The Bliss of Mrs. Blossom

1968 "The Years Big Put-On...And Take-Off Too!"
5.6| 1h33m| en| More Info
Released: 11 September 1968 Released
Producted By: Paramount
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Budget: 0
Revenue: 0
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Synopsis

Harriet Blossom is married to Robert Blossom, a businessman who'd rather spend the night at his bra factory than at home with her. One day, Harriet's sewing machine breaks, so Robert sends a repairman, Ambrose, to fix it. It's lust at first sight for Harriet, who convinces Ambrose to hide out in the attic for a tryst. When her new beau shows no desire to leave, the pair begin a years-long love affair right under Robert's nose.

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mark.waltz You could make millions in an auction of the costumes and props for this oh so silly British farce that is overloaded with everything but plot and substance. It's one of those 1960's acid stained comedies where bored brazier manufacturer's wife Shirley MacLaine takes a lover, hides him in her attic(above the marital bed it seems) and has all sorts of strange surrealistic fantasies to comment on her strange situation. When husband Richard Attenborough has a sudden health crisis, her fantasies change to seeing him get better, thus neglecting her hidden stud (James Booth).Made around the time that various popular actresses such as Bette Davis, Elizabeth Taylor and Rosalind Russell took on roles that made them seem like drag queens, MacLaine took on several of them. From 1964's "What a Way to Go!" through this four years later, she really had only one hit ("Gambit") with the remainder getting more and more outrageous. There's no real sense of direction except just to keep getting sillier with each fantasy and costume change, basically turning Shirley into Liberace without a piano. Top that off with balloon like dummy dolls modeling braziers pulling people up for a mad, mad, mad world type final, and you've got Shirley MacLaine's real boobie prize. If this is what an acid trip looks like, keep me sober!
Jay Raskin I found the film extremely hard to watch. I saw it on Netflix and I kept stopping it after fifteen or twenty minutes and resuming it the next day until I got through the whole thing.I generally like Shirley Maclaine and Richard Attenborough and I like splashy British psychedelic 60's movies like "Casino Royale" and "What's New Pussycat" However, Maclaine was unexpectedly listless and dull and Attenborough, despite a brave attempt, could not bring a spark of life to the movie. The great sets are wasted in a movie that seems to want to be hip or hippie, but doesn't know how.Someone named James Booth is the real star. It was a surprise to see such an unknown actor actually given more screen time than big stars like Maclaine and Attenborough. I kept thinking he was going to disappear from the movie, but instead his part just grew bigger and bigger to the point of pushing the other stars out. To be fair, He apparently did star in five or six movies low budget, moderately successful films in the 60's, but then went into playing mostly guest star television roles for the next 40 years. He plays a part that desperately needs the zaniness of Peter Sellers. One feels as if the part of Ambrose Tuttle, a crazy spaced out genius was written with Sellers in mind. Booth is much too laid back for the absurd cartoon style of the character and the work.The movie is visually quite interesting, but it pitches, rolls and jumps all over the place. Sadly, the director seems to know nothing about directing actors or scenes. The actors seem to be talking directly to the audience and not each other. This has the effect of making the movie seem like a long episode of the 1960's television show "Rowan and Martin's Laugh-in," but without any jokes. The wonderful time that all the characters appear to be having is not infectious, but annoying.Anyways, I give the movie one star for Maclaine, one star for Attenborough and one star for the sets, but everything else is a gigantic bore in the film. If you're heavily stoned when watching, as the filmmakers appear to have been when putting this mess together, you can add another three stars.
Pangborne I am hesitant when recommending this movie, not because I doubt the movie, but because I doubt people. There are so many criticisms that non-believers could throw at THE BLISS OF MRS. BLOSSOM - that it's silly, obvious, crude, cartoonish, dated - but they would all be beside the point. The point is that this movie is a sweet-natured ding-bat adolescent pro-feminist look at sex and marriage in a world where people don't seem to have naughty bits - except women, whose most noticeable naughty bits need to be covered by industrial strength brassieres. The dialogue is a step above Benny Hill, but the performances (Shirley MacLaine, Richard Attenborough, James Booth and even [briefly] John Cleese) lift it to the level of Noel Coward, just by putting an aching sincerity into the outlandish situations. Most memorable, however, is the art direction, costume design, and editing, all of which take off from Carnaby Street and land somewhere on the planet Swinging Mod Paisley Surprise. The editing is particularly trippy, with deliberate disjunctions of time and space that give the title character an almost otherworldly cool. And why reach for THE BLISS OF MRS. BLOSSOM when there are so many other relics of Mod London in the late sixties to choose from? Because, like Linus's pumpkin patch, it's really and truly very sincere: whereas other movies of the period where aimed cynically at the youth market, T.B.O.M.B. is aimed at adults.
Wolf (alphaspace) Who knew you could have so much fun making Bustenhalter's (Bra's)<only word I know in german that I can also spell so I was aching to use it>. This movie is so sweet. The plot is totally odd having a sort of Casino Royale weird off beat flavor to it. This is the ultimate in a quirky Addam's Family gone oh so British yet bonkers kind of movie. I think the MUSIC in The Bliss of Mrs Blossom movie rocks. Well Lets say it ROCKS only if you like frightfully odd music but its wild. The ending is a real tear jerker as things go full circle. The Psychodelic influences of the time were celearly in evidence throught this movie in the fast pace of the cutting and all sorts of weird camera angle and, slow motion shots did give on a disconcerted feeling as if one might well be tripping out.I love this movie with all the talk and, visuals of bra's and, ladies ever wearing bra's it never got crude or dead common. The movie is tasteful from beginning to end... Back in 1968 when the world was full of industrial strength prudes this movie might have been labeled a bit blue but in our more enlightened Millennium this is just tame good nature fun. This is a movie for onle and, all.If you like weird off beat comedy enough you owe yourself a look at this one. Oh and, when you see the movie say hi to Binky for me! I think the high moral water mark in this movie is hit when Mr. Blossom suggests that all man's wars were not the result of his willingness to follow his countries flag into battle... Insteed Man was really Following the Brazaire which you know just might be true . hmmmmm :)