in which light seldom enters. Houser talks a lot about the "adaptability" of his new video-game; in truth both he and Thompson are profoundly un-adaptable insofar as they cannot see any other alternative to life than the contrasting causes they espouse. At one point Thompson asks the question "Who are you?" in close-up; we might interpret that statement as a metaphor for the entire film in which human beings are deprived of their identities.In the end Harris refuses to take sides; on the contrary, he shows how both protagonists are ultimately destroyed. They might have enjoyed "success" in terms of achieving their various ambitions, but at what cost? Perhaps the only way out would have been to follow the example of Houser's colleague Jamie (Joe Dempsie) and leave the whole affair behind. Yet this is something that the obsessive protagonists cannot do.
Paul Evans Not being a gamer I'll be honest and say I'm not exactly fully aware of how huge some games are, but even I knew the stories of GTA and Sam Housers goings on. I had no idea he was a Brit. I'm sure lots of it was dramatised, it was a fairly interesting concept for a TV movie, but did it deliver?The story focuses on the moral story of GTA. Houser wants to push the boundaries of gaming, make them more graphic, bigger and more realistic. The moral argument is brought by Attorney Jack Thompson, a god fearing man that believes the game is responsible for the plight of America's youth, and the cause of a teenager's killing of two cops.I like Daniel Radcliffe, I feel he had a tough time of it, as he was the only real interest throughout, I found some of the other performances a little flat and unforgettable.Put it this way I won't be buying the DVD, it passed the time whilst I assembled a bench, not particularly engrossing or exciting, quite dull on the whole. 4/10
Prismark10 I have been playing arcade games since the late 1970s. Computer games since the Home Computer revolution of the early 1980s and I bought a copy of GTA III for the Playstation 2. Despite this I do not consider myself as a gamer. However I am known to show my skills off to my kids every now and then to let them know that their old dad has a trick or two up his sleeve when it comes to Mortal Kombat or Virtua Fighter.What struck me about GTA III was the expansive almost free flowing game-play. You had missions to complete but you could just wander off and do something else. For the first time I felt video-games had made that leap forward more than the hype from console manufacturers going on about Emotion chips.People might be surprised to discover that GTA is actually British created by two brothers, Sam and Dan Houser who in this BBC film are based in New York. Daniel Radcliffe plays Sam Houser, the Don Simpson obsessed visionary who wants to take gaming to the next level. He also comes across as brattish rather than a maverick.After a shooting incident the game's developer Rockstar lock horns with Jack Thompson (Bill Paxton) a God fearing conservative lawyer on a moral crusade against rap and video-games and its insidious effects on kids.Thompson struggles at court and is at risk of being disbarred but Rockstar rather ineptly or deliberately left hidden coding in one of their later version of GTA which brought them further trouble in the US courts.The problem with the film was it was too slight. The BBC received no cooperation from Rockstar who also enforced their trademark to not to allow them use the game footage. I think this was unwise of them.The film is based on true events but some scenes have been changed for dramatic effect. In short padded out to create tension where probably none existed.Like a lot of recent BBC one off films its noticeable that the 5 years licence fee is having an effect. Part of it just looked a little too cheap and low budget even though there was New York location shooting and it had a style of filming in parts to give it an immersive computer game setting.The makers hoped to create a buzz like the film The Social Network but here the battle about a moral crusader who uses grandstanding to destroy Rockstar felt overlong even at 90 minutes. Paxton also reminded me too much of the righteous character he played in his directorial debut, Frailty.