Woodyanders Two-fisted police detective Nico Palmieri (an excellent and charismatic performance by Fabio Testi) goes out of his way to take down a nefarious protection racket in Rome, Italy. When the ruthless scum who run the racket resort to such foul tactics as rape and murder, Nico throws the rulebook away and organizes a motley crew of fed-up victims to deal with the criminals on their own ferocious terms.Director Enzo G. Castellari, who also co-wrote the bitter script with Massimo De Rita and Arduino Maiuri, keeps the hard-hitting story moving along at a constant brisk pace, does a sturdy job of creating and sustaining a harsh, gritty, and utterly cynical tone, and stages the bracing'n'bravura action set pieces with his trademark rip-snorting skill and verve (the climax in a sprawling warehouse in particular delivers the rousing goods like nobody's tear 'em up business!). Vincent Gardenia excels as loyal and helpful informant Pepe. Orso Maria Guerrini likewise registers well as champion skeet shooter Rossetti. Moreover, this picture further benefits from a truly hateful rogues' gallery of cruel and despicable villains: Marcella Michelangeli as wicked bitch Marcy, Antonio Marsini as crooked lawyer Giuni, and the ever-slimy Joshua Sinclair as sleazy head honcho Rudy. The explosive moments of savage violence pack an extra potent and nasty punch, with oodles of super bloody quality squib work. Marcello Masciocchi's slick cinematography provides an impressive glossy look and makes exciting use of a hand-held camera. The funky-pulsating score by Guido and Maurizio De Angelis hits the get-down groovy spot. A real bang-up stirring and satisfying winner.

BA_Harrison No, not a film about cheating at Wimbledon, but rather an enjoyably trashy Italian crime flick about a tough cop determined to bring to justice the violent gangsters responsible for running a nationwide protection racket.Fabio Testi (snigger, snigger) is Nico Palmieri, a hard as nails copper who is forced into taking extreme measures in order to defeat the bad guys. After usual police procedures fail to stop the escalating violence, Nico gathers together a group of embittered victims lusting for vengeance (plus an ageing hit-man keen to earn himself a passport) and sets out to blast the scum into oblivion.Director Enzo G. Castellari (he who made the original Inglorious Bastards) conducts proceedings with gusto and an eye for an interesting shot (Testi's car crash, seen from inside the rolling vehicle, is particularly impressive), and despite an increasingly preposterous plot, this movie will prove to be loads of fun for those who enjoy the genre, with bloody shoots outs and fist-fights aplenty.The diabolical English dubbing, which replaces swear words with some really daft alternatives, is also rather entertaining: it took me a while to understand exactly what was going on, but once I'd cottoned on, the words 'diddly' and 'basket' had me in stitches.

The_Void My interest in Italian cinema is usually limited to horror films, but I made an exception for this crime flick - and I'm certainly glad that I did! Actually, The Big Racket isn't a world away from the popular Italian Giallo styling, only instead of having a vicious murderer on the loose; we have a small town at the mercy of a group of organised thugs. For a film with this sort of plot, it's surprising just how good The Big Racket is. Italian films from the seventies have a bad reputation for not making a lot of sense, but not only does this one make sense - it benefits from a great, multi-angled story as well. The film sees a bunch of criminals sabotaging local businesses and asking for protection money from the owners to make them stop. The police presence in the town is largely ineffective, with the exception of one man - Inspector Nico Palmieri. Of course, you can't go around intimidating people and destroying their property for long before someone is going to fight back - and as the justice system isn't working, our hero has to find other ways to bring law and order back to his town.The Big Racket benefits immensely from a strong leading performance courtesy of Fabio Testi (star of What Have They Done to Solange). Testi's portrayal of the angry police officer is perfectly judged to fit the movie, and I don't think there is an actor who could be better suited to playing the lead in this movie. He heads a strong Italian cast, who all do well in bringing their characters to life, as well as providing the movie with the Italian style that it revels in. The script is really good, and finds time to flesh out its characters as well as deliver witty dialogue that is always a part of this movie's bigger budget American cousins. The plot builds well throughout as there's always enough going on to keep things interesting. It all boils down to a fabulous conclusion which serves in ensuring the movie gets the bloody end it deserves, as well as rounding off the story perfectly. The Big Racket features a great sleazy atmosphere, in which the story is able to flourish, and the catchy music score helps to make sure that the film is technically sound. Overall, The Big Racket is a must see film for both crime fans and cult fans and comes with high recommendations from me!

Michael A. Martinez While not the bloodiest film per-say, this is easily one of the most violent, as in most death/action vs. running time ratio of any crime movie I've seen in recent memory. On top of that, it's got a good multilayered story of several men disenfranchised by a protection mob, who all team up to take out the trash in one massive vigilante-style raid. Most are very good characters too, especially Orso Maria Guerrini who goes from an average Joe skeetshooter to a silent assassin once the thugs rape and murder his wife. Renzo Palmer's transition is a little less subtle, and his vengeful character gets a little irritating. Vincent Gardenia is good as a very suave pickpocket and wise-guy, while Testi is his usual pretty-boy self who of course looks so handsome that in some shots he looks more like an Anime cartoon character than an actual human.Despite the bad profanity-censored English dubbing (which substitutes 'basket' for 'bastard', 'dung' for the S-word etc.), this is otherwise a solid film. Before John Woo, this was as stylish and as violent as action movies got. There's at least 3 major shootouts, two of which are real standouts, and all of which have their fair share of amazing shots. For instance when Fabio Testi kills the thug who kills his partner – a slow motion shot of the thug flailing around in the foreground and Testi in the background shooting at him – you can see each exit wound corresponding to Testi's gunfire. Another amazing shot is film from inside Testi's car as it rolls down a hillside (complete with Testi inside trying to shield his eyes from the flying window-glass). Castellari demonstrates a solid eye for detail and is an expert at transitions – plenty of slow motion too. Big Racket also features some surprisingly good dialog in the case of most of the thug's threats, and then again near the end when the evil crime boss rants and raves about how to run a protection mob (and then turns out to be a total coward when guns are pointed at him).An excellent comic book crime/action movie – let's hope that promised uncut DVD comes out soon in the US.