writtenbymkm-583-902097 Scary movies are supposed to be scary. This one is not. A scary movie, or any movie, is supposed to make sense. This one does not. This movie is a confused cluster of almost random images, assorted flashbacks, and a guy staring and staring and staring into the camera. The ending seems to have absolutely nothing to do with any of the rest of the movie. I'm not even sure who was alive and who was dead. Why would anyone make a movie like this? Was it supposed to be artistic? It was just painfully boring and awful.

Flow Well, God and my friends sure know I had my share of bad Asian horrors, so thank you for delivering this little gem. It looks small but the potential is explored as much as its budget allowed it to.Very few places used in this movie, either they had a lack of finances or maybe they just wanted to keep it small, so it can feel more personal, helping the viewer to connect more with the main character. Did it work? I think it was a direct hit! No point in saying too much about it, cause I fear I may reveal important details in it, thus I will do nothing more than recommend this one. It works as a horror, has some nice humorous lines in it and that good ol' twist at the end! So don't read too much into it, watch it and thank me later.Cheers!

Sabalon I liked this movie because it basically did more with less. It could have been made more interesting if they had kept it confined to the studio even more (though some of the plot elements would have been harder to develop).The guy playing the DJ did a good job of showing someone spooked out and haunted by his memories. I also found his dialog with the callers pretty funny.While parts of the movie you can see coming a mile away, other parts you do not expect to turn out the way they did.I thought it was a pretty minimal ghost story for the most part, concentrating more on the living side of the equation. The last 5-10 minutes were pretty well done as everything is being revealed.While it was a shorter movie, it felt to be just about the right amount of time to tell the story. Any more and it would have started to drag.

poe426 Like TALK RADIO, THE BOOTH is actually kinda predictable (TALK RADIO because we know the truth of what happened going in, THE BOOTH because of- let's face it- the genre and the basic set-up). That's not necessarily a bad thing, in this case. It means, in essence, that the filmmakers don't punk out in the end the way they might've in, say, an American version of this story. THE BOOTH moves inexorably toward its (foregone) conclusion, but is so beautifully crafted on every level that one can enjoy the ride the way one might a familiar cruise along a well-travelled stretch of (very scenic) road. It reminds me of Harlan Ellison's spooky short story, FLOP SWEAT. The claustrophobia is, at times, almost palpable. Worth a nice long look.