The Detective

1968 "An adult look at a police detective"
6.5| 1h54m| PG| en| More Info
Released: 28 May 1968 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Police detective Joe Leland investigates the murder of a gay man.

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sol- Asked to investigate the mutilation and murder of a homosexual man, a hardened police detective becomes increasingly disenchanted with the way his bureau is handling the case and their interrogation of gay suspects in this crime drama starring Frank Sinatra. Some of the actors playing gay men are a little over-the-top here, but in general, the frankness and openness with which the film treats homosexuality is nicely unexpected for a 1960s movie. There is an especially memorable scene in which Sinatra slugs a fellow officer for bragging about using German concentration camp techniques to unsettle one gay suspect. The film is needlessly complicated, however, by an awkward structure in which Sinatra's memories of how he met his wife are blended into the story. It also takes quite a while for the vastly different cases that Sinatra is investigating in the first and final thirds of the movie to overlap. The denouement is highly memorable though once the connections become clear. The final third of the movie is a little sad too as it exposes just how much of a taboo homosexuality was half a century ago. More focus on Sinatra's cases rather than Sinatra himself may have worked better here though; solid as Lee Remick may be as Sinatra's wife, their rocky marriage comes off as an unwelcome distraction from the film's unflinching look at how hard it was to be gay in the 1960s.
HotToastyRag I thought I was in for another Tony Rome when I rented The Detective: a silly, 1960s screwball detective comedy that made incessant sex jokes to celebrate the end of the Hays Code. Boy, was I wrong! The Detective is a very heavy drama, and while it absolutely takes advantage of the drop of the Hollywood censors, it does so very tastefully. There's nothing funny about this movie, and unlike many 60s movies, it's not dated.Frank Sinatra plays the title character, and the plot alternates between his work life and his home life, showing his strain as he juggles being a detective with being a man. He falls into a whirlwind romance with beautiful Lee Remick, and the love scenes are steamy without being obscene, a combination that helps keep the movie classy.The film discusses touchy issues like murder, the death penalty, homosexuality, nymphomania, and police confession tactics. Frank Sinatra gives a wonderfully conflicted performance; on one hand, he objects to using inhumane tactics on murder suspects, and on the other, he treats his wife disrespectfully when he comes home. "I came here to ball—ain't that what you do best?" he shouts during an argument. On the third hand, does she perhaps deserve this treatment? Watch The Detective to find out! It's entertaining and the acting is very good. I recommend it! DLM Warning: There's one scene where someone jumps from the top of a building and the camera spins out of control during the fall. It's about halfway through the movie, so keep on the lookout.
ma-cortes This film is based on allegedly real deeds and adapted on novel by Roderick Thorpe and written credits by prestigious Abby Mann. It concerns about a N.Y. detective called Leland(Frank Sinatra) , he investigates the mutilation killing of a homosexual man. Leland encounters police and political corruption. Meanwhile, he has problems with his nymphomaniac spouse(Lee Remick).This is a fine noir film blending drama, suspense, thrills and excellent performances. This film displays strong scenes with gritty description of homosexuality and police brutality included. Casting is frankly awesome, as main cast, Sinatra and Remick, as secondary support, Ralph Meeker, Jack Klugman, William Windom, Al Freeman, Robert Duvall, Jacqueline Bisset and special mention for Tony Musante as tortured homosexual. Splendid and atmospheric musical score by the master Jerry Goldsmith. Colorful and appropriate cinematography by Joseph Biroc. The motion picture is superbly constructed by Gordon Douglas. This is the best work of his long career as filmmaker. He was a Hollywood veteran director, directing early movies(Little rascals, Spanky), Western expert(Chuka,Rio Conchos, Yellowstone Kelly, Only the valiant), and worked for Frank Sinatra in various films(Lady in Cement, Tony Rome, Robin and the 7 Hoods). Rating : Better than average, this is a high-class adult entertainment and to be liked Frank Sinatra fans.
thinker1691 The nineteen fifties were a time of adaption for many police departments throughout the United States. The rubber hoses, the brutal interrogations, bright lights and smoke filled rooms were commonplace. So too were the results. Few guilty men escaped punishment and fewer still were the innocents who got away. During the next few decades, so much brutality became prevalent, a new force took on the cops. In this film, "The Detective" the audience witnesses the early seeds of Law Enforcement Officers and the evolution of Miranda rights. It is the story (written by Roderick Thorp) of an idealistic officer named Det. Sgt. Joe Leland (Frank Sinatra). He is the son of a policeman and believes in his work. The victim is the son of a prominent politician, who has been is brutally murdered. What Leland discovers in his investigation is far more than the murdered man's sexual preference, but rather the lengths others will go to cover it up. With Dave Schoenstein (Jack Klugman) as his partner, they inadvertently discover a powerful and ruthless organization called 'Rainbo'. Key to the murder, a puzzling suicide and to Rainbo are Dr. Wendell Roberts (Lloyd Bochner) and William Windom. If you'll look closely, you see a young Robert Duvall and Tony Musante. The importance of this film are the taboo subjects explored as the investigation continues. Unlike today, such subjects did not warrant prominence and yet this film offers them up raw and unfettered. Lee Remick gives a stirring performance as Karen Leland. All in all, an excellent film from a changing time. ****