simeon_flake
No. 13 Demon Street--sounds likes a nice place to visit & maybe I would want to stay. But seriously, folks, is there anything here of note beyond the presence of Lon Chaney as Satan. As far as Satan on the big-screen, what could have more fitting during this time than Mr. Chaney--who, unfortunately at this point in his career was probably getting by more on name value than anything else. Not to say the man couldn't anymore, but I'm sure all the serious Lon fans know about the live tv drunk incident that sent his career to B-movie hell.At any rate, Chaney does make a great Satan (shocker, I know). At's that is pretty much the big draw for this film. Satanya is nice to look at, the stories in between Satan's segments passable entertainment & the closing reel is pretty good. Basically this is for the hardcore Chaney purists who will watch pretty anything the man did--even dreck like "La Casa Del Terror."
Michael Ledo
Lon Chaney Jr. after playing Wolfman, Dracula. Mummy, Frankenstein, now takes on the Devil...with a Rolodex. Satayana (Karen Kadler) a suicide victim has the option of delivering packages to individuals or go to hell. She chooses the packages which give us three film shorts including a 50,000 year old woman frozen in ice with plucked eye brows, mascara, and eye shadow. The very ending was typical of many sci-fi films of the era. Worth a peek if you got an hour. Available on numerous multi-packs.
kevin olzak
"The Devil's Messenger" may have been issued in 1962, carrying a 1961 copyright, but served as a feature compilation of a 1959 TV series shot in Sweden by writer/director Curt Siodmak, titled 13 DEMON STREET. Lon Chaney was imported as host, his minimal footage seen at the opening and close of all 13 half hour episodes, none of which were picked up by US television, but did play in Sweden. Producer Kenneth Herts hired director Herbert L. Strock to do what he could in providing a way for Herts to recoup his losses, and thus this feature film was born, incorporating three episodes with new wraparound scenes promoting host Chaney to Satan himself. Karen Kadler (Mrs. Kenneth Herts) had already appeared as a model in the episode "Fever," but here plays an entirely new character, appropriately named Satanya, newest arrival in Hell after a wrist slashing suicide, called upon by Chaney's Devil to carry out a special mission as recruiter for three separate characters. A camera provides the link to the first tale, "The Photograph" (reduced to 19 minutes), with veteran John Crawford as a womanizing professional photographer with a habit of bedding his models, who rapes and murders an unresponsive woman whose house was his primary subject, its image reflecting his dead victim at closer and closer intervals, one that no one else but her killer can see. Satan offers Satanya a pick, leading into the second tale, "The Girl in the Glacier" (reduced to 16 minutes), in which a mining expedition uncovers the perfectly preserved body of a naked woman in an icy tomb, transported to a Swedish museum for closer examination. One anthropologist becomes obsessed with her enticing presence (he names her Angelica), resorting to murder to prevent a rival colleague from despoiling his beloved. A crystal ball is the natural connection for story three, "Condemned in the Crystal" (reduced to 21 minutes), as Chaney's Satan proclaims: "some people say they can see things in a crystal ball, others say they can foretell the future, others say they can reconstruct the past, but they only see what we down here let them see because the crystal ball is the toy of the Devil!" Michael Hinn's John Radian, the man responsible for Satanya's despondent suicide (no connection whatsoever to the episode in question), is consumed by fears for his uncertain future, until a psychiatrist advises him to confront them head on by returning to a childhood haunt with a room he had been too scared to enter as a boy. Inside is a fortune teller, Madame Germaine (Gunnel Brostrom), who claims to know nothing of Radian but predicts that she will be the instrument of his midnight death. The newly filmed conclusion features Hinn, the only actor who repeated his series role for the added footage, joining Satanya in Hell for one final task, to deliver the ultimate weapon that Satan could devise, one that man knows only too well how to use. Lon Chaney is relaxed and confident as a smiling Devil, bringing a great deal of energetic humor to his role of genial host for a Hell he compares to being an exclusive club, one that requires more room for new members. With 10 1/2 minutes screen time, Chaney probably gets more footage than he did in all 13 episodes combined of the little seen 13 DEMON STREET, more in line with Boris Karloff's unsold THE VEIL than any actual show broadcast at the time. Some, though not all, episodes have found their way to YouTube, the entire series available in certain gray market packages. As a feature film (the only way many viewers have experienced 13 DEMON STREET), it served its successful purpose at the box office, though Curt Siodmak's name was nowhere to be found on screen, Leo Guild sole credited writer, Herbert L. Strock sole credited director. When Satanya asks what his purpose is in ruining lives, Chaney's exuberant Devil sums it up nicely: "people ruin their own lives, all we do is help them a bit!"
