searime This movie is one hell of a movie ,Action is so good ,Plot is excellent and the chases just as good as the other two ,Best one out of the 4 movies .

Prashast Singh THE BOURNE ULTIMATUM very easily outdoes the first two movies, THE BOURNE IDENTITY and THE BOURNE SUPREMACY. And both of them were brilliant films. Then just imagine the level of excellence mastered by this film!Matt Damon is in his top form as in the first two movies. Others actors have also done a good job, while it's the screenplay which is the biggest winner here all the way; combining terrific action sequences and edge of the seat thrilling storyline flawlessly is not something every action thriller is capable of doing. But ULTIMATUM successfully proves why a film should be judged by screenplay and not just synopsis. I'm a die hard fan of the action thriller genre and this film was nothing short of a party.THE BOURNE ULTIMATUM has got it all right: skillfully written screenplay with some of the best action sequences and plot twists apart from the ending which is just as breathtaking and exciting as THE BOURNE SUPREMACY. If you already haven't, then just check out and collect this Oscar-winning action thriller as soon as possible!

TheLittleSongbird Finally getting round to seeing the original Bourne film trilogy, after hearing nothing but good things, there hasn't been any regret watching them. Wasn't sure initially as to whether they'd be my cup of tea or not, hence why it took so long to see them, but that was not the case.'The Bourne Identity' was a very pleasant surprise, giving a fairly well-worn genre a much needed freshness. It had its imperfections, but was a very solid and even very good film with much to recommend and introduced a cast-against-type Matt Damon in one of his best roles. 'The Bourne Supremacy' was an example of a sequel that was every bit as good as its predecessor, maybe lacking its freshness but also made a few improvements along the way. The original Bourne trilogy ends with 'The Bourne Ultimatum', which has been regarded often as the best of the three, cannot disagree.Some of the hand-held shaky cam is used a little too excessively (epileptics be warned!) and the ending could have been a little less frenetic and confused and had more careful tying things together and explanation.Visually, on the other hand, a vast majority of the time 'The Bourne Ultimatum' like its predecessors looks slick and stylish with even more breath-taking locations. There were many instances when the hand-held shaky cam did intensify the tense claustrophobia of the atmosphere and intensity to very good effect, never making things incomprehensible.Like 'The Bourne Supremacy', the music score is even more dynamic, atmosphere enhancing and more layered this time round, while Paul Greengrass' drama-documentary style and background to his directing is used to full advantage. 'The Bourne Ultimatum' has the sharpest, most intelligent and subtle script of the three films, in a way that is just dazzling.The story never lets go of its grip and never strains credibility or reality. It is a tense adrenaline rush throughout, with the best mix of exciting action, the best of it is absolutely thrilling, and meaty story-telling, with lots of emotion and characterisation meat, that develops Bourne the best of all three films. Paul Greengrass' directing style and his experience in drama-documentary is once again used to full advantage.Matt Damon has really made the character of Bourne his own, at the time of 'The Bourne Identity' it was very much a cast-against-type role but now it is one of his best. Julia Stiles and particularly Joan Allen are marvellous, as is a suitably malevolent David Strathairn, and while the supporting cast are a little underused they all do uniformly sterling work (one would be very hard pressed to get a bad performance out of Albert Finney for example).In conclusion, what a conclusion to the Bourne trilogy. 9/10 Bethany Cox

CinemaCocoa The super spy is Bourne.With nothing else to live for, Jason Bourne seeks the final answers to the fractured memories and ghost recollections about what was done to him.The Bourne Ultimatum is a rare third act for a film series; it isn't overblown, it doesn't contrive or skew to "enhance" the story outside of its themes for a bigger showdown. This is an effective conclusion that not only ties up the loose ends that our hero has been suffering, but also maintains a fantastic consistency with its previous films.Something very few third parts ever manage.Bourne Supremacy director Paul Greengrass returns to direct Matt Damon, and by 2007 the two men are well versed in what works and what doesn't. Especially for the Bourne films, and they deliver a roller-coaster urban thrill ride of action. Bouncing off the foundations of Bourne Supremacy, Ultimatum strikes it rich with its two leading ladies Julia Stiles and Joan Allen. Allen playing Pamela Landy, the only surviving official who has first hand knowledge of Bourne's skills and the only one prepared to help the situation, does an excellent job filling the sympathetic gap left by Brian Cox and making a layered character who answers much of the franchise's questions. In the antagonist role, asides from the half-dozen different super agents sent after Bourne, is David Strathairn, who doesn't rise too much farther than Chris Cooper did in Identity, but is a good fit in the role as a merciless official hunting down Bourne.The role of a total schmuck who Bourne continuously runs rings around with spectacular fashion and incredible ease, more like. The film is as enjoyable and rewarding as it is thrilling and suspenseful!We see Bourne in full super spy mode in this film, he is in control and cold as ice. There are pivotal scenes that show how Bourne has tried reconciliation, he's tried to let go of what he's done in the past but he cannot shake the memories that are resurfacing. What we get is a conclusion with Bourne on the warpath. An action movie through-and-through. The film opens with a fantastic scenario in London; where Bourne via phone is navigating someone else through a crowd to not be seen by officials. That should be really hard to film, but Greengrass nails it; you know exactly what's happening, the spaces involved and line of sight. It is followed by the chase in Morocco, a chase and fight sequence that was so incredible that it influenced the Bond franchise for a decade at least, as well as other movies in the genre. Granted there's more shaky-cam in the fight sequence again, but the steadier cinematography for the initial rooftop chase and incredible tension before that makes me go easier on it.It is a tremendous movie and ties both the moodier Identity and the white-knuckled Supremacy together and actually builds on and improves them, delivering a hugely satisfying conclusion for Bourne in the process.