The Color of Money

1986 "The Hustler isn't what he used to be. But he has the next best thing. A kid who is."
7| 1h59m| R| en| More Info
Released: 17 October 1986 Released
Producted By: Touchstone Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Former pool hustler "Fast Eddie" Felson decides he wants to return to the game by taking a pupil. He meets talented but green Vincent Lauria and proposes a partnership. As they tour pool halls, Eddie teaches Vincent the tricks of scamming, but he eventually grows frustrated with Vincent's showboat antics, leading to an argument and a falling-out. Eddie takes up playing again and soon crosses paths with Vincent as an opponent.

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Reviews

Saiyan_Prince_Vegeta This movie is an excellent movie about pool and makes it look so easy when these excellent actors play it. Makes it look real easy. Tom Cruise is brilliant and it just shows what a great actor he always was, because he learnt to play pool very well for this movie. One of his many skills. I think this is the first movie I've seen with Newman, he was TC's inspiration, and he indeed looks like a good actor.This movie also shows you how pool players make money. It also shows some interesting ideas. 1. Manipulation. In order to make money in some professions people use manipulation. For example in this movie pool players when playing with opponent would on purpose lose a few times until they stake more and then they would win. So, like Newman said it is important to learn how to lose as well. Also he said since Tom Cruise acts very childishly, no one takes him seriously, so he can fool them even further. 2. Interesting quote from Newman, which basically says that if you do something very well then money will just come to you. (Glavnoe eto chto to umet, i ne prosto umet, a lucse vsex ostalnyx. Togda dengi ne problema, ix nuzhno tolko vziat.)
Joe Evola The Color Of Money movie gave the pool /billiards scene a leg up in the economy and I personally consider it the best pool movie ever made. Paul Newman is hard to beat ladies and gents. The profoundly felt chemistry between Newman and Cruise throughout the film is just very hard to come by nowadays and rare. Most pool players as well as film buffs will appreciate the dialogue a lot in this movie. You don't often find such a pure breed of realistic pool elements as well as theatrical performances as depicted in this film. The color of money deserves credit for boosting the popularity of the "sport" as well as the "game" of pool in the 90's. The world has yet to see a 21st century like film.
Timo Vuorensola I prepared myself to this by watching The Hustler (1961) and enjoyed its' slow pace and character-driven story. The Color of Money kicks off with much more ballsy tone, really talking a lot about the game itself, and masterfully introducing the characters between the clacking of the balls and swooshing of the sticks. Scorsese goes very artsy with the camera angels and it gets a bit tiresome and feels a bit too intentional twisting and turning here and there, but overall the film is shot solid. Still, the biggest issue comes with the characters; you feel like you're almost there with Paul Newman, watching as he "plays" the kid and "plays" the girl, but it turns out that he's actually one step behind you in the end, which is a bit of a shame in the end. You'd want Paul to be the cleverest of them all, you'd want him beat that snotty annoying Cruise kid, but in the end, he is pleading for the last game and he gets hacked by Whitaker and he gets played by Cruise. Yes, he gets his say in the end, but still it doesn't feel somewhat satisfactory enough. Somehow, the characters end up in weird places and the development feels a bit off. Still, all is well and it's a beautiful film to watch, ambitious and very Scorsesean.
Red-Barracuda This sequel to The Hustler (1961) was directed by Martin Scorsese. It's not necessarily the most typical type of film you may expect from him. It was in fact one that he did for the studio and was not one of his more personal efforts. By working on a commercial project like this, Scorsese then had leeway to make his next film, the ultra-personal and controversial The Last Temptation of Christ (1988). Consequently, because this wasn't material he was fully passionate about, it's not so surprising that this isn't amongst his best work. That said it is still a good film. Scorsese still manages to employ much of his typical energetic style into the flow of things, making even the game of pool pretty dynamic to watch.The film is maybe even better known for its acting though, with Paul Newman returning to play an older version of the character Fast Eddie Felson who last appeared in The Hustler twenty-five years previously. His character now manages young hustlers like he once was and, in doing so, takes a huge slice of their winnings. It's a role-reversal for the character and Newman is once again very good, although despite the Oscar win, he was even better in The Hustler. Tom Cruise plays off him as the cocky youngster in a type of role that we've seen him perform many times in fairness. He is good enough though and the two actors do work off each other well. The dynamic between them is reasonably predictable to an extent with a plot arc where their relationship starts off shaky, gets worse then finally clicks. But, off course, success breeds complications. Events do ultimately reach an unusual and ambiguous conclusion, which I wasn't too sure about personally but at least it ended things on a less obvious note.