dougdoepke For a horror movie, it's pretty hard to come up with a fresh version of reviving the dead. Here well-intentioned scientist Carradine wants no monsters, just an opportunity to give folks a second chance. Of course, things turn out otherwise, when a revived mastiff dog walks through walls on his way to ripping out throats. It doesn't help that creepy housekeeper Maria has her own voodoo plans, while a romantic triangle emerges between Carradine's wife Drake and lab assistant Shayne plus his girl Wriston.Sound complicated. Yes, too bad the script didn't pare down and concentrate on creepy aspects. And I agree with others—we should see more of Carradine who's quite effective in restrained fashion. On other hand, there are those crackling Frankenstein arcs, better than expected for cheapo Monogram, while the spectral images passing through walls are also well done. However, maintaining a spooky mood with a more boffo ending would have really helped. Then too, I could have used more of the marble faces that are both novel and unsettling. But then, this is a low-budget quickie that still manages a few compensations.

JoeKarlosi I thought I read somewhere that this was the last Monogram production, but whether that's true or not it doesn't matter, because if it wasn't, then it should have been. It's a deadly dull affair starring John Carradine with some gray in his hair to make himself appear like an older scientist who is experimenting with the aid of his young apprentice (Robert Shayne) in bringing the dead back to life. Every time their subjects are revived, they seem to have a whitish face like marble as they are lying strapped to the laboratory table (big deal). Carradine manages to restore his faithful dog to life after it's dead, and the mutt gains an unusual ability to walk through walls in a ghostlike fashion (wooooooooohhhh). That's about all she wrote. For an ultra-cheap Monogram quickie, this thing at least actually utilizes a more fancy-schmancy lab setup than is usually allotted. The funniest running joke in the movie is that the "older" doctor Carradine constantly refers to his "young" assistant Shayne as "m'boy" when, in fact, Carradine was actually 40 and Shayne was 45 when they made this! * out of ****

preppy-3 A scientist (John Carradine--sadly) finds out how to bring the dead back to life. However they come back with faces of marble. Eventually this all leads to disaster.Boring, totally predictable 1940s outing. This scared me silly when I was a kid but just bores me now. I had to struggle to stay awake! With one exception, the acting is horrible. Such expressionless boring actors! Hopeless.There are some good things about this: Carradine, despite the script, actually gives a very good performance. And there are a few mildly creepy moments involving a ghost of a Great Dane walking through walls. There's also one of the worst-looking knockouts in cinema history. Still, none of this is fun enough to sit through this. Avoid.

magazette I saw this flick in 1946 as a 12-year-old, and found it pretty scary. Darkly black-and-white (most films were black and white then). What I remember most was that the faces of the dead revived didn't look like marble at all. Scared but disappointed. John W. Hall