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A young boy who witnessed the suicide of a mafia lawyer hires an attorney to protect him when the District Attorney tries to use him to take down a mob family. The Client is unfortunately another Joel Schumacher film that is simply a waste of time, money and definitely talent since both Tommy Lee Jones and Susan Sarandon feel like back up characters for this little kid to be the main star. The villains were boring and just cartoony and even worse? the whole thing with the mafia lawyer killing himself? Was beyond stupid and cheesy for sure. (0/10)
Majikat
The late Brad Renfro, , was such a talented young actor, who seemed much older than his years. A boy amongst adults in this John Grisham novel turned big screen movie, leading a cast of big names. A decent storyline of streetwise kid v's the mafia makes for a memorable film.
swicinski
I finally sat down to watch this. I'm not big into 'lawyer' movies, and this plot never made much sense, but it got three stars on the tivo, so I said "sure, why not". First off, to be clear, I never read the book, nor have I read any Grisham novels.I never got the plot. Kid somehow finds out 'important' information, but won't tell anyone. Sounds, um, reasonable, sure. He then races to find a lawyer (and he doesn't trust lawyers) in order not to say anything. And I'm still not sure what the lawyer did for him, except get his family out of Memphis (which the DA should have been doing immediately).I couldn't stand ANY of the characters! Mark Sway just swore a lot and didn't have a clue what he was doing (and some people call him the 'hero'!). Not sure what Reggie the lawyer was trying to protect the boy from, for she seemed far more concerned over the law then the bad guys.The Barry 'the Blade' character made me wonder whether he was some guy who was posing as a mob killer, and thought that's how they dressed and acted. For he seemed as far from realistic as one could get. The cop that finds Mark has got to be one of the worst cops in Memphis. Kid finds body, you think he's hiding something. So the obvious way to get him to talk? Of course, try to scare it out of him! It always works!The federal agents seemed to be about as inept as possible. The DA made me wonder why anyone would pay attention to him, let alone the media. The family is in the hospital under police watch, but there's a detective down the hall watching the room? How does that happen? Speaking of the media, how about the supposed newspaper reporter. Taking pictures of the kid in the hospital room? Really? And the newspaper not only gave out his name, but printed a big picture of him?Finally, this is all about 'finding the body of the senator', but they never explained WHY that was important. A body is just a body. Sure, it can show the senator is truly dead. But not once did we hear "If we can find the body, we're sure to find proof that the blade did this!". Let alone, why would they think they could find it? Had they ever found any of his other victims? And did those not help send him to jail?Oh, and I didn't even get to the part where they go to NO to find the body for some insane reason. Anyone who thinks this is even a good movie needs to watch some good movies. Watch the Shawshank Redemption, and then watch this, and you'll see what I mean.
Geeky Randy
Thriller about a young boy Mark Sway (Renfro) who witnesses the suicide of a man (Olkewicz) with ties to the mob. The man decides to spill certain details about the mob before his suicide, sucking Mark into the crossfire of a mob murder. The kid must hire his own lawyer (Sarandon) to protect his rights, since district attorney (Tommy Lee Jones) is fixated on taking down the mob and won't stop at anything--even willing to put the safety of Mark at risk. Very '90s, very Schumacher, and very Grisham. Hard to know what to feel for Tommy Lee Jones' character, and it's even more confusing as to why Romey didn't just blow his brains out sooner with the gun right there in the car! A lot of holes at the beginning of the film, and the plot neither fills them or makes up for them. You won't gain anything from watching this so-called "mystery-thriller". Am I really supposed to take LaPaglia serious?** (out of four)