The Deadly Trap

1972 "Murder and Madness is THE DEADLY TRAP."
The Deadly Trap
5.5| 1h36m| PG| en| More Info
Released: 25 October 1972 Released
Producted By: Les Films Pomereu
Country: Italy
Budget: 0
Revenue: 0
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Synopsis

An industrial espionage group calls on a retired spy living with his wife and children in Paris.

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Les Films Pomereu

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nickrogers1969 This is a neat little thriller, quite forgotten but now available on DVD. I'm glad to have seen it as it has been hard to find. It's set in France with American leads and it's quite low key and atmospheric. It's a stylish vehicle for the then red hot actress Faye Dunaway and it's nice to see her in a European setting, sometimes uttering things i french. She is absolutely drop dead stunning and there are several loving close ups of that magnificent face. It's nice to see her playing a mother and interacting with kids. She's playful, loving and laid back. In the film she shares a family life with Frank Langella, who also has an interesting face and is believable as an ambitious writer devoted to his scatter brained wife Faye. The cosy bohemian apartment and the misty views of Paris in the autumn is a big part of what makes this rare film a gem. The story is suspenseful and will keep wondering what will happen next, all though there are some questions left unanswered at the end. The film does seem built around showing how sensual and gorgeous Faye is and she is at the height of her beauty. With so many scenes she is often shown staring deeply at other peoples faces or into the distance with her wonderful soulful eyes. She is a wonderful actress and a joy to watch but I did feel at times that she held back a bit when she could have gone for stronger emotions. At the police office, when she is accused of a big crime, she reacts as if she had merely been caught shop lifting. She stares at the accuser, stutters and (what is classic Faye) opens her mouth to say something only to be interrupted by the other actor (perhaps impatient to say the lines and get the plot moving). In this situation she should have screamed hysterically at the awful predicament she's in but instead she throws some objects across the desk in annoyance. In another scene, when she witnesses a death, she could have screamed or acted shocked but instead she just stares. Aside from these small scenes, she is so entrancing to watch that this thriller is a pleasure to see!
puppylove2009 I give this movie a 5/10.. because simply, I didn't understand what this movie was really about.. I couldn't see what was going on until maybe 3/4 of the way into it.. Faye Dunaway,character was slowly losing her mind.. Was the movie set to be in Paris or not? There was a lot of mention of "Phillipe" going to Paris.. then out of the blue, they are all speaking french.. It was a super hard plot for me to follow.. I thought the kids had killed themselves or had been murdered.. I also didn't agree with the fact that the little boy was allowed to play with guns. ill give the movie another look over and see what elements I was missing..
dbdumonteil From 1959 onwards (and with the success of "purple noon" (Ripley's first version),Clement wanted to become the French Hitchcock.He followed the rules quite well with the follow-up "les félins" then everything went wrong.After casting Jane Fonda ("les félins") he hired American stars for every "thriller" he made:Bronson,Ryan,Vaughn and here Dunaway.Why American stars by the way?They were all dubbed (with the exception of Fonda)for everybody cannot be Jodie Foster for that matter."La maison sous les arbres" is a would be suspenseful movie with heavy pretensions:a big set-up,where poor Dunaway is caught like a fly in a cobweb :her children are kidnapped and "they "keep them in... (well,check the title;it means "the house under the trees") No cigar ,and not even close.
gridoon Playing a woman of slowly deteriorating mental health, Faye Dunaway dominates this movie. She graces it with her beauty and just about manages to keep us watching a story that's flawed and filled with implausibilities (SPOILER: for example, how come an organization as powerful and sinister as the one the movie supposedly presents has left ONLY ONE person - and a foolish one at that - guarding the kidnapped kids?). It's flatly directed, too. (**)