The Black Knight

1954 "Alan Ladd's greatest ! Bigger than ever ! Better than ever ! Bolder than ever !"
5.2| 1h25m| NR| en| More Info
Released: 26 August 1954 Released
Producted By: Warwick Film Productions
Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

John, a blacksmith and swordsmith, is tutored at Camelot. As a commoner, he can't hope to win the hand of Lady Linet, daughter of the Earl of Yeoniland, so he creates a secret alternate identity as the Black Knight. In this new role, he is now able to help King Arthur when Saracens and Cornish men—disguised as Vikings -- plot to take over the country.

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kevin olzak 1954's "The Black Knight" marked the coming out for Peter Cushing's screen career, his top villain Sir Palamides outshining Alan Ladd's miscast hero John, serving King Mark of Cornwall (Patrick Troughton) as they perform their pagan misdeeds disguised as Vikings in trying to overthrow King Arthur (Anthony Bushell) and Christianity. In just his second feature, Harry Andrews appears all too briefly as the Earl of Yeonil, but Andre Morell shines as Sir Ontzlake, who teaches John the skills he needs to win, but to wait until they can confirm the treachery of the sly Palamides (actors Bryan Forbes and Dennis O'Keefe are credited with 'additional dialogue'). Wearing earrings, hair carefully curled, bearing a faintly Arabian accent that makes each line a cherished treasure, the bearded Cushing is a menacing, awesome sight, his blue eyes accentuated by his dark skin, certainly a match for his idol Basil Rathbone in either "The Adventures of Robin Hood" or "The Mark of Zorro." For an actor who loved Westerns and derring do, this would remain a cherished role that Christopher Lee would get to play far more often. This was only the first of six times that Cushing would be paired with Andre Morell, most memorably as Holmes and Watson in 1958's "The Hound of the Baskervilles." Like Cushing a future Dr. Who, Patrick Troughton was so prolific on television that he rarely strayed from horror on screen, working again opposite his evil cohort in both "The Gorgon" and "Frankenstein and the Monster from Hell." Though best remembered as an actor (appearing with Boris Karloff in both "Five Star Final" and "The Ghoul"), Anthony Bushell later directed Christopher Lee in 1960's "The Terror of the Tongs" (previously appearing with Lee in 1957's "Bitter Victory").
wilso127 If there actually were a King Arthur and The Round Table, one of his adversaries while the court was at Camelot is said to have been a warrior chief named Cerdic (sometimes referred to as 'Cedric'). Cerdic's origins are disputed. Some say he was a Cornish Celt invader, others say he was from Celtic Brittany, and others say he was actually a Saxon. And still others say that Cerdic was actually the legendary King we now call 'Arthur'. Whatever and whoever he was, the character of King Mark of Cornwall in this film is evidently based on Cerdic. There are, even today, a number of places near the southeast coast of England that are named after Cerdic. And by the way, although this film is a bit corny and low-budget, it is indeed a Ripping Yarn!!!
dalegore Arthur, if he ruled at all was about 475 AD. Saracens (Muslims), came after Muhommed (7th century AD). The armor and heraldry was of the high medieval period (10th - 12th centuries AD). The timing is all jacked up. Were people so stupid in the fifties to fall for anything, or is this just a case of reckless writers throwing ideas together over 500 years of history? This would be equal to a movie in which Christopher Columbus mans a PBR in Vietnam, and fights the Confederate navy. Saaad. So, if you have nothing else to do, like watching your toenails grow, or seeing if you can stare at the minute hand until you actually see it move, then by all means watch this movie. The only thing that could make it better, would be if it were a silent picture, and speed up the film speed by 10 percent.
Deusvolt I liked it only because I fancy swords and medieval armor. However, you're not going to learn anything factual nor fascinating about medieval combat here unlike in Robert Taylor's Ivanhoe or Knights of the Round Table.The character portrayed by Alan Ladd wears an abbreviated armor eschewing the greaves and other gear to protect the legs and arms. Save for the breastplate and chain mail (short sleeved at that!), there is little to suggest that he wears authentic knightly armor. Even his helmet covers only the top of his face (no doubt to display his handsome features.) Robocop is the same way. The reason for the light armor becomes apparent when Ladd performs acrobatics in combat unlikely to have been part of a knight's dueling or battle paces. Robert Wagner in Prince Valiant does similar things.The heroic Black Knight is actually a commoner and thus barred from bearing knightly arms and so has to keep his identity secret.The villains are a Saracen knight (Peter Cushing) allied with Cornishmen. Why the people of Cornwall who are as British as the English? Beats me.Cushing gives a luscious performance as a baddie. His quip after humiliating the blacksmith Alan Ladd before his lady love (Patricia Medina) is memorable. After failing to egg the meek Alan Ladd into fighting him, he turns to Patricia saying: "Please pardon this shameful exhibition."The photography and location shots are excellent.