Nigel P After the roundly derided 'Blood of Fu Manchu', director Jess Franco once again tackles Sax Rohmer's indomitable moustache twirling super villain. Richard Greene 'guest stars' as sleuth Nayland Smith, and Howard Marion Crawford, in his last performance, plays second hand man, silly old Professor Petrie.As Fu, Christopher Lee is exactly as you would expect – clipped, precise and cool. Under impressive oriental make-up, he conveys moments of anger, complacency and effective degrees of evil. His relationship with far more interesting daughter Lin Tang (Tsai Chin) is slightly more focused than previously, but the most interesting character here is Lisa (Rosalba Meri), 1971's 'Lady Frankenstein'. Lisa is a duplicitous and beautiful creation, often dressed in a suit ("She fights like a man") – and yet, like everyone else here, she is fearfully underwritten and little more than a cypher.Added to that, much of the stock footage that provides the more spectacular moments is generously scooped from other productions, notably a dam-busting scene from 'Campbell's Kingdom' from twelve years earlier.Despite a strong start, this soon dissolves into the kind of muddled plotting that blighted 'Blood…' previously. Although I actually found this slightly more entertaining than that previous film, it is still difficult to maintain interest in events when both storyline and characters are so sketchy.A further entry into the Fu Manchu series was contracted, but due to the drubbing 'Castle…' received both critically and commercially, Fu's promise that 'the world will hear from me again' remains unfulfilled. With a fairly generous budget (most likely due to the further involvement of Harry Alan Towers) and a good cast, it seems to me that Franco just wasn't interested in telling a story about Fu Manchu – and subsequently, the audience felt the same way about paying to watch it.

unbrokenmetal The last of the 5 Fu Manchu movies with Christopher Lee begins with almost 3 minutes of footage taken from „Brides of Fu Manchu" - telling us openly that they were running out of ideas. The sinking vessel and the dam burst are taken from other movies as well, obviously. The story makes only 2 potentially interesting attempts at human conflicts: when Omar is tempted to sell Smith to Fu Manchu in exchange for his girl, and then the "heart transplant by murder" scene. To my chagrin, both chances to score were wasted for a much too quick solution! The first 60 minutes are lazy, sloppy, disappointing, but during the last 20 minutes, Franco suddenly speeds up everything. The caverns below the Castle of Fu Manchu are full of psychedelic lights (green, red, purple), smoke and water are pumped into them, while the heroes must runs for their lives - it turns out to be quite some compensation. Nevertheless, the other Fu Manchu film by Jess Franco ("The Blood of Fu Manchu" aka "Kiss of Death") is clearly the better one. Voted 7/8/5/7/4 for the five movies.

mido505 What a difference a decent transfer makes. For ages only viewable in muddy, heavily cut, nearly unwatchable prints, The Castle of Fu Manchu is now available, thanks to Blue Underground, in all of its colorful, zoom-laden glory. The last of producer Harry Alan Towers' five-film Fu Manchu series, and generally considered to be the worst, The Castle of Fu Manchu is actually a fun, trashy time waster, and far better than the previous film in the series, The Blood of Fu Manchu, which was burdened by a tedious bandito sub plot that dragged the film to a grinding halt. Directed with a certain pulpy vitality by the highly erratic but occasionally brilliant Jess Franco, Castle has a tacky comic book verve that is hard to resist, and that is certainly more entertaining than many of the expensive, highly touted bombs that Hollywood has been dropping lately. Contrary to what others have reported on this site, Christopher Lee is in excellent form, delivering his lines with distinctive aplomb and offering a stunning, iconographic series of facial expressions as he attempts to overact under the restrictive 'Oriental' make-up. The great Tsai Chin (soon to be seen as 'Auntie' in Memoirs of a Geisha), as Fu's devoted, sadistic daughter, Lin Tang, is terrific as always, and looks particularly fetching in her white Hejab. Best of all, Rosalba Neri shows up as a tough, Fez-topped lesbian, of whom Fu says "Keep her alive. She might be useful to us. She fights like a man." Peter Welbeck's screenplay may be incomprehensible rubbish, but they don't write lines like that anymore.

mstomaso It is 1969. Your on your way back to your car at the drive-inn, where your fiancé is happily sleeping off her double shift at the diner and you are about half-way through a film - Folterkammer des Dr. Fu Man Chu, Die (or the Castle of Fu Manchu) - which has already put you through two bags of popcorn and 3 cokes because the popcorn is just so much more interesting, and the worst happens - you can't find your car. Nightmares flash through your mind - maybe your fiancé was so annoyed by the cruelty of your decision to force her into a late night drive-inn triple feature full of Sax Rohmer films so she drove off, or maybe the film got her so upset that she drove off the nearest bridge. Trying to get a hold of yourself, you look up to the screen to verify that you're at the right part of the drive in. No help, all you can see is a smear of dark blue and dark red shadow across the lower part of the screen. After a minute or so, the lighting crew finds the on-switch and some out of focus people show up on the screen. They appear to be three Shriners sneaking up on an Imam who has just begun his afternoon prayer. Still no help. You resign yourself to the fate natural selection has accorded you. You , after all, decided to see this film with your intended reproductive partner, and that choice has probably ruined your opportunity to allow your genetic material to be carried on in the next generation of humans. So you decide to move to California to buy that house on the side of hill overlooking the San Andreas fault where you always wanted to live, and to pursue your dream to rekindle the Fu Manchu series this film killed. More power to you. To be fair, I did not see the touted Blue underground DVD version of the film. Supposedly, this pressing is so much better than what I saw that it is incomparable.Even my television objected to this film. It kept trying to turn itself off, switch channels, etc. It even unplugged the cable converter for a few minutes. Whoever it was that decided that Sax Rohmer's various B-grade stories ought to be made into movies, should be forced to watch all of them in a row - at least once. As they say, garbage in, garbage out. These films are a decidedly acquired taste. And this one is even more difficult to acquire a taste for than Sumuru... http://www.imdb.com/title/tt0061976/usercomments-8Peruse the IMDb reviews - you will notice that most of the people who write positive reviews for this film do not describe the plot. There are two interrelated reasons for this - (1) there isn't one to be described and (2) they've never seen the film, and simply get a perverse pleasure believing that their opinions might be taken seriously enough to convince people to see the film (a poor assumption, at best). Christopher Lee plays Fu Manchu - an inexplicably powerful meanie who wants something from all of the world's governments (we are never privileged with the knowledge of what in particular he wants, but I couldn't care less anyway), and is threatening to freeze the world's oceans to get it. The technology he is using has been developed by a dying scientist who he has kidnapped, and soon he finds himself having to kidnap a surgeon in order to arrange a heart transplant as well. There are various fight scenes which don't appear to be related to the film and may indeed have been found on a cutting room floor somewhere in the Middle East, or even reused from a previous Rohmer feature (I really expected Sumuru, some of her army of Amazon ninjas, or even Frankie Avalon to show up at one point). There are also a few scenes with Lee standing around looking ominous and using that great voice of his. I am not sure he knew what was going on in the rest of the film, and indeed with that voice it doesn't matter, but these scenes are, nonetheless, the ONLY remotely entertaining aspect of the film. And OH YES lest I forget, there are a few inept 007s who were likely rejected from the extras audition for Casino Royal making some roughly British sounding noises and taking all of this way too seriously.I didn't think it was possible, but this film was even more difficult to get through than Manos: Hands of Fate, and quite possibly should replace it as the worst film of all time. http://www.imdb.com/title/tt0060666/usercomments-419To state what, in particular is wrong with TCODFM is an easy task - EVERYTHING. The acting is mediocre, the plot is idiotic, the cinematography and editing are so bad that I don't believe TRYING to make a hideous mess of a film would net you anything worse. You'll either laugh hysterically or stare at your screen until you start drooling, unless you take my advice and avoid this. Why did I watch it? I enjoy challenges.