Michael_Elliott Criminal Life of Archibaldo de la Cruz, The (1955) ** 1/2 (out of 4)Luis Bunuel film that sounds more interesting than it turns out to be. As a young child, Archibaldo is told of a magical magic box that when turned on will kill. As an adult, Archibaldo comes across this box again and this times plans to use it to help him become a serial killer. There's a lot of black humor scattered throughout the film but very little of it made me laugh. The opening segments bashing the rich were funny but the film slowly falls apart in the middle and never regains any speed. The story is a very good one but the director does very little with it, which is a shame because this should have been a whole lot better.

JoeKarlosi My third Luis Bunuel film, and interesting enough, if not as good as the others I've seen so far (EL - ***, and BELLE DU JOUR - ***1/2). In this movie I missed being treated to some of director Bunuel's more representative stylish flourishes, and I didn't know quite what to make out of this erratic story about a laid back type of fellow who keeps getting the urge to murder the various women he encounters, only to have his plan sabotaged always at the last moment. I'm thinking this was intended to be a black comedy, but it didn't strike me as very humorous except in occasional moments. This seems more of a "middle of the road" Bunuel film, based solely on the few I've seen. The ending left me thinking about the female character (which I suspect may be the idea) but when I read the biography of the young actress Miroslava Stern and the circumstances of her premature death just two weeks after completing this film, it sort of gave me a chill... she committed suicide and was cremated. **1/2 out of ****

Jose Calzada Adapted from a mediocre novel by Mexican playwright Rodolfo Usigli (gladly the only one he wrote) "Ensayo de un Crimen" gathers several of the worst cinematographic moments issued from such an uneven filmmaker as Luis Buñuel. Its many clumsy aspects are generously distributed on all areas of its making: there is not a single actor that can deliver his/her lines without sounding like your average end-of-semester College play. The scenery and decor are elementary and full of anachronisms. To mention just one, in the initial flashback Archibaldo (as a young child) is playing in the 20's with a Lionel train from the 40-50's! Buñuel's directing job is plainly bad, even if he tries to embellish it with a couple of his famous "oniric" sequences that just don't work here.Maybe the worst part of all is the script. There's not a single line that doesn't sound corny and forced. Here's to those who watched the film with the benefit of translated subtitles or dubbed into a foreign language: I envy you. In Spanish, the dialogs are plainly awful.However, the most remarkable feature is the enormous amount of praise this unholy stinker has received during its 50 years of existence! Undoubtedly this shows that to most moviegoers and critics -moviegoers of the Summa cum Laude species, I guess- suppose that the sole name of a famous filmmaker must mean you're watching a work of art.To this I must add that practically none of the movies that Buñuel filmed during his stay in Mexico is a true masterpiece. Even the celebrated "Los Olvidados" is sadly marred by an unabashed pamphlet scene extolling the social merits of the Juvenile Delinquent re-adaptation centers issued from the government of President Cárdenas. Maybe Buñuel considered necessary giving a little lick to the hand that was feeding him at the moment...

Ben Parker I disagree with another reviewer who said this movie is not interesting to watch. I've seen Los Olivados, El Angel Exterminador, L'Age D'Or and Un Chien Andalou and i thought Archibaldo matched up well alongside them. I found it both interesting/sensual/compelling and with interesting meaning."The Criminal Life of Archibaldo de la Cruz" begins with a childhood memory of Archibaldo's governess making up a myth about Archibaldo's new music box, to distract him from misbehaving: "The King compelled (his Queen) to look at him, but she lowered her eyes, and the King took it as a sign of guilt. Without a second thought he opened up the little music box and immediately the queen was struck dead." As she is telling this story, and gets to the part of the Queen looking down, Archibaldo's governess looks down. Once she finishes, she hears gunfire outside (there is a revolution going on), and goes to the window to look at it. Archibaldo immediately desires to open the music box, with his governess in mind, and at that same moment a stray bullet from the fighting in the street breaks through the window and kills the governess.We cut to Archibaldo telling this story to a Nun, who dismisses his childhood memory, "I think you like to pass yourself off as being wicked." She leaves the room, and Archibaldo retrieves a flick-knife from his drawer. When she returns, he is standing by the door.Archibaldo: You always want to be in the good graces of god? Well, then, wouldn't you be glad to die since it means eternal bliss? Nun: Of course... but why? Archibaldo: (pause) I'll give you that joy.Archibaldo de la Cruz is a fascinating look into the meaning of the label "criminal." I believe you need to go into a Bunuel movie not having heard too much about it, to get full enjoyment out of it, so i won't say anything else, just commend it to you. If you've never seen a Bunuel movie, i would start with El Angel Exterminador, then you'll be hooked and won't be able to keep from checking this and others out.