ofumalow No doubt there were even worse first/last starring roles for music stars, but with his pompadour and not-exactly-Ricky-Nelson looks, Orbison is pretty silly as a chick magnet of the Old West. Plus, his wooden acting (though again, we've all seen worse) makes the absolutely mediocre supporting cast of professional actors look stellar, simply because they're photogenic and confident onscreen.That said, "Fastest Guitar" is a very mixed bag that nonetheless at least tries for something a little different from the usual Elvis-type vehicle for girls, girls, girls and bad songs. It does have girls (the protagonists travel with a caravan of saloon dancers), and bad songs (hoo man, that "Snuggle Like a Buggle in a Ruggle" number is really the pits), but there's an attempt at an actual plot. What's more, that plot involves Confederate espionage in California towards the end of the Civil War. Of course, the intrigue is pedestrian and the comedy (mostly involving some red-face "Injun" stereotypes) is lame. But the movie has the benefit of being produced by MGM at a time when the studio still had (albeit barely) the resources of a big studio, so despite definitely being a "B," it's slickly produced and decently paced, the dancers can actually dance (if only they had good choreography), and so forth. The TV-veteran director does an uninspired but capable job. The result isn't exactly boring, but it's innocuous in pretty much exactly the way a dead-average episode of "Petticoat Junction" is. This isn't a good movie, but it's not so bad as to be an unintentional laugh riot--which in a way is unfortunate, because that might have at least made it memorable. It's just an innocuous little product with the novelty of starring a great singer who clearly had no business acting. And one suspects he knew it.

wes-connors Singing guitar-slinger Roy Orbison (as Johnny Banner) and hunky sidekick Sammy Jackson (as Steve Menlo) battle more Indians than Union soldiers as they work "undercover" for President Jefferson Davis and the Confederacy. When the Civil War ends, a booty of gold they stole from the USA for the CSA makes Mr. Orbison and his pal WANTED men. They are also desired, but for kissing instead of killing, by pretty sisters Maggie Pierce and Joan Freeman (as Flo and Sue Chestnut).Producer Sam Katzman, who did "Kissin' Cousins" (1964) and "Harum Scarum" (1965) with Elvis, probably wanted Presley for this picture. After Colonel Parker declined, it might have been offered to Ricky Nelson. Father Ozzie would never agree to a film without complete production control, so that wouldn't have gone anywhere. So, what about Roy Orbison? He had the same sort of record success, and was owed a shot at movie stardom as part of his manager's deal with MGM's record subsidiary.Orbison received millions from the package, which moved him from Monument to MGM records. The deal turned out to be a disaster, which is reflected in this film. Even the hit records stopped. The best "The Fastest Guitar Alive" song showing was "Pistolero" appearing on the B-side of a minor "Top 100" hit - which turned out to be the last Orbison appearance on the record charts until the 1980s. To make matters worse, Orbison had to deal with some personal tragedies. Roy was better than this.** The Fastest Guitar Alive (9/1/67) Michael D. Moore ~ Roy Orbison, Sammy Jackson, Joan Freeman, Maggie Pierce

bevcar Yes, the movie "The Fastest Guitar Alive" was terrible and Roy Orbison was not an actor. But just like anything else, you must practice to be good at whatever you choose to do. Elvis at first, was not good, but he got better, but then the roles got worse.Roy should have studied first before going before the camera.Granted, he would not have been a matinée idol, but who knows what could have happened if he would have continued with acting.Most big name actors started out in bad movies and acted badly, but as time went on, they learned their craft and some went on to win Oscars.One of the first roles that Clint Eastwood had was a lab assistant in "The Revenge Of The Creature", and you know what happened in his career.One of the biggest problems with "The Fastest Guitar Alive" is that it should not have been trying to be a musical.It just didn't work and the movie seemed to have too many things going on. But don't blame the actors for a bad script, they just made the mistake of being in the movie.And don't be too hard on Roy. He was new to movie making and didn't have anyone to guide him. He gave it a shot and we have to give him credit for that.

jhenderson-3 As a fan of Roy Orbison's music I can only suggest you view this film with an open mind. Roy was a great singer, was a horrible actor and shouldn't be what he isn't. The music is sub-standard and the idea that Roy could be a matinee idol is beyond his scope in this piece of tripe. It's been said that this vehicle was to be an "Elvis movie" ... it isn't even that good. The plot is thin, if you consider this a plot! The acting slightly above that of a simple children's television show calibre, the directing is laughable and any attempt at humour doesn't reach heights attained by James Arness! Video tapes and DVDs on this release should last in your library for quite a few years, you won't watch it but the once! Remember Roy Orbison for his music: positive, creative and unique!