The Confessional

1977 "The Devil in Priest's clothing!"
The Confessional
6.4| 1h44m| R| en| More Info
Released: 01 March 1977 Released
Producted By: Peter Walker (Heritage) Ltd.
Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

Also known as 'The Confessional', another of Pete Walkers's critiques of institutional hypocrisy, in which a troubled young girl goes to confession at the local church. Unfortunately, the sexually frustrated priest she confesses to becomes obsessed with her. At first, the priest stalks the girl, but later it is revealed that he will stop at nothing, including blackmail and murder, just to get close to her.

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Peter Walker (Heritage) Ltd.

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Reviews

ksf-2 Well... Mortal Sin opens with a pretty gruesome scene. Young chick comes home crying... runs up to her room, reads the bible, and we're off on the adventure. Then our star "Jenny" (Susan Penhaligon) meets up with her old school buddy (Norman Eshley) who is now a priest. Lots of talking, drinking tea, confessions in the church, and of course, eerie, creepy music. Anthony Sharp is Father Xavier, and plays a large part in our story. Some of the scenes don't really make sense, but I guess you have to buy into it. Next thing you know, her school, priest friend is now shacking up with Jenny. Holy guacamole, batman! Lots of odd things and nasty things. Not for the young 'uns. An entertaining viewing, but SO predictable. All of it.Recommended on the Frank Dicaro show (XM radio), this is one of the campy horror flicks which didn't start out to be that way. Written, directed, and produced by Peter Walker, British director. Acc to en.wikipedia.org/wiki/Pete_Walker_(director) , he had made films that fell under various categories in the 1960s, 1970s, 1980s, frequently using the same cast of characters.
BA_Harrison Catholic priest Father Xavier Meldrum (Anthony Sharp) becomes obsessed with parishioner Jenny Welch (Susan Penhaligon) who unwisely pays a visit to his confessional after a break-up with her boyfriend. Excited by the gorgeous young woman, but unable to have her, Meldrum is driven to kill using rosary beads, a flaming incense burner and poisoned communion wafers as his weapons.House of Mortal Sin sees British exploitation legends David McGillivray and Pete Walker having fun at the expense of Catholicism, depicting the murderous antics of a sexually frustrated Catholic priest with a mother complex whose mind has been twisted by a lifetime of repressed carnal urges. It should be a whole lot of salacious silliness, but sadly falls short of the mark.Despite the film's deliberately controversial subject matter and plenty of sadistic violence, House of Mortal Sin is actually one of my least favourite Walker movies thanks to a dreary narrative, a plodding pace and surprisingly uninspired direction. Penhaligon is lovely as the poor subject of Meldrum's attention but is given little to do other than look frightened; likewise, Sheila Keith is wasted in yet another role that calls for her to be cruel and emotionless.
bensonmum2 I've really got to disagree with most of the reviews I've read on House of Mortal Sin (I prefer that title to The Confessional). Most reviewers seem to see it as one of Pete Walker's weaker films. I saw it as one of his best – second only to House of Whipcord. It's an entertaining tale of one Priest's madness and the young girl who tries to reveal his secret. Instead of uncovering the truth, she's the one who is labeled "mad" for making such accusations against such a respected figure. She can't get anyone to believe her until it's too late.House of Mortal Sin includes some really suspenseful and tense moments. Viewing the picture, you learn early on just what the Priest is capable of. He's a holier-than-thou, above reproach figure who relishes his perversions and is quite at ease with viciously disposing of those who he feels stand in his way. It's really creepy watching the way he twists religion to meet his depraved desires. And to see the twinkle in his eye as he's trying to get the young girl to discuss her sex life is quite disturbing.Pete Walker was capable of getting more out of a group of relative unknown actors than most any director I've seen. As I've already alluded to, Anthony Sharp is outstanding as the demented Father Xavier Meldrum. Stephanie Beacham, Susan Penhaligon, and Norman Eshley all give terrific performances. And what can you really say about the genius of Shelia Keith. The woman was amazing. In the grand scheme of things, I'm a relative newcomer to Pete Walker's films. So my experiences with Keith are also relatively recent in nature. Still, having been aware of the woman for less than a year, I'm ready to put Keith on a list of my favorite actresses in horror movies alongside the likes of Barbara Steele and Edwige Fenech. Obviously, Keith is a different kind of actress with a vastly different style and look, but she's every bit their equal in the pleasure I derive from her work.
Coventry The events in "House of Mortal Sin" make it more than clear: repressing your sexuality can have serious consequences!! This third collaboration between controversial director Pete Walker and scriptwriter David McGillivray is lesser known than "Frightmare" or "House of Whipcord", and maybe also not as good, but it still is very inventive exploitation with some twisted themes and exhilaratingly horrific sequences. Walker and McGillivray openly assault the Catholic Church here and associate the "holy institution" with hypocrisy, sexual perversion and even murder. Walker's intention clearly was to shock audiences and to stimulate an angry reaction from the Church. Perhaps he couldn't achieve all this, but "House of Mortal Sin" nevertheless remains an enjoyable and schlocky horror movie, surely worth purchasing in case you're into unhinged 70's cinema. The story follows a troubled young girl who hesitatingly goes to confession at her local church. The priest, Father Meldrum, is quite out of his mind and starts stalking the girl and even killing the so-called sinful men in her life. No matter who the girl turns to for help, Father Meldrum stays above suspicion at all times because he's a respected man of the Church and she's just a mentally unstable blonde. The main storyline gets a little tedious at times but there's a delightfully insane sub plot involving the priest's seemly 273-year-old senile mother and the disturbing housekeeper played by Sheila Keith! Eccentric characters and the downright oddball relationships between them are still Walker's greatest specialty and also the unhappy ending is present. The gore and violence is less outrageous than in "Frightmare" but the priests' killing methods are quite ingenious and, of course, religiously themed, like poisoned sacred wafers and rosary strangulations. Recommended!