Red-Barracuda It would only be fair to say that the title of this one gives a pretty clear clue of what it's going to be about in advance. Needless to say, The Black Godfather is about the head honcho of an African-American gangster group. It's clearly a Blaxploitation riff on the earlier mega hit, The Godfather (1972), except in this one there is no focus whatsoever on the rise of the central character up to the summit of his organisation. Basically, in this one he has arisen to the rank of godfather after approximately ten minutes in! So the focus is on things he has to deal with as the leader of a black gang, such as white hoods trying to introduce drugs into the neighbourhood, something the black criminals are strongly opposed to. In order to combat this, the godfather joins forces with a Black Panther styled militant group.I was looking forward to this one, as it sounded like a sure fire winner but in all honesty it's a pretty poor effort from a genre where even most of the ropiest entries are still somewhat entertaining. It is a little too talky for its own good and it doesn't deliver enough fun on the whole. The black godfather himself wasn't truthfully the most interesting central character as it turned out, which was disappointing. It's probably a film suited mostly to Blaxploitation fanatics and I'm sure it will deliver something for most of them. One point of interest I did find though was the presence of Duncan McLeod as the requisite corrupt cop – he, of course, played the shady lawyer Porter Hall in the delicious cult classic Beyond the Valley of the Dolls (1970) and it certainly was at least nice to see him appear in something else.

Lee Eisenberg On the one hand, it's pretty good to focus on a man whose aim is to keep drugs out of his community, but this is silly. The fight scenes aren't as neat as those seen in "Shaft" or "Superfly". An interesting factoid is that Tony Burton, who plays Sonny, has also starred in two of the most famous movies: he played Apollo Creed's trainer in "Rocky" and the garage owner in "The Shining" (on whose set he played chess with Stanley Kubrick).So, there's nothing special about "The Black Godfather". Like any blaxploitation flick, it's purpose is to show African-Americans being cool. This one succeeds at least partly.

Woodyanders Wise old numbers king Nate Williams (affably portrayed by legendary blues singer Jimmy Witherspoon) reigns supreme over a gritty ghetto urban jungle. Nate makes shrewd pimp J.J. (well played with fiery aplomb by Rod Perry) his righthand man. J.J. in turn declares war on evil white heroin drug lord Tony Burton (a smoothly hateful Don Chastain). J.J. enlists the aid of passionate black militant leader Diablo (essayed with fierce gusto by Damu King) to rid the neighborhood of smack. Writer/director John Evans delivers plenty of snappy, profane dialogue, a decent smidgen of gratuitous nudity, and occasional outbursts of exciting action (a wild karate fight between two women rates as the definite stirring highlight). Nice supporting performances by Diane Sommerfield as J.J.'s sweet girlfriend Yvonne, Duncan McLeod as corrupt, on the take cop Lt. Joe Sterling, Tony Burton as Nate's loyal, volatile body guard Sonny Spyder Brown, John Alderman as wormy, stuttering dope pusher Cockroach, and Anny Green as Tony's sassy blonde moll Honey. Jack Steely's rough, grainy cinematography, the well-drawn main characters, and the soulful groovin' score by Phil Moore and Martin Yarbrough further enhance the funky fun of this enjoyable blaxploitation item.

MARIO GAUCI Despite my skepticism about the whole "cash-in" business, I can't deny that the Blaxploitation genre has yielded some remarkable achievements, most notably Larry Cohen's BONE (1972) and Bill Gunn's GANJA AND HESS (1973); unfortunately, THE BLACK GODFATHER would definitely come somewhere near the bottom if such a list was compiled…! Having already updated private detectives, vampires, monsters and what have you to the funkier generation, it was only a matter of time before we also had a colored Don to lord it over the underworld; it's a pity, though, that the mobster here is nothing like his Italian namesake (unless having his bodyguard named Sonny is enough to earn him the title of "Godfather"!).Anyway, I've already spent far more time writing about this film than it deserves; suffice it to say that the hip dialogue (brimful of catchphrases like "dig", "nigger", "brother", "right on", "the man", "that where it's at", etc.) is risible, the hairstyles outrageously dated, the action sequences amateurish, the compulsory song score mediocre and the acting woeful. Despite all this, I guess I was in a "bad movie watching" mode tonight because I was reasonably entertained by this junk and I can't wait to get my hands on that other Blaxploitation double-feature disc – THE BLACK SIX (1974)/THE BLACK GESTAPO (1975) – which is available for rent from the local DVD store…!