atlasmb France and England are at war. Napoleon has placed troops in Spain "to protect the Spanish" in case England invades.There is a beautiful cantina singer (and dancer!) named Nina Maria (Jeanette MacDonald) whom men fight over. She works as a spy for Spain. When Napoleon invites Ferdinand--who appears guileless--to France for a meeting, Nina Maria must leave for France immediately to determine if Napoleon's intentions are honorable.She is pursued there by Don Diego (Allan Jones), a man smitten by the senorita. Along the way, he tries to charm her by singing "The Donkey Serenade"--one of the most memorable moments in the film.When they arrive in Bayonne, France, things get complicated. The senorita discovers someone is on to her. The love story becomes more political as Nina Maria must make alliances based on trust. Will she let her heart guide her actions? What is Napoleon's true objective?The two leads are excellent. Much of the surrounding cast portray military characters and they are very strong.The lavish sets and a large number of extras give the film a feeling of richness, as when Joseph Napoleon and his military escort ride into Madrid.Part romance, part political intrigue, "The Firefly" entertains while Jeanette MacDonald shines.

bbmtwist Allan Jones has a wonderful voice, but a rather bland personality. He is no match for Jeannette MacDonald, who here gives her best dramatic performance on screen with not much to play against. Warren William is the villain and he has more presence than Jones.Jones and MacDonald play spies, he for France and she for Spain, during Napoleon's attempt to kidnap the King of Spain and add that country to his fiefdom. There is much intrigue and a few songs along the way, the best known being The Donkey Serenade and Gianina Mia. The problem lies in the length of the scenes and musical numbers. This film could easily have had half an hour snipped out of it, bringing it closer to conventional playing times of the period. At 2 hours, 10 minutes, it is just too long. And it is heavy-handedly directed and written.The original operetta from 1912 had a few good tunes. Friml was third in line of talent, behind Romberg and Herbert, as America's trio of operetta composers. The score is just not good enough to mount a major film around.MacDonald is always worth seeing, as she either matches or outshines her best material. This one, like Broadway Serenade a few years later, was not one of her best films and is recommended for her fans and those of Jones only.

boblocke The reviews here that say the movie is too long (or "too long for a 1930s musical") must be written by people from fleet street. The movie is as long as it needs to be for a nicely complex storyline, nicely told with lots and lots of beautiful music to entertain, and Jeanette even gets a lot of dancing and wonderful non-dance choreography through crowds of men that she tantalizes with her charm.The love scenes between MacDonald and Jones are funny, sweet, captivating, and the necessary betrayals are handled well and understandably from both sides.I loved every minute of this film and would not have wanted it shortened. All the songs are hummable and lively/romantic. MacDonald's intelligence and sense of humor underlie everything she does, as when she says to Jones after his beautifully sung love song, "Well, perhaps I shouldn't tell you this, but you know that part where you sing, 'My heart's your throne dear, my heart's your throne dear, There you shall rule alone...' with the music building just before the high note?""Yes?""I was wondering... but, no, perhaps I shouldn't tell you.""Tell me.""Well, I was wondering ... if you were going to make it."Or when Jones complains to her, "You're always saying goodbye," and she replies, "All right then, I won't say goodbye. I'll just ... go."Her comic timing is lovely.In fact, she has never been lovelier than in this movie, and the two of them together are just a lot of doggone fun and romance.

WhisperingBells1959 Instead of Jeanette MacDonald and Nelson Eddy, the "Singing Sweethearts" it's Jeanette MacDonald and Allan Jones. They are paired excellently; MacDonald and Jones are incredible easy on the ears, and have a wonderful chemistry that adds charm and delight to this movie. The songs are entertaining, especially "Donkey Serenade," which later became Jones's signature song. The acting in this movie was also excellent. The plot was captivating, being set in Spain/France during the Napoleonic wars. The movie kept me entertained throughout. It's too bad that Jeanette MacDonald and Allan Jones didn't do any other movies together. Their chemistry is amazing in this movie, very preferable to Jeanette MacDonald's pairing with Nelson Eddy, (I think) whose singing voice and acting I never really cared for.Overall, this is an excellent musical and entertaining movie. 10 out of 10.