oOoBarracuda Michael Ritchie directed Robert Redford and Peter Boyle in his 1972 film, The Candidate. The Candidate follows Bill McKay, an everyman who was pushed into politics to dethrone the incumbent senator who many believe has turned his back on the people and is too interested in power. A film that looks a lot like real life, it is difficult to discern whether or not life has imitated art, or the opposite has taken place, either way, The Candidate is a familiar story and one that is a little difficult to visit given the current state of American politics. Bill McKay (Robert Redford) is a man who is more than happy to continue his quiet life submerged in his civil rights centered law practice. Bill has no interest in entering politics, as his father before him, former California Governor John J. McKay. Strategist Marvin Lucas (Peter Boyle) sees Bill as a unique opportunity, he sees the possibility of Bill entering a senate race against an incumbent Senator Crocker Jarmon (Don Porter) who has left his constituents disenfranchised as he seems to chase political power for his own gain. Marcus builds Bill's campaign using an interesting strategy; he has convinced Bill that he has no chance at beating the Senator, but will surely win his party's nomination, so, since he has no chance of winning, he can say whatever he wants and is free to shake up the political system on his way to defeat. The plans, however, go astray when the polls favor Bill much more than anyone ever anticipated.The message of The Candidate is one that becomes diluted the more familiar it becomes. There have been innumerable amounts of "everymen and everywomen" running for elected office and winning that The Candidate, as a pseudo-documentary style film has lost its effectiveness. Certainly, most notably, the election of Donald Trump in 2016, proves without a doubt, that anyone with no political experience can achieve even the highest office in the land. The Candidate "worked" much better at the time it was made, when career politicians were the only ones getting elected office. Robert Redford feels a bit miscast in the lead role that commands a relatable, emotion-filled performance. In many of his scenes, he comes off paper-thin, definitely lacking emotion. Peter Boyle, on the other hand, plays his hopeful, yet controlled reckless attitude incredibly well. Boyle is an actor in which I have never sought out, yet been constantly impressed with every time I've seen his performances. Overall, The Campaign is a good enough film, but one that I wish I could have seen some 30 years prior when it still carried the crux of its relevance.

bigverybadtom I was shown this in social studies class in my senior year in high school decades ago. The liberal teacher used the movie to teach us how real-life political candidates are developed, and he asked us questions such as whether debates were truly useful except as publicizing candidates.The story itself: Bill McKay, son of a former machine politician governor of California, is talked into running for the Democratic candidate for U. S. Senator by a campaign manager who has just come off a losing election of another candidate. The manager expects McKay to lose anyway, so he tells McKay to say whatever he wants since it won't make any difference.But as the campaign goes on, the supposedly strong incumbent is vulnerable after all, and McKay wins the Democratic primary, and there is a serious chance McKay could really win the election. No longer can he just say what his beliefs are; he now has to draw in more voters who don't want a strong liberal. Solution: McKay has to be much more vague in answering questions (as directed by his managers), and to give generalized platitudes even his campaign team laugh at. He talks about unity and solving problems-but at the same time fails to tell the public what he intends to do about them. He wins anyway-and is confused as to what to do once he has the job.While it is true that an empty suit can win an election (look at who our current President is), the movie's inherent problem is that the movie doesn't really give a reason that McKay should have won over the incumbent. Longtime incumbents normally lose if demographics change greatly or if they alienate their constituency in some way; the movie depicts nothing of the sort. Also, McKay shows little enthusiasm for running throughout the whole campaign; surely there are others who would have wanted the spot instead? Still, if nothing else, the best part of the story was where the campaign manager is told to take a chair-and he does so, literally.

vincentlynch-moonoi "The Candidate" was the second film in which I saw Robert Redford; the first was "Jeremiah Johnson". Both were released in 1972. And I knew from the moment I saw this film that Redford was something special.40 years, and at the base level, it's clear that politics hasn't changed too much. Yes, there's a lot of big money involved now, but the basics of candidate and voter is about the same...except less vitriol.There's not exactly a plot here. It's more a story of a political pro attempting to make a modern "do-gooder" into his candidate. Redford plays an idealistic community organizer who doesn't really want to be senator, but goes along with it and then gets wrapped up in it. Not a plot, but a story about relationships and the evolution of a candidacy.It's interesting to see some old familiar faces -- Natalie Wood, Howard K. Smith, and others.Redford is superb. But then again, he almost always was. This was probably one of Peter Boyle's best roles, and Allen Garfield was impressive, as well. Melvyn Douglas was a pleasure to see in his role as the candidate's father. And Don Porter showed his versatility in playing the old favorite Republican candidate.It's hard to find a negative in this film. It's worth watching and perhaps having on your DVD shelf.

Desertman84 The Candidate is a film starring Robert Redford. Its themes include how the political machine corrupts and the need to dilute one's message to win an election. There are many parallels between the 1970 California Senate election between John V. Tunney and George Murphy, but Redford's character, Bill McKay, is a political novice and Tunney was a seasoned Congressman.The film was shot in Northern California in 1971. Peter Boyle plays the political consultant Marvin Lucas. The screenplay was written by Jeremy Larner, a speechwriter for Senator Eugene J. McCarthy during McCarthy's campaign for the 1968 Democratic Presidential nomination.Director Michael Ritchie and executive producer/star Robert Redford satirically explore the machinations and manipulations of media- age political campaigns in this cynical political drama.Rumpled left-wing California lawyer Bill McKay, the son of a former governor, is enlisted by campaign maestro Marvin Lucas to challenge Republican incumbent Crocker Jarmon for his Senate seat. McKay agrees, but only if he can say exactly what he thinks. That approach is all well and good when McKay does not seem to have a chance, but things change when his honesty unexpectedly captivates the electorate. As McKay inches up in the polls, Lucas and company start to do what it takes to win, leaving McKay to ponder the consequences of his political seduction. Working without studio interference from a script by Jeremy Larner, a speechwriter for 1968 Presidential candidate Eugene McCarthy, Ritchie enhanced the behind-the-scenes realism of Larner's insights with a realistic, cinéma vérité approach. He orchestrated a campaign parade for "candidate" Redford that drew such a considerable unstaged audience that local politicians wanted to draft Redford for a real election. The first and arguably the sharpest expose of the new media-determined American political process, The Candidate offers producer-star Redford one of his strongest dramatic roles; Michael Ritchei's cautionary tale became prophetic in its message.Also,Redford's resemblance to the telegenic Kennedys, and his character's resonance with the future career of California governor Jerry Brown, only emphasized how close to the bone The Candidate was (and is). Released the fateful year of Richard Nixon's reelection, the film garnered accolades, if not substantial box office; Larner won the Oscar for Best Original Screenplay and thanked the "politicians of our time" for inspiration.Creating a documentary fiction about the semi-truths manufactured to market a candidate, The Candidate shrewdly exposed the effects of the media on the increasingly cynical political process, posing unanswerable questions that have become all the more pressing with every soundbite-ruled election.