moonspinner55 Agreeable 20th Century-Fox musical, a remake of their 1935 Janet Gaynor-Henry Fonda comedy-romance, based on the novel and play "Rome Haul", is uncertainly directed, full of static staging, and embarrassed by at least one terrible dance number--but it does have Betty Grable, full of her usual sass and vigor (which this vehicle definitely needs). On the Erie Canal in 1850, a young lovely and her fiancé/business partner run a barge hauling supplies (she cooks, he drinks); she hires a horse-driver to pull the barge, a low-keyed farmer with a sweetheart in Chicago, but when her fiancé is thrown in jail for fighting with the incoming railroad folk, the girl goes into partnership with the handsome newcomer, sparking romance. Director Henry Levin doesn't seem to know anything about staging a musical number on the screen; though the mediocre songs by Harold Arlen and Dorothy Fields are clearly no help to him, Levin hasn't paced the narrative with the energy needed for a musical, and the introductions to each song are creaky with hesitation. "We're in Business", featuring Gwen Verdon (who pops in without an introduction), is the worst of the lot, while the reprise of "Today I Love Everybody" includes a brief vocal by Thelma Ritter that proves the actress can't do everything. Grable and quiet, polite Dale Robertson aren't an exciting match, but his gentle tone cools down her brashness. There's a streak of early feminism in Grable's character when she flatly refuses to become a farmer's wife (without her feelings on the matter even being considered!), which is then abandoned in the face of true love, however she and Robertson look good together. The color is gloppy, and the finale--where Levin apparently chose to move the material back to its stage roots--is perplexing, yet the movie is upbeat and pleasurable despite its faults. **1/2 from ****

weezeralfalfa Caught this on a FXM viewing. Despite the title, we never catch sight of a farm or farm house, except from a distance in one scene, until presumably in the finale, with the farm being a mere cartoonish background painting. Otherwise all the action is scripted as taking place along the Erie Canal of 1850 or the canal city of Rome, where construction of the canal began, historically. Handsome Dale Robertson plays the farmer: Dan Harrow. He shows up in Rome, trying to make some extra money to follow his recent fiancé, who is taking a boat to Illinois(weird!). Dan meets sexy Molly Larkins(Betty Grable) in Rome. She is the cook and girlfriend of boat owner Jotham Klore(John Carroll): a stereotypical hard drinking , brawling, canal man : not really Molly's idea of an ideal husband. Although not specified, Jotham is most likely the son of one of the many Scot Irish who dominated the work force in building the canal. Larkins is an Irish surname. Another main character is Fortune Friendly: a ne'er -do-well drifter, played by Eddie Foy Jr.: a holdover from vaudeville, also Irish, of course. Much beloved Thelma Ritter, as the well off 5X widow Lucy Cashdollar(appropriate name):an older friend of Molly, rounds out the main characters. She is paired romantically with Foy, despite his destitute status. I was surprised how much Robertson reminded me of the yet undiscovered Elvis Presley, in his looks, laid back persona and southern drawl, if not singing. His speech makes him seem a very unlikely born and bred up state New Yorker!This is basically a remake of the '35 film of the same title. Prior to that, it had a run as a play, also starring Henry Fonda as Dan. I haven't seen this earlier film for comparison, However, besides the different actors, there are 2 obvious major differences: 1) Technicolor vs. the B&W of the earlier film 2)This is a musical vs. the nonmusical(I assume) earlier film. The all original score was composed by the team of Harold Arlen and Dorothy Fields. While no hit parade songs resulted, they are serviceable songs for the screenplay. Early, on Betty frolics around town, singing the joyous "I Love Everybody". This would be reprised for the finale, on her wedding day, with a team of bucolically-dressed chorus in support. "Something Real Special" was also here very briefly reprised, having been sung by both Dan and Betty, referring to each other. While they are frolicking, taking a breather from refurbishing the abandoned boat Molly was born on, they sing and sometimes dance to "We're in Business", sometimes including a bunch of onlookers. This project, in the absence of the jailed Jotham, serves to further cement a growing romantic relationship. Just prior to this, Dan sings "With the Sun Warm Upon Me", while reclining in a meadow, reminding him of his farm. "On the Erie Canal" is sung by various towns people, celebrating the importance of the canal. "We're Doing It For the Natives of Jamaica" is a drinking song for Jotham and his buddies, after filled with rum. Eddie Foy does a song and eccentric vaudeville-styled dance to "Can You Spell Schenectady?"We have several conflicts in the screen play. There are two significant impediments to a Dan & Molly marriage.1) Both already have a boy or girlfriend. However, these prove not as important in the end. More important, Dan insists on remaining a farmer, whereas Molly insists on remaining a canal 'rat'. Being a farmer's wife she imagines as being too boring and hard a life. Secondly, there is a conflict between the canalmen and the hated railroad builders, who threaten to make the canal obsolete. The canalmen actually overestimate the immediate impact of a competing railroad. True, the railroad soon stole most of the passenger traffic. But, the canal still offered much lower freight rates for decades to come, which saved it from early obsolescence.The barriers to a Molly & Dan marriage are finally resolved by 2 events, 1) Dan receives a letter from his Illinois fiancé, saying she married another farmer.2) During a formal race between Jotham's boat and the boat refurbished by Dan and Molly, Dan and Jotham roll around all over the boat fighting over Molly. Dan is the unofficial winner when he finally knocks Jotham into the canal. This magically causes Molly to forget about her determination not to live on a farm! The next scene features their wedding reception, presumably in Dan's farm house. This ending is very hurried and unconvincing! Simultaneously, Foy marries Lucy, which he previously quipped would be a fate worth than death!(She offered to pay his betting debt if he married her).The take home message for contemporary audiences was similar to that in the contemporary musicals "Anne Get Your Gun" and "Calamity Jane" : Even gorgeous feisty young women should defer to the ambitions and egos of the man they love, if they hope to have a happy love life. This was the era of the say-at-home mom, after the WWII era, when many women were forced to become the 'family boss' and factory wage earner, with their men overseas.As depicted, 2 horses or mules was the norm for pulling most canal boats. However, there were 2 teams that alternated, one being housed within the boat! There was only one tow path, hence the boat race was not a practical reality. As dramatized by Dan's headlong dive into the canal, originally, it was only 4 feet deep, although it was later deepened several times, to allow larger boats.

ccmiller1492 "The Farmer Takes a Wife" is so disappointing that it could serve as an example of "the last gasp of the Hollywood musical." It's hard to believe that the marvelous "Seven Brides for Seven Brothers" came out the following year. To start with, none of the songs are memorable, and the production numbers are so stylized and overstuffed with flounces, ruffles and ribbons that they are effectively deadened. Grable herself looks slightly overblown in this context and John Carroll who has a very pleasing voice and good presence, is not allowed to sing at all other than humming a few bars. Dale Robertson, who is not a singer and probably had his singing dubbed, is given one of the best songs to sing while taking a bath in a rain barrel...and is repeatedly shown apparently scrubbing at his crotch while performing the song! Viewers are well advised to skip this one, which is for extreme Grable and/or Carroll fans only. Even they will have a hard time tolerating it.

Bob-45 "The Farmer Takes a Wife" is a charming, forgettable piece of fluff of the "Boy meets girl; boy loses girl; boy gets girl back" school of film musical. Fox musicals were almost always rather forgettable, with their insipid songs and frequently bad singing. However, they were also bright and colorful, since Fox used Technicolor longer and more frequently than the "Tiffany" studio, MGM. "The Farmer Takes a Wife" is especially charming in costume, art and set decoration.Betty Grable is, well, Betty Grable, and if you adore her (and I do), you're likely to adore "The Farmer Takes a Wife". Betty's ably supported by Dale Robertson, John Carroll, Eddie Foy, Jr. and, the always wonderful Thelma Ritter. I won't pretend it's a great movie, or even a good movie, but "The Farmer Takes a Wife" is a "Betty Grable" movie, and that's good enough for me. I give "The Farmer Takes a Wife" a "6".