gkeith_1 Cagney was a fighter in his youth; a boxer. He was also a master tap dancer. Both skills have similar movements; quick stepping, fast movements, extreme alertness, counting the beats, fast turns and jumps backward and forward.In this film, Jimmy starts to get into a fight. I was waiting for the classic boxing stances, but I didn't see any.Spoiler. Early in the film, Jimmy is fighting his sergeant, but near the end Jimmy ends up giving his life for ol' sarge.Jimmy starts out the film as cocky, smart-alecky and a know-it-all who really doesn't know much of anything.He is a raw recruit, a hayseed from the city, actually. He has no patriotic feeling; perhaps he is there just for the paycheck. The recruits are all gung ho and happy go lucky, and so are the soldiers already in uniform.We don't see the backstory, that after several years of President Woodrow Wilson not wanting to get the U.S. into The Great War, all of a sudden men are joining up. Was there a draft? There was a HUGE publicity campaign trying the convince the American public to go into the war, previously only a European interest. There were cartoon posters depicting the enemy as a huge, ugly monster or even the devil.Was this group a national guard? Where was the real army? Was the U.S. not prepared, or were the smallish group of regulars already overseas? Maybe Jimmy and his hayseeds only wanted to go and see French mademoiselles who Parlez-Vous'd Francaise and offered them snails for lunch. Ugh. Inky-dinky parley voo, indeed.Jimmy is a troublemaker and overly sure of himself. Spoilers ahead. He becomes a coward, but later saves some other people by ending up being a target of the enemy.I am female.I have studied several war courses as part of my history degree at university. It is interesting that this film was made right before the U.S. entered World War Two.I also love Jimmy Cagney, as well as tap dancing. You know that, from reading my other reviews. I love song and dance films very much, except that in this film the only singing is done at a church service.Not exactly my cup of tea, and even the black and white hurts my eyes, as you also well know. Anyway, give me Jimmy tap dancing any old day. Yankee Doodle Dandy was Jimmy's favorite film that he ever made. It is also one of my favorites that I have ever seen; black and white, but I have never seen a colorized version of Yankee Doodle Dandy.

John T. Ryan ONCE ONE REMEMBERS that this story, based on the career of Army Chaplain, Father Duffy, is very Hollywood, it can be properly evaluated and absorbed into the intellect. Although the story is highly fabricated and fictionalized, it nonetheless brings us in contact with a proud old Regiment and its tough, but saintly Catholic Priest Chaplain.THE STORY PRESENTS a stark contrast in characterization by pitting the "lost sheep", draftee/PFC Jerry Plunkett (James Cagney) against Father Duffy (Pat O'Brien), the Officers and the entire U.S. Army. Various characters are depicted in between the two extremes. The best character of this classification is "Crepe Hanger" Burke* (Frank McHugh); who also is a sort agent of comic relief.COURAGE UNDER FIRE is a central theme of the story. The behaviour of ordinary 'Citizen Soldiers', called "Doughboys" in World War I, is dramatized throughout the picture. The very action of taking a bunch of raw recruits from their lives in the 5 Bourroughs of NYC's Irish neighborhoods and transforming them post-haste into soldiers is an interesting subject in itself and one that provides so much of the interaction of the film.ONE VERY INTERESTING aspect of the film is the inclusion of the story of well known poet, Alfred Joyce Kilmer (18861918), who was portrayed by Warner Brothers' star, Jeffrey Lynn. Corporal Joyce Kilmer was killed in action with the NY 69th on July 30, 1918.AS A SORT of historical footnote to this story, those who visit NYC's Times Square should stop and take a look at the memorial to the Priest.ALONG WITH THE two other pictures of this period, Warner Brothers gave us a sort of World War I Trilogy. THE FIGHTING 69th is joined by SERGEANT YORK and THE ROARING 20's in giving us a cinematic picture of WWI and its effect on our way of life in the USA and the whole World.NOTE * The term "Crepe Hanger" is one of those vanishing terms that is largely unknown today. The meaning is one who is always a downer and displays a chronic pessimistic attitude toward everything. The origin of this comes from the old custom of draping the home of the recently deceased with Black Crepe Paper as a symbol of mourning.

PamelaShort The Fighting 69th is a fictional account of the heroics of the famed World War I Irish regiment. In this film, Cagney plays Jerry Plunkett, a scoffing, sneering rebel who mocks military tradition and has disregard for all authority. Plunkett is arrogant and cocky during training, but in his first battle he shows his cowardice, which results in a shelling from the enemy that kills a number of his comrades. Pat O'Brien plays Father Duffy, who helps the remorseful Jerry redeem himself, and Jerry becomes a hero. Warner Brother's regulars Alan Hale, Frank McHugh, George Brent and Dennis Morgan play their parts well in this large money-making film of 1940. The spectacular battle scenes inflated the film's budget, and an extensive promotional tour culminated in New York City's Time Square, where the real Father Duffy greeted the cast. He shook hands with Cagney and O'Brien as thousands of fans cheered. Some may find this film very hokey and dated while others may enjoy the entertaining James Cagney who always puts real character into his performances . I'll let the reader decide for themselves on this one.

rberrong-1 This is a remarkable movie, though you might not guess it from the credits. I don't know what George Brent was doing in movies; he certainly couldn't act, and that is painfully obvious here. But Cagney gives a superlative performance, once again going out on a limb, this time by playing a coward. And while he does finally find some courage, he is not rewarded with love and kisses; he dies. In short, it would be hard to imagine Hollywood making a movie like this today, but it is most definitely worth seeing. Sometimes the speeches get a little preachy, but all the sentiments are good ones, and as a realistic study of the difficulties of dealing with the horrors of war, this is one remarkable movie, for any time. A great script and and some first-rate acting.