The Free World

2016 "Only love can truly set us free."
The Free World
6.1| 1h40m| R| en| More Info
Released: 23 September 2016 Released
Producted By: Untitled Entertainment
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Following his release from a brutal stretch in prison for crimes he didn't commit, Mo is struggling to adapt to life on the outside. When his world collides with Doris, a mysterious woman with a violent past, he decides to risk his newfound freedom to keep her in his life.

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montagmusic I am going to go out on a limb here and say that I believe that the film has a tacked on ending, to appease the people who insist on relatively happy endings. You get the sense from the voice-over that "the film ends here", yet we come out on the other side and everyone is smiling. I believe that the same thing was done with The Crying Game. If you end both films on the "fade to black", you have a masterpiece. If you go past that, you have a great independent film that has been Hollywoodized.
robert-frump No spoilers. This is a well-acted, well-written, real-world drama with a merciful lack of super hero clichés. The ending isn't what you expect. Which I like. This is more art film than action hero folks. So don't waste your time if you need that fix. It's a rare example of good American indie.
Horst in Translation ([email protected]) "The Free World" is an American 100-minute movie from 2016, so relatively new still. It received several nominations, for example at the prestigious Sundance Film Festival. The writer and director is Jason Lew, who was mostly known for writing the Mia Wasikowska movie "Restless" so far. This one here is his second effort as writer and very first as director. And taking that into account, it is a pretty decent outcome. This is the story of a man who was released from jail and apparently he got convicted for something he didn't do. Anyway, he is free again now, in the free world mentioned in the title, but still struggles, mostly because of police officers who try to make his life a living hell. This refers mostly to Sung Kang's character who keeps following the protagonist throughout the film, even shows up at his workplace. His interrogation scene with the protagonist being the dog in the cage and him being outside was one of my favorites from the entire movie. Nice metaphoric value there. Kang and Octavia Spencer play the most significant supporting characters and you can see them somewhat as the contrary parts of goodness and evil when it comes to how they treat the central character. The latter is played by Boyd Holbrook and I think he does a really good job, especially in the more quiet parts which are really 85% of the film. His character runs into Elisabeth Moss' character and it turns out he needs to help her in hiding something terrible that could easily backfire at him. But the compassion he learned while in jail and also the strong influence of his conversion to Islam only allow one result: He has to help her. of course, physical attraction also plays a role, but how can you not be attracted to Elisabeth Moss, especially in that dress she wears in the second half. She once again manages to be awkwardly stunning as she always is, also on "Mad Men for example.So the cast is actually really good, a Golden Globe winner is on board with Moss and Oscar winner Spencer does what she has to do, even if admittedly it is just her usual shtick and she really feels almost the same regardless of where she is in, at least judging from what I have seen her so far, which is not everything, but still quite a bit. Kang was also a good casting choice, even if his character is as gimmicky and one-dimensional as Spencer's. He makes the character work somehow. I am also glad that his character does not sit int he police car at the end because this would have been really unrealistic to be honest. Instead, the film manages to go for convincing realism on all occasions basically and I never ever had the impression that I was watching actors instead of characters. Of course, there were a few scenes that I did not like as much for example the one at the very end shortly before they get caught and the way he takes all the guilt while she runs away did not really fit too well, especially as she liked/loved him and would not want him to be charged for what she did. Then again, maybe she was already too far away to hear it. The very final scene was uplifting once again and while I have no problem with going for unhappy endings (possibly him dying from the gunshot wounds), I still believe that Lew made a wise decision in ending the film the way he did. I enjoyed the watch and if this film hits theaters near you at some point in the future, you should check it out. Most likely, you will not regret it as Holbrook and Moss are really tremendous and they also had great chemistry I think. It's easy to care for the story and characters and what would happen to them, even if they may have lacked real depth or shades on some occasions. Thumbs up from me.
saintsimuk I am genuinely surprised by the negative/indifferent reviews of this film. I found the story line original and well- paced. The performances by the two leads were exceptional, entirely plausible and soulful. Whilst I have seen criticism for the lack of character depth, it must be said that the movie's length did not allow for this. In any case, I think that it is not difficult for the audience to grasp both characters' 'back stories' and identify with the innocence of their mutual affection; the male lead having been incarcerated most of his adult life and the female lead seeing him as her saviour. A warm, well-acted film with an "oh no!!!!" moment at the end.I do hesitate to label anything a 'chick flick' but I anticipate the story line may appeal to a more sensitive audience.