Woodyanders Director Penelope Spheeris captures the incredibly infectious filth and howling savage fury that fueled the Los Angeles punk music scene of the late 1970's and early 1980's with a bracing acuity that ensures that this documentary is both informative and entertaining in equal measure. Moreover, Spheeris neither glorifies nor vilifies the bands and fans featured herein; instead she wisely lets the punks speak for themselves so they can either slit their own throats or state a credible case on punk's behalf. It's also a hoot to see stoked audience members eagerly engage in stage diving and slam dancing. The groups who perform throughout certainly deliver the grungy goods: The Circle Jerks are dynamic and exciting, X seriously smoke, the lead singer of the Germs makes a hilarious clumsy fool of himself on stage by constantly dropping the microphone, Catholic Discipline are hysterically funny, and Black Flag put on a hell of an incendiary show, but it's Fear who clearly cop the top honors by whipping the audience up into a ferocious frenzy thanks to charismatic frontman Lee Ving's exceptional aptitude for pushing people's buttons. Super raw and wild, it's far better and more fun than jabbing needles in your eyes.

Lee Eisenberg Penelope Spheeris (of "Wayne's World" fame) made her mark with the documentary "The Decline of Western Civilization", about the LA punk scene in the late '70s and early '80s. Most of the documentary features interviews with the punks and footage of concerts (which often turn violent). Overall, we get to see how the punk movement was a reaction to the hippies: whereas the hippies were into being natural, the punks wanted to have themselves as altered as possible, what with spiked hair and all. But also, we see how they're really disaffected and sometimes becoming skinheads.Anyway, this is a really great time capsule. We're not really sure whether we want to long for that era or feel repulsed by it. But this is definitely not a documentary that will leave you neutral. Truly worth seeing.

DBPVI When it comes to films on the L.A. hardcore scene of the late 70s/early 80s this is as good as it gets! It's very rare that cameras are around during the genesis of a music movement, and I will be forever grateful that Ms Sheeris was there to capture the beginnings of the LA hardcore scene that was growing out of the ideals and influences of the dying New York & London punk scenes. I was living on the East Coast at the time this film came out, and back then the only way to see some of these bands, without going to L.A., was to see this film. It was a rare event when one of these bands would pile into a van and head east on a tour, so to fulfill our love for the L.A. hardcore scene my friends and I would go see this film every few weeks. This is a great document of that time in music history. For people who liked this era of punk/hardcore music, here's a few other very similar documentary films you might want to check out...THE BLANK GENERATION - (70s New York punk - Johnny Thunders, Richard Hell, Ramones, Television, Patti Smith, etc...)THE PUNK ROCK MOVIE - (70s British punk - Sex Pistols, The Clash, X-Ray Spex, Eater, etc...)PUNK IN LONDON - (70s British punk - The Clash, The Adverts, The Lurkers, Subway Sect, etc...)D.O.A. - (70s American & British punk - Dead Boys, Generation X, Sham 69, Iggy Pop, etc... *contains a priceless interview with Sid & Nancy*)UK/DK - (80s British hardcore - The Addicts, The Exploited, The Business, UK Subs, etc...)

InjunNose Everyone who's seen "Decline" knows how great it is. My favorite segments are those featuring Black Flag and Fear, because they're the funniest and the most visceral. Still, all the bands that actually STARTED the Los Angeles punk scene, apart from the Germs, are missing from this film. Where are the Weirdos, the Screamers, the Dils, and the Zeros? The Alice Bag Band is here, but they were better when they were simply the Bags. The Germs' segment is depressing. The very brief glimpses of Catholic Discipline were fascinating and made me wish that this band had at least recorded some demos. As a documentary, "Decline" is flawed...but it's indispensable, too. To find out about the bands this film didn't cover, read "We Got the Neutron Bomb" by Marc Spitz and Brendan Mullen. And to see what was going on in San Francisco right around the same time, get the much shorter (but equally brilliant) documentary "Louder Faster Shorter", directed by Mindaugis Bagdon. This twenty-minute burst of pure punk actually *does* feature the Dils--along with UXA, the Avengers, the Sleepers, and the Mutants.