The Breed

2001
4.7| 1h31m| R| en| More Info
Released: 19 July 2001 Released
Producted By: Motion Picture Corporation of America
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Vampires have come out of the shadows and are living as normal citizens. Two policemen, one a vampire, are assigned to track down a serial killer who tears the throat of his victims and drains their blood.

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Reviews

jfwhelan Like the curate's egg' this film was good in parts, but they weren't very big parts.I have always enjoyed the twist associated with 'good vampires' and I guess I am still waiting for a film to properly use it.This film was too outré and grotesque (in the original meaning of the word) for it to have worked as anything other than an over-the-top dance-macabre of a film; a sort of Grand Guinol of the film world. Unfortunately it never really achieved this distinction and instead we are left with a mishmash of themes and failed attempts at being something that it never quite achieved.The script and the acting were pretty deplorable and the direction was anything but tight, though still one can sort of envisage what was intended; and those stolen fleeting glimpses serve to supply enough motive to keep watching. In the end this continued attention is utterly frustrating, since the ending manages to further let one down and, indeed, the rest of the film.I don't say 'Don't watch this film!' I would, however, warn you to keep you expectation low, and not to be too surprised if it fails to live up to them.
user-3133 Sometimes with cheap budget films, you can see what they might have been- and that can be both good and bad. Bad, because you can see that more money = better special effects/ more actor motivation. Good, because you can see some qualities in the film, that while rather charming in this version, would be crap in a big budget film. The Breed falls into this section.The acting is about what you'd expect, and the storyline the same, but what really, really made me actually enjoy this film for the time I watched it, was the sets. They were incredibly reminiscent of the Second World War- the propaganda posters on the walls, the typewriters, the big grey buildings all of it combined to make an atmosphere which managed to meld times totally.Definitely worth the time spent watching it- it doesn't pretend to be a masterpiece, and it's all the the better for it.
robbiebonham Did anyone else get the vibe, at the start of the movie, that the vampires were a commentary on the Jewish people? Or am I looking too much into a B- movie...? The first glimpse we get of the vampire community is a WW2 style vampire safe house, complete with said period's costumes, and the NSA's costumes are very Nazi-like. And there's the whole 'we fear them because they're a different 'ethnicity'' thing. This may have been a theme started in the movie, but of course, was forgotten as the film underwent several style-changes (by which I mean, it went off on a tangent to rip off some other movies) But yeah, as mentioned above, there were lots of scenes that paid homage to (see...ripped off) Brazil, Blade, The Matrix, Tarantino,..even Highlander. A mucky piece of work, with too many genre stereotypes, and what was with Woodbine's gruff, 'bad boy' voice?
rhi_pest I found it to be very Kim Newman-esquire in its approach to vampirism. It was likable, despite the painfully wooden acting. The scenery and costumes were heart-stoppingly gorgeous, and the Dr. Strangelove/1984 atmosphere was incredibly cool. However I still have to wonder how the main girl vampire managed to run around with those whacking great collars on her...And exactly what the heating bill was on her Gothic Mansion (tm). And I did love the fact that they used Buda-Pesth as their setting...The club was also cool, and slightly more fetish-y than other vampire movies like Blade...The dynamic between vamp cop and meat cop was quite good, still the same people from opposite sides aiming for the same goal while not quite trusting each other thing, but it made for some passable character development. And did I mention the supersharp 40s-style suit that the vamp cop gets to wear? Like I said, the costumes were gorgeous and well put together. The dialogue was a scream, but I'm sure it wasn't meant to be. "Cut the Anne Rice act!" From the lips of a vampire girl who I'm sure I've seen in gaming books, in fact, most of the main vamp characters seem to be based in the Masquerade vamp-style, running from fetish cyberpunk to nosferatu. The random acts of vampire motion were misplaced too. Stopping during a chase and twitching madly may look cool, but most viewers are going to be wondering WTF is going on. And the actor vamp is just the funniest thing alive...Or not quite so, as the case may be. And the handgrenade made me laugh, but that may just be my sense of humour.