Alex da Silva Mysterious Herbert Lom (Torg) wanders into circus life and starts to take over from circus owner Ben Lyon (Phil). Lyon has a brother David Farrar (Tom) who is top-billed with his girlfriend Anne Crawford (Mary) as the trapeze and high-wire act. However, once Lom arrives he takes over the top bill and also takes Crawford to be his partner in his hypnosis stage act. Just how far is Lom going to take the hypnosis act? He's pretty handy at revenge.Herbert Lom is what this film is all about. From his first entrance, dressed all in black, you just know he's evil. He can control a lion and he can control people. What I didn't get about this film was why everyone was so nasty to him. I ended up taking his side but I feel that was not the point of things. Anyway, he alienates himself, nicks Farrar's girlfriend and starts to have a power over her in everything that she does. The rest of the cast aren't very interesting and the two top-billed male actors aren't very likable. This is Lom's film.I don't like circuses so the film's setting just doesn't do it for me. I find clowns scary and not at all funny. And how about that laughing sailor dummy? That is pure nightmare material. Not funny. I'm not too bothered about this film either way – it sits firmly mid-scale."Look into my eyes" "Look into my eyes" – "Go and mow the lawn" "Go and mow the lawn"

Sleepy-17 I certainly enjoyed this film, but it made me very uneasy. Herbert Lom, who is fourth-billed, his name appearing on the second panel of the credits even though he has the biggest part, is a phenomenal screen presence, menacing and charming. All the Anglo characters despise him without any reason. The Anglo male leads, Lyons and Farrar, are jealous, rude and finally homicidal. And you get the impression that the film-makers think that all their maliciousness is justified merely because Lom is foreign and intelligent. Made in 1943, this film could have easily been made in Germany at the same time with Lom posing as a Jew. I suppose he's supposed to resemble a German, but Lom (who is 5 foot 9 inches) is constantly referred to as "little" and "dirty". Great suspense scenes, well worth seeing, but...

whpratt1 Enjoyed this British film which is about a Circus called the Danton Empire Circus which is having some financial problems and has to create some new acts in order to keep in business. A drifter, Stephen Torg, (Herbert Lom) appears one day and is able to calm a lion which has broken loose and out of control around the circus grounds. Stephen is looking for work and is hired by the circus manager and meets up with Mary, (Ann Crawford) who is a high wire artist and her partner Phil Danton. Stephen Torg uses hypnosis on Mary and permits her to take some very daring tricks on the high wire act and it becomes an instant success. Stephen becomes very popular with the audiences and is very resented by the circus company, however, Mary is in his complete control and he steals her from her boyfriend Phil Danton. Great entertaining film, don't miss this one. Enjoy.

David (Handlinghandel) Herbert Lom plays a hypnotist in this thrilling British film noir. The young Lom seems an uneasy cross between Peter Lorre and Charles Boyer. The plot is gripping. It's familiar but beautifully executed here. As an audience of one, I was on the edge of my chair.The entire cast is excellent. The feel of a circus is real: It reminded me from time to time of an earlier great movie about a circus: "Freaks." And even the props are good: The laughing sailor is horrifying. When the circus owner shows this device off, members of his troupe laugh. But I was horrified by the grotesque laugh and jerky moments.The main draw is Lom's brilliant performance. He is meant to be creepy, and he is. But, often shown in close-up, he is also handsome. And that too is part of what makes the beautiful tightrope walker fall under his spell.He is a force of evil. Yet we are not, I think, meant to despise him. He has a few lines about the unhappy childhood that made him yearn to be taken seriously.This little known movie deserves a wide audience and great a critical acclaim