clanciai The most interesting character here is Jack Hawkins as the bowman in his unpredictable shifts of moods and expressive diction - it's a pleasure just hearing him talk in every scene he is in. Orson Welles dominates, of course, as he always does, this time as a conquering khan with the ambition to subjugate all China and after that Rome and England, in which scheme he tries to interest and engage Tyrone Power, who almost falls for it.The story is great although somewhat muddled as Tyrone Power never knows what he really wants, which vacillation reaches a climax when he gets a girl on his hands in his sleeping tent.Another interesting character is Michael Rennie as the King, stately and sympathetic as ever, and also Finlay Curries as the grandfather, greatly enhancing the interest of every scene in which he is present.The most fascinating part of the film though is the visualization of the Silk Road, as the caravan travels from somewhere in the Orient, could be Cairo or Baghdad, all the way across the deserts and mountains to China, and the caravan scenes are spectacular to say the least. Also the scenes from China are interesting with their snapshots of court life and the Chinese character trembling at the mercy of the awful conqueror and resorting mainly to superstition for its only defense.It's a kind of English Marco Polo spectacle, with books, paper, compass and gunpowder and all that, and it is very well made. Henry Hathaway was qualified enough to turn out this masterpiece of a romantic oriental epic to be remembered.

Terrell-4 And what's a black rose? We're told it is the name given to the clove, the most precious of spices. In this case, the clove is Maryam, played by Cecile Aubry. She was a small French actress, discovered, it is said, by producer Darrell F. Zanuck, and who looks no older than 14. She has a small mouth which is filled with tiny teeth and a plump tongue, and she occasionally jumps about to express enthusiasm. If Vera-Ellen and Charlie McCarthy had ever had a child, it would look a lot like Cecile Aubry. The movie, The Black Rose, is no stinker, but it suffers from Aubrey in the role. Unfortunately, it also suffers because Tyrone Power, playing Walter of Gurnie, a young scholar in his early twenties, looks every bit the 39-year- old man he was. The one insuperable drawback to the movie is its disjointed nature. We move from Norman England 200 years after William the Conqueror, to the middle-east and then on to a Mongol army moving and battling its way toward China, then to the imperial court of China itself, and finally back to England. We have a movie which is part historical adventure, part travelogue, part uneasy romance and, with Orson Welles playing the Mongol general Bayan with false eyelids, chubby cheeks and greasy skin, part succulent ham. The movie features some great scenic set-ups, interesting acting in one or two of the secondary parts, particularly by Jack Hawkins, and a nice look at a marching mongol horde, but on balance I think it is one of Power's weakest romantic-adventure films. Walter of Gurnie, the illegitimate son of a Saxon lord who had married a Norman woman, is a hot-headed Oxford student who has left his studies when he heard his father has died. He hates, with good reason, the Normans. One night he joins a band of fellow Saxons led by Tristram Griffin (Jack Hawkins), an excellent bowman, in an attack on the castle which had been his father's. He planned to free some Saxon hostages held by his step-mother and her son, as well as to claim the boots his father had left in his father's will. In this will his father had publicly acknowledged him as his son. As a result of the attack, Walter and Tris must flee, and Walter decides they should go adventuring to Cathay to win gold, jewels and fame. Along the way he meets the great Mongol general, Bayan of the Hundred Eyes, who takes an interest in the two. Walter and Tris also are tricked into hiding a young woman, Maryam, who is one of dozens of maidens being sent to the Great Khan and who are traveling with Bayan's army. After battles and marches, archery contests, chess games and a walk along the rope of death, Walter is sent to the Chinese court to explain how powerful Bayan is and why the Chinese should surrender the imperial city. Now we have luxurious surroundings, manicured gardens, treacherous mandarins, jewels sewn into coats and a harrowing escape in which Walter and Maryam are separated. Finally, we're back in England, where the king honors Walter for his bravery and for bringing back the knowledge of the Chinese. All seems settled except for his lost love for Maryam. Will they be reunited? And how? See the movie. Tyrone Power was Zanuck's champion swashbuckler. Power was, for me, a very earnest actor. In his early years he had great good looks. As he aged, his face thickened a bit, his eyebrows grew dense and his five-o-clock shadow must have been a real challenge for Fox's make-up artists. He was an actor who longed to show he could do more than prance around the scenery with a sword in his hand. In two movies, Nightmare Alley and Witness for the Prosecution, he fought for the chance to show he could handle unpleasant roles, and he did very well. Yet for the most part he stayed safely playing conventional star heroes. He died of a heart attack when he was only 44. He was filming, what else, a dueling scene for one more big, expensive and forgettable adventure movie. For those who enjoy reading sweeping historical adventures, you might like the source book, The Black Rose by Thomas B. Costain. It's one of those big, fat novels that goes from adventure to adventure. Costain probably is barely remembered now. He was a Canadian journalist who, in his early sixties, unexpectedly struck it rich as a popular novelist. For ten years he wrote best selling fiction and well-respected popular histories. His fiction is packed with well-researched history and his histories read like well-written novels. The Black Rose is still a good read.

Rob Muir (gazelam) Having seen this a number of times as a late-night or Saturday-afternoon movie growing up, I caught it again yesterday on television, and was pleasantly surprised. As other posters have commented on it's faithfulness to the book or as a historical setting, I won't comment on that.Probably due to an excellent cast, the movie manages to transcend many of the (at least now accepted) clichés and is very successful. Having Welles and Powers in leading roles obviously allows them to sell the story line in a very convincing manner. I am a big fan of swashbuckler movies, but this goes beyond the bravado with good character development. The large-scale shots were magnificent. Lots of extras, animals, etc. I was drawn into the story and quite dazzled by the cinematography.Although there is nothing profound here, this is an easy film to enjoy.

mlhawken This movie has it all. Action, adventure, intrigue, romance, humor, etc. The cast is superb, even though some of the characters are played by people of the wrong ethnicity, as was common in Hollywood in those days. Somehow Orson Welles is believable as a Mongol warlord. The interaction of Walter and Tris is really touching without being sweet. I never saw or heard of the girl who played Maryam again, but she was perfect for this role. I've loved this movie since I was a young person, and I've seen it probably 20 times. I never get tired of it.After I grew up, I found the book in paperback, and was delighted to find that Hollywood had been very faithful to the book. I've since found a used hardback copy of the book and enjoy reading it every ten years or so. Anyone who loves old movies, especially those which bring a great book to life, will love The Black Rose.