exe_malaga93 While one may think it is difficult to review a short that lasts only two minutes, no matter how much of a cinephile you are, the fact that you may witness the beginnings of animation in this art, is a reason enough to be "passionate" about the challenge.The short uses precise (though somewhat obvious) camera cuts to give the illusion of drawings being taken off and returned to the canvas by the artist. This could be considered as an early use of special effects that combine two-dimensional drawings with real people and objects, a clear precedent of what we would later see in films like Roger Rabbit and Space Jam. In its time I'm sure it must have surprised audiences. It is not a minor detail, therefore, that one of the people responsible for this little gem is James Stuart Blackton, a major producer and director of that time, who is also considered as "The Father of Animation", and plays the drawer. I highlight his name, since he was a pioneer that worked with revolutionary techniques, and gave birth to one of the most important and popular genres of cinema (despite this work not being completely animated, like his "Humorous Phases of Funny Faces" from 1907, considered the first film almost entirely drawn that was shown in cinemas).With a sense of humor present throughout the very brief footage, and a good use of special methods, one can't help but feel enchanted (no pun intended) to this little, but remarkable gem.

Horst in Translation ([email protected]) This very short short film from 1900 put a smile on my lips. It is directed by J. Stuart Blackton and also stars him. He is one of the most famous prolific directors of the early 20th century. Here he give us a man who draws a painting of another man. He also draws some wine and cigars. When the artist magically takes the wine and cigars from the picture, the painted man looks mad as he seems to want his pleasure back. So finally, he gives it back to him as well as his cylinder and he is happy again. J. Stuart Blackton also seems to have a great time drawing as he seems so enthusiastic. This is a very short work, but not a bad one at all. Much better than most silent one-minute shorts from around 1900. It's like a good joke. Short, but memorable. Recommended.

Michael_Elliott Enchanted Drawing, The (1900) *** (out of 4) Early attempt at animation is also another take on the work of Georges Melies. A cartoonist walks onto a stage with a large sheet of paper. He then begins to draw various items, which seems to come to life (this trick down with the editing). It's hard to be too hard on a film this early and running just over a minutes so I won't even try. This is a pretty fun little movie even with the various flaws. I found the cartoonist to be pretty entertaining and the drawings are quite nice. The "magic" tricks aren't that believable and are miles below the work of Melies but they're still mildly charming.

Gary Dickerson This "trick movie" (as they are known) lasts for a minute & a half & transpires much as the summary above describes: a man draws a face on a large sheet of paper, then several objects (a bottle, a glass, a cigar, a hat) which, thanks to stop motion, come to life as he reaches for them. The face itself changes when things are taken away or when they are returned. The face itself is not animated, though this film is considered an early example of the animated film.The lightning-quick sketch artist in the film is James Stuart Blackton, who toured in vaudeville with his easel & amazed audiences with his quick drawings. He worked for Edison quite a while, for obvious reasons - a century later, the film is really, really cool, & the same stop motion that worked in TV shows like "Bewitched" always seems amazing.But this one, even as early as it was made, has a charm that some shorts can't replicate. First of all, it's extremely well done; when Blackton grabs the bottle & glass, it's surprising. Second, Blackton himself is a showman, so his drawing & his interaction with it are done in an animated, entertaining way. & lastly, it's just fun: a drawing that gets mad when its bottle of wine is stolen, but becomes happy when it is fed the wine is just too cute & funny to find trite or dull.