darrenmurray84 Possibly Chang Cheh's finest martial arts movie, containing everything that people have come to expect from him. The film has a good, although not great, storyline, charismatic actors and thrilling action scenes. It also contains a ton of blood.Chen Kuan Tai plays the title character, and we follow him as he rises through the ranks of the gangster world. David Chiang shows up in supporting role as a crime boss who is admired by Kuan Tai. Although he only appears briefly he still gets a chance to show of his moves, and be a tough guy.The main themes of brotherhood and betrayal are all here as usual, and the film culminates in one of the finest final fight scenes to appear in a Shaw Brothers Movie.Of course there is still the usual problems, as in a lot of the more modern day Chang Cheh films, no one considers the idea of actually just shooting the hero from afar. Of course they don't, that would be too sensible, and most of the villains here are idiots. Of course if they just shot him it would end the movie quite abruptly. Instead Kuan Tai gets to fight it out in a bloody trail of glory, and doesn't even give up when he's gets an axe in the stomach.An axe in the stomach, and he fights till the end with it sticking out of him. Any other film you may think this is ridiculous, but in a Chang Cheh film this is expected.Chen Kuan Tai would go on to work with Chang Cheh in numerable other occasions, but was never better than in Boxer from Shantung.Also check out the remakes, Hero, starring Yuen Biao & Takeshi Kaneshiro and also the more recent Once Upon a Time in Shanghai. Both deserve a look, but don't live up to Cheh's classic.

Falconeer Before the advent of DVD media, films such as Cheng Cheh's "Boxer From Shantung" could only be seen in severely butchered form, complete with laughable and awful dubbing, fair to poor picture quality, always in "pan and scan" format with a percentage of the picture chopped out, and in most cases, with the harder violence removed as well. Finally "Ma Yong Zhen" can be seen the way director Cheh envisioned his passionate "rags to riches" epic, with "epic" being a suitable word as this film is quite big in scope, and surpasses the 2 hour mark. The tale itself is a familiar one to be sure; a young, ambitious street urchin uses his unique boxing skills and mental cunning to climb the bloody ladder of success, and fortune. But this tale has rarely been filmed so eloquently. There is so much to praise here, beginning with cinematography; forget comparing this film with the endless and uninspired kung-fu pictures made through the 60's to 70's. For the look of "Ma Yong Zhen" is that of a mostly beautiful art-house style production. This can finally be seen in it's original aspect ratio of 2,35 widescreen, and the difference is hardly describable. For years apparently, this was only released widely with a running time of just over 90 minutes, but the wonderful DVD from "Celestial Pictures" restores the feature to it's 124 minute running time. The lead character, played by Chen Kuan-tai, is really superb in his role as the ambitious 'Ma'. He possesses a strange, utterly unique physical beauty which somehow elicits sympathy from the viewer. The film reminded me a bit of 1983's "Scarface", as the stories, as well as the extreme violence are similar themes within both pictures. However Chen's character never loses touch with his own humanity, unlike Tony Montana, who became a monster. And I must agree with another poster who described the feeling of "sadness" that envelops the film. Much of it is quiet, subdued, featuring some haunting, and totally unobtrusive musical score. Of course this is misleading, as the film explodes with a brand of violence hard to describe, for the films breathtaking climax. That new DVD also features the original Mandarin language audio track, and hearing the original language is the only way to see this. There are English subtitles as well. Recommended viewing for anyone curious to see a how a traditional kung-fu film can be transformed into a work of art.

The-Gent One of those films that you find in a "Everything here $1..." bin at your video store. It's dated, the video and sound quality are poor, the acting is typically sh*thouse and the storyline has been done 100 times before. But being somewhat of a fan of kung-fu films, I try to see anything no matter how bad it looks. The Boxer From Shantung is no classic of the genre, but it does provide some excitement, some innovative concepts and some of your standard Shaw Brothers kick ass action, so it can't be a complete waste. One thing that came straight to mind when I saw the 'House of Blue Leaves' chapter in Kill Bill vol. 1 was this film. The Boxer From Shantung inspired the sequence where the crazy 88s come rushing into the club through any entrance available. Admittedly though, Tarantino did it better. Also, the lead actor Kuan Tai Chen kept reminding me of Charles Bronson, he looks like him but it's mostly his mannerisms. He went on to star in many more Shaw Brothers films (see: The Flying Guillotine). 7/10 -- but only because I'm partial to kung-fu films.

henry-girling 'Ma yong zhen' or 'Boxer from Shantung' in the dubbed videocassette version I viewed is a long film but engrossing, showing the rise of Ma Yung Chen from lowly labourer to gang boss.The film has a strange melancholy air, ending with some of the characters fleeing from Shanghai as war approaches. The music has also a sad feel to it. Avarice is the main driving force of most of the characters as they go about their business but over all there is a doomed air.Kuan Tai Chen who plays Ma Yung Chen (very well) has a pleasant appealing smile but there is something sad in him too. His yearning to be somebody is touching. He is plausible in the fight scenes too, particularly the tremendous gory fight at the end, which seems to go on endlessly like a nightmare you can't wake up from. David Chiang as usual is great, though not on the screen long enough. The 'four champions' in the film include the Shaw Brothers regular Feng Ku who is always good value.I believe John Woo worked as an assistant director on the film and is a fan of the director, Cheh Chang. Compare the end of this film with the end of Woo's 'The Killer'.There is a lot of combat in this film but it sits well with the narrative and the characters. Some martial art films are all fighting and no plot but 'Boxer from Shantung' has both in equally good measures.